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  • Loosely based on a true story, Richard Linklater's film about a professor working with the police features strong performances, shrewd writing and a light and funny tone.
  • Charlotte the ray was touted as a case of asexual reproduction. Her aquarium now says she's actually sick with a rare disease — not pregnant. "This is a very weird story," an expert tells NPR.
  • The FDA will review data to decide whether to approve MDMA, also known as ecstasy, for PTSD treatment. Biden is expected to issue an executive order addressing asylum seekers at the southern border.
  • This is a developing story. Live updates are added as they become available.
  • China has long quashed any memory of the killings, when the government ordered in the army to end the months-long protests and uphold Communist rule. The death toll remains unknown to this day.
  • Description During this masterclass hosted by the Suraj Israni Center for Cinematic Arts, filmmaker Alexandre O. Philippe will discuss his approaches to making movies about movies. The director of "Lynch/Oz" (2022), "78/52: Hitchcock's Shower Scene" (2017), and "Memory: The Origins of Alien" (2019) will talk about how his approach to documentary and cultural-commentary unfolds through research, production, and post-production. Philippe will discuss these aspects of his filmmaking practice, among others, with Center director Michael Trigilio. About Alexandre O. Philippe Swiss American filmmaker Alexandre O. Philippe has written and directed numerous award-winning films and documentaries, many of which take on the role of unpacking the most influential works of master filmmakers. His most recent film, "78/52: Hitchcock’s Shower Scene", is a documentary about Alfred Hitchcock’s iconic shower scene from Psycho. The film premiered at the Sundance Film Festival and screened extensively at festivals before its release by IFC Films. The documentary explores the intangible cinematic space between the shots and delves into Hitchcock’s genius in unprecedented fashion. It is the first feature-length investigation into the art, craft, and influence of a single extraordinary scene. Philippe holds a master’s degree in dramatic writing from New York University’s Tisch School of the Arts and is creative director at Exhibit A Pictures. Other past works include Doc of the Dead, The People vs. George Lucas, and an ongoing series of short films for The Criterion Collection titled Double Exposure. Over the years, he has conducted numerous film analyses and writing seminars at schools, universities, film festivals, and museums around the world, featuring in-depth deconstructions of classic and contemporary films. Philippe has also served on several film-festival juries, including the Edinburgh International Film Festival, Rome Film Festival, and New Zealand Film Awards. Questions? Email us. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • How did the soda giant from America come to be seen as "local" in Africa? And what has the impact been on the continent for worse and for better?
  • One youth center is reconnecting Native Americans, both young and old, with their ancestral heritage.
  • The eldest of the multi-talented, multi-award-winning Kanneh-Mason family, Isata Kanneh-Mason wowed audiences with her debut performance alongside her brother Sheku in the 2021–22 Season. Just days before performing at Carnegie Hall, she returns to The Conrad in a solo showcase with a gorgeous program of piano classics. Pianist Isata Kanneh-Mason is in great demand internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire, with her recital programmes encompassing music from Haydn and Mozart, via Fanny Mendelssohn and Clara Schumann, Chopin and Brahms, to Gershwin and beyond. In concerto, she is equally at home in Felix Mendelssohn and Clara Schumann, whose piano concerto featured on Isata’s chart-topping debut recording, as in Prokofiev and Dohnányi. In 2022/23 Isata stepped into her role as Artist in Residence with the Royal Philharmonic Orchestra, performing three concerti across the season at London’s Cadogan Hall. She returned to Dortmund’s Konzerthaus as one of their Junge Wilde artists and made multiple visits to both the BBC Scottish Symphony Orchestra and the Royal Liverpool Philharmonic. Other highlights of the season include recital performances at the Barbican, Queen Elizabeth, and Wigmore halls in London, the Philharmonie Berlin, National Concert Hall Dublin, Perth Concert Hall, Prinzregententheater Munich, and the Sala São Paulo. As concerto soloist, Isata appears with the Orchestra of Opera North, New World Symphony Miami, City of Birmingham Symphony, Duisburg Philharmonic, Barcelona Symphony, Geneva Chamber Orchestra, Detroit Symphony, and Orchestra of Norwegian Opera. She returns to the Baltimore Symphony and recently made her long-awaited debut with the LA Philharmonic at the Hollywood Bowl. Isata is a Decca Classics recording artist. Her 2019 album, Romance – the Piano Music of Clara Schumann, entered the UK classical charts at No. 1, Gramophone magazine extolling it as “one of the most charming and engaging debuts.” This was followed in 2021 by Summertime, an album of 20th-century American repertoire featuring Samuel Barber’s Piano Sonata and a world premiere recording of Samuel Coleridge-Taylor’s Impromptu in B minor. In November 2021, along with her cellist brother, Sheku Kanneh-Mason, Isata released her first duo album, entitled Muse, beautifully demonstrating the siblings’ musicality and refined skill borne from years of playing and performing together. Her new solo album, Childhood Tales, was released in May 2023. Isata was an ECHO Rising Star in 2021/22, performing in many of Europe’s finest halls and is also the recipient of the coveted Leonard Bernstein Award and an Opus Klassik award for best young artist. Click here to learn more information about this event!
  • This concert is curated by San Diego New Music founder, Christian Hertzog, who established SDNM as the first and only arts organization in San Diego to dedicate itself exclusively to twentieth century music. Hertzog's cocnert features two of his original compositions, including a world premiere of a new work, It Sounds As (2023). Joined by pianist and fellow UC San Diego graduate, Kyle Adam Blair as well as trombonist and professor at SDSU, Eric Starr, the concert will feature piano, electronics, trombone, and two pieces dedicated to toy piano, a specialty of Hertzog’s.
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