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  • From the museum: A one-of-a-kind exhibition, O’Keeffe and Moore compares the work of two iconic modernists: American painter Georgia O’Keeffe and British sculptor Henry Moore. While these artists worked on different continents, their careers and contributions to the artistic development of the 20th century reveal many parallels. While Georgia O’Keeffe was holding up a small pelvic bone of a gray fox against the New Mexico sky, framing the landscape and imagining the curve of the bone on a vast scale, Henry Moore, eleven years her junior and half way around the world, was also holding up small bones, maquettes, and other objects against the sky, imagining them any size and peering through their apertures to the open landscape and sheep fields of Hertfordshire. The two artists pioneered and shared a coherent vision and approach to Modernism. While other Modernist artists also used natural forms as a pathway to abstraction, no other artists apart from O’Keeffe and Moore centered their art on this fundamental aspect, and amassed such great collections over their lifetimes of animal skulls and bones, gnarled tree roots and twisted driftwood, smooth and hollowed river and flint stones, internal coils of seashells and interlocking pebbles. This exhibition unites the work of these artists for the first time, and re-creates their studios in the Museum with their original contents of found objects, tools, and furnishings. Visitors will be able to explore their working practices, and see how these humble objects inspired some of their most important artistic creations. Over 100 paintings and sculptures trace their artistic development, exploring Surrealist concepts such as the pairing of objects and metamorphosis, as well as their investigations of bones, stones, internal/external forms of flowers and seashells, and landscape. Before settling permanently in New Mexico, O’Keeffe collected animal skulls she found during visits to the Southwest, bringing them back with her to New York to study and paint. Meanwhile, Moore referred to his maquette studio as his “library of natural forms” and drew from its vast resources daily, fusing the shapes of the human figure in plaster and terra cotta with those of the natural world, and questioning our relationship with the environment. He mused “The value of certain types of modern sculpture may be that it opens people’s eyes to nature, that they pick up things which they wouldn’t look at otherwise; and they look at things with a new eye.” The sentiment is echoed in the reminiscences of O’Keeffe: “I have picked flowers where I found them. I have picked up sea shells and rocks and pieces of wood where there were sea shells and rocks and pieces of wood that I liked…I have used these things to say what is to me the wideness and wonder of the world as I live in it.” Learn more here. Ticket information: Please note: Due to the staff and logistics necessary for this special exhibition, there is an additional charge ($10) for nonmembers, ages 7+. Members receive free admission. Advanced tickets are not required. See below for more information about special exhibition entry. Related links: San Diego Museum of Art on Instagram San Diego Museum of Art on Facebook
  • The House bills largely mirror a foreign aid package that passed the Senate in February, with aid to Ukraine, Israel and Taiwan. The House has an additional bill targeting Iran, China and Russia.
  • Tester is the last Democrat holding statewide office as Republicans have dominated recent elections in Montana. He's carved out an identity as a moderate and he hopes that will win him another term.
  • Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week: 5-Second Films, an eye-opening Melrose Place article, the song "Ça plane pour moi" and rewatching 30 Rock.
  • The state law requires any records showing discrimination by law enforcement be released to the public. The questions remains: is the public seeing everything it should? Then, Amtrak weekend services returned on Saturday for the first time since operations were suspended in October to repair a section of track along the San Clemente coast that was damaged during a storm surge. Next, California just enacted a law that requires employers to post the pay range of jobs they’re seeking applicants for. But does making salaries public empower low wage workers, or does it just put privacy at risk? And, when storms battered California last month, the streets of Planada became rivers. Hundreds of homes flooded and the whole town was evacuated. Now people in this rural Central Valley community are trying to put their lives back together. Next, a new book from local journalist Dean Calbreath uncovers the forgotten history of an African immigrant who became a hero in the Civil War in “The Sergeant: The Incredible Life of Nicholas Said.” Finally, KPBS arts reporter Beth Accomando speaks with University of South Carolina professor Qiana Whitted about her Eisner Award-winning book, “EC Comics: Race, Shock and Social Protest.”
  • For the first time, the Museum of Modern Art showcases current West African photographers. The exhibit depicts the colonial past, beautiful beaches and boisterous protests of the Nigerian city.
  • VOXVOXVOX is the final installment in our monthly series of experimental concerts at Bread & Salt. Local singers Michelle Gallardo-Arias, Mariana Flores Bucio, Jonathan Nussman and Miguel Zazueta will present an evening of contemporary solo works that explore the expressive possibilities of the unaccompanied human voice. VOXOXVOX is a concert of works that zero in on the sound of the human voice and explore its boundless lyrical, expressive, instrumental and percussive qualities. Curated by Jonathan Nussman, these works free the singer from the confines of traditional accompaniment, unlocking each individual artist’s creativity by combining new and familiar sounds in surprising ways. The concert features singers from San Diego and Tijuana, including sopranos Michelle Gallardo-Arias and Mariana Flores Bucio, baritone Jonathan Nussman, and tenor Miguel Zazueta. This eclectic program includes music by Carolyn Chen, Gilda Lyons, Georges Apperghis, and a world premiere by Pulitzer Prize-winning composer Roger Reynolds. In addition to the live performances, an installation by local painter Stacie Birky Greene will be on display in space. Stay Connected with Bread & Salt Art Gallery on Instagram.
  • My Persian Place welcomes the spring equinox with celebration of Nowruz, Persian New Year, at beautiful Mingei International Museum. The event includes Noureddin ZarrinKelk (The Father of Iranian animation), art and books, musical performances, Persian dance by Gheesu Ensemble, singing, children’s art and craft, Little Artists Exhibition and our Haft Sin display. There will be a Persian tea house serving tea, sweets and persian ice cream. Event is free and open to all. March 27, 2023 from 2 p.m. - 8 p.m. Visit: mypersianplace.org/events/
  • Since 1999, the Spring Harp Fest has introduced local musicians and music lovers to the great American art of Blues Harmonica. The unique once-yearly showcase includes local jams, competition among unknown players, and some of the best professional players in the music scene.Guests are encouraged to bring their mouth harps (harmonicas), hula hoops, cameras, bubbles, and dancing shoes, and enjoy the beauty of Harry Griffen Park while the music plays.
  • A $4 thrift store purchase that turned out to be a rare painting by American artist N.C. Wyeth sold Tuesday for nearly $200K.
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