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Saturday, April 26, 2025 at 1:30 p.m. on KPBS TV / Stream now with KPBS Passport and YouTube. Christopher Kimball goes on a fishing trip off the Pacific Coast of Mexico to learn the art of Mexican seafood. He prepares Slow-Roasted Snapper with Chili and Lime. Matt Card makes Mexican-Style Shrimp in Chili-Lime Sauce, Rosemary Gill gives a lesson on Chilis 101 and we visit Santiago Munoz at his tortilleria Maizajo.

This group exhibition showcases recent works by the talented faculty and staff of the Fine Art department. The artwork on display highlights the creativity and dedication of instructors and staff, who find the time to pursue their studio practice. The exhibit includes an array of traditional and contemporary media, such as painting, photography, installation, sculpture, ceramics, digital art, and more. Participating Artists: Trevor Amery, Jenny Armer, Brian Benfer, Nathan Betschart, Kraig Cavanaugh, Patricio Chavez, Christopher Ferreria, Misty Hawkins, Gosia Herc, Lisa Hutton, Wendell Kling, Chris Lahti, Georgia K. Laris, Alessandra Moctezuma, Amy Paul, Jacqueline Ramirez, Robyko, Chelsea Ruwe, Juan Carlos Toth, Sandra Wascher. Exhibit on view Feb. 10 – March 6, 2025. Join us for the reception: Wednesday, February 12, 4 - 7 pm. Art Gallery FA 103. Light refreshments. Free and open to the public. Free Parking in Lot # 1 STAFF spaces ONLY. Reception Night ONLY. Gallery Hours: 12 – 5 p.m., M-Th or by appointment. Closed Fridays, Weekends & Holidays.(closed Monday, February 17). During regular gallery hours park in the visitor spots or purchase a parking permit at the machines or via de app. Mesa College Art Gallery on Facebook / Instagram / X

Special Event in honor of Juneteenth on June 19 from 6-9 p.m., more info forthcoming! Oolong Presents “Sun Goin' Down” A Debut Solo Exhibition by 2025 UCSD MFA Graduate John Singletary June 6 to 25, 2025 This powerful body of work, four years in the making, introduces Singletary’s haunting, symbolic, and deeply personal paintings to the public for the first time. Singletary’s painting practice delves into memory and myth. Drawing from Biblical and Classical tales, Southern folklore, his family’s spiritual lineage, and the subconscious, the artist channels a visual language steeped in longing, pain, and transformation. His work explores themes of death, love, and fear, and reanimates the sacred and the subconscious through ritualized technique and iconographic reference. “My aim is to make paintings that create a separation from the self and its fears or desires, creating space for thinking.” In “Sun Goin' Down,” Singletary’s technique and process becomes part of the meaning. Through methods such as sgraffito, sfumato, sanding, and scraping, the surface of each canvas evokes a kind of resurrection—a cycle of death and rebirth in oil and pigment. “In moments where I render carefully, there is longing. In moments where I have sanded the canvas bare, a subconscious death has occurred.” Singletary explores Christianity as both salvation and trauma, magic and evil. His paintings pulse with the ghost-like presence of those who came before, and the spiritual residue of Southern Black life. “Painting is alive—a deity that brings the dead back to life and allows what is absent to appear present.” “Sun Goin’ Down” refuses easy categorization. The works are both confession and apparition, echo and invocation. Rich in symbolism yet elusive in narrative, these paintings ask to be felt more than explained. They speak in the language of dreams—where trauma is transfigured into image, and gesture becomes truth. Join us at Oolong Gallery for this artist whose work is already pulsating with the intensity of a masterful voice. Gallery Hours: Wednesday–Saturday from 11 a.m. – 5 p.m. | appointments recommended w/ wider availability Instagram

The Clairemont Drive Station attracts fewer passengers than any other station on the Blue Line trolley. Experts blame the city's restrictive zoning.

San Diego International’s new Terminal 1 will open on Sept. 22, offering more gates, new restaurants and a $3.8 billion modern design.

Experience the vibrant energy of Endea Owens and the Cookout, a dynamic ensemble led by the exceptionally talented bassist Endea Owens. Their performances are a joyful fusion of jazz, soul, and global influences, creating a feel-good atmosphere that captivates audiences. Owens, known for her commanding stage presence and masterful playing, often takes center stage with riveting bass solos, while the band members shine with compelling instrumental riffs and uplifting vocal harmonies. The Cookout’s performances are more than just a concert; they are an experience that leaves audiences feeling inspired and connected. Endea Owens’ exceptional talent and impact have garnered significant recognition. She is a recipient of an Emmy, a GRAMMY Award, and a George Foster Peabody Award. In 2019, she was hailed as an Emerging Artist by Jazz at Lincoln Center. Owens has also been commissioned to compose for prestigious ensembles such as the Jazz at Lincoln Center Orchestra and the Cincinnati Symphony Orchestra, where she served as the 2023 MAC Music Innovator. Her debut album, "Feel Good Music," released in 2023, has further solidified her position as a rising star in the jazz world. Endea Owens on Instagram / Youtube

Our roundup of arts and culture to discover in San Diego this month: Visual art, music, theater, dance, outdoor festivals, books, film and more. Up next: Art Alive at San Diego Museum of Art; WOW Festival at UC San Diego; San Diego Symphony's "The Mountain That Loved a Bird"; San Diego Book Crawl, Fern Street Circus Neighborhood Tour; Natalie Gonzalez at Oceanside Museum of Art; Sídro Saturdays at The Front; "Harvest & Gather" at the Athenaeum and more.

San Diego New Music Presents Shadings: Curated by Cellist Peter Ko Monday, March 17, 2025 CONCERT BEGINS AT 7:30 p.m. DOORS OPEN AT 7 p.m. “How far can we enter into a single moment, such that for that brief speck of time, for an instant, unison is registered?” This is the question that Charles Curtis poses in his liner notes for Tashi Wada’s Duets (2006–2008). Duets, starkly singular in focus and scope, centers around the concept of unison, complicated by issues of very gradual glissando, of descent—a process through which rich acoustical phenomena emerge, inviting the performers and listeners to deepen their perception ever further into a single moment. shade , illumination (2025) by Adam Zuckerman will be a new piece for solo cello, a commission and world premiere made generously possible thanks to San Diego New Music. Singular nodal points of the instrument are thoroughly explored, scanned through very gradual changes in pressures—through this process, what we may initially hear as a single acoustical structure is gently illuminated, in all of its various shadings. ATHENAEUM ART CENTER: 1955 Julian Avenue, San Diego, CA 92113 About San Diego New Music: San Diego New Music is a nonprofit organization dedicated to the public performance of notated music of the highest integrity and artistic caliber from the 20th and 21st centuries. We seek to advance the art form by promoting music composed with conceptual rigor, passionate energy and singular artistic vision. SDNM enriches the artistic culture of San Diego through the presentation of an annual concert series and the soundON Festival of Modern Music, and through fostering its resident performing ensemble, NOISE. In 1994, the only place in San Diego where you could hear an entire concert of 20th-century music was on a college campus. San Diego New Music pitched the idea of a concert series devoted to modern music and 20th-century classics at the Athenaeum. The concerts of modern music perfectly complement the exhibitions of modern art held in the Athenaeum’s galleries. In 1996, San Diego New Music presented its first season. The series was called "Noise at the Library," and the ensemble would later adopt the name, as well. San Diego New Music and the Athenaeum have been happily co-presenting concerts of new music ever since. For more information on the organization go to www.sandiegonewmusic.com.

A decade later, Arabella Benson's elaborate "Days of Future Past, Past" — reimagining the X-Men as 18th-century aristocrats — remains a fan favorite of the Comic-Con Masquerade stage.

The red-legged frog is the latest species to see success from binational cooperation along the nearly 2,000-mile border.