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Encore Sundays, May 19, 2024 from 6 - 8 p.m., May 26 from 6 - 8 p.m. and June 2 from 9 - 11 p.m. on KPBS TV / Stream Season 1 - 8 now with KPBS Passport! New Season 9 premieres Sunday, June 16! GRANTCHESTER returns with Will happily married to Bonnie, and Geordie and Cathy content in their rebuilt relationship. But an accident and shocking announcements threaten the stability and happiness found by Grantchester’s vicar and police detective duo. Exploring faith, forgiveness, and redemption, this explosive season tests Will and Geordie to the limit.

SDPD said it will exceed its overtime budget by an estimated $9.2 million by the end of the fiscal year.

Samuel L. Jackson's Nick Fury never forgets he's a Black man navigating the world, which makes him feel like James Bond meets Shaft.

Premieres Wednesday, April 19, 2023 at 9 p.m. on KPBS TV / PBS App + Encores Sunday, April 23 at 2 p.m. on KPBS TV and 9 p.m. on KPBS 2. In its second year, CHANGING PLANET revisits six of our planet's most vulnerable ecosystems and catches up with the truly inspiring people introduced in the first season: scientists and local experts fighting to safeguard their communities and wildlife, and charting the progress of their game-changing environmental projects.

ReWild Mission Bay, the Mission Bay Youth Field Association and Pacific Beach Tennis Club said they agreed with the city on the ecological benefits of the buffer zones, but wanted replacement facilities.

From the gallery: Quint Gallery presents a group exhibition of new sculptural work by Adam Belt, Christopher Puzio, and Chris Thorson. In these new sculptures, Belt, Puzio, and Thorson each concentrate material into essential compositions and forms, engaging in dialogue around labor-intensive process and fabrication. Some of these sculptures activate the space through the use of shape and shadow, while others activate an awareness of the light in the space in which they are exhibited. The exhibition will be on view from Aug. 6 to Sept. 17. There will be a conversation with the artists on Saturday, Aug. 13 from 5-6 p.m. moderated by Jacqueline Marino, followed by a reception. About the artists: Adam Belt’s practice has developed around perception within the scope of scientific revelation and natural phenomena through sculpture, site-specific installation, drawing, and painting. His newest series, Phase Forms, is a distillation of material and form into an essential mass removed from symbolism. The addition of white pigment to layers of polyurethane resin becomes akin to painting in three dimensions, and produces varying degrees of opacity, translucency, and transparency. Each block responds uniquely to changing light conditions, at times appearing weightless and transitory in a given space. Christopher Puzio’s wall sculptures reflect a shift in scale from a background of working in public sculpture and architectural intervention, but a continuation of interest in the way material and nature organizes itself into patterns. In these wall works, Puzio bead-blasts stainless steel to create a non-reflective effect which repels corrosion and absorbs light. Components of similar shape and varying size are welded together to divide space in a given form, reminiscent of mid-century modern breezeblocks which blended design with function. Shadows of repetitive patterns form on the wall, permitting the surface on which it is hung to become an extension of the sculpture. Chris Thorson’s Projectiles and Blunt Instruments distill common consumer products into solid cast bronze sculptures that shift in potential purpose. Sunscreen bottles, mouthwash, Neosporin: commercial items which are sold to protect, may now be a threat due to their substantial weight. In these works, function is displaced and is only recognizable through form. A departure from her body of work that hinges upon verisimilitude, these surfaces are oxidized through polish and patina, recording varying levels of corrosion and distress that are unnatural to their original container of glass or plastic. Related links: Quint Gallery on Instagram Quint Gallery visiting information

The most significant part of the U.N. pact is a commitment to protect 30% of land and water considered important for biodiversity by 2030, up from 17% of terrestrial and 10% of marine areas.

On display will be approximately 40 of Erika’s textile pieces created in the late 1970s and 80s, along with a selection of artists’ books, portraits, publications and ephemera that represent Erika’s tenure at the library. The weavings are several narrative series that depict family, landscapes, travel and architecture. Exhibited widely in the 1980s, they have not been shown since Erika became Executive Director of the Athenaeum in 1989. Over the past thirty-five years, Erika has transformed the Athenaeum from a hidden gem of 100 members to an internationally significant arts institution of over 2,000 members–all while maintaining the library’s singularity and intimacy. In developing Athenaeum programming, Erika wove together seamlessly the worlds of contemporary art, library science, music, and arts education. This exhibition will provide an insight into her work and the way she thought about it. The exhibition can be viewed in the Joseph Clayes III Gallery and the Rotunda Gallery at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m.

The miners have survived more than 600 days on the picket line, thanks to widespread support and anger at their employer, Warrior Met Coal. Even now, neither side seems ready to budge.

Local pushback against San Diego County’s largest solar farm is showing how county officials, unlike elsewhere in Southern California, have no policy aimed at protecting the interests of rural residents when industrial-scale solar and wind farms move in next door.