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The Library's Autumn Concert Series takes place on Fridays from September 5 to October 31. Each concert will begin at 1 p.m. in the Winn Room. Doors will open 15 minutes prior to the performance. On September 19, we will have Vania Pimentel on the piano. Concert pianist Vania Pimentel, born and raised in Brazil, has been promoting Brazilian music in creative recital programs. She has a BA in Music and another BA in Philosophy from Brazil, KA graduate artist diploma from Germany, Masters in Piano Performance and Pedagogy, and DMA from the University of Houston. Her doctoral dissertation was on Brazilian toccatas, and her CD “Brazilian Toccatas and Toccatinas” was praised by the Brazilian Academy of Music and newspaper critics in Rio de Janeiro in the year of 2000, five hundreds years of Brazil’s discovery by the Portuguese. Dr. Pimentel became a member of Pi Kappa Lambda National Music Honor Society, and worked as an assistant teacher at the Moores School of Music and the Texas Music Festival. In Brazil, she had worked for 14 years as a piano professor in Curitiba, PR. Her first award at a piano competition was at the age of seven in Rio de Janeiro. Her top awards are from J. S. Bach International Piano Competition in Paris (1984), and Jaen Competition in Spain (1982). Dr. Pimentel lived in Italy from 2005 until 2009, and performed at the series Pianomaster in Gravedonamon Lake Como, and chamber music at the Blaue Blumen concerts in Frankfurt. Afterwards, she lived in San Diego until 2022. She performed recitals at Palomar College, Fallbrook Library, Coronado Library, Encinitas Library, the Athenaeum, Carmel Valley Library, and chamber music in Temecula: Classics at the Merc. She performs frequently in Brazil, and has given masterclasses at many universities there. In 2020, she performed and taught at the 37th Music Workshop of Curitiba, in Paraná state. Last year she presented a solo recital during the Music Week of Lapinha, PR, and last April at the Chapel Santa Maria in Curitiba. Currently she lives in Miami. Visit: https://coronado.librarycalendar.com/event/autumn-concert-series-hold-34513

Authorities say the five officers were following up on an investigation that was "domestic related."

"Bust of a Woman with a Flowered Hat," a vividly hued Picasso portrait of longtime muse and partner Dora Maar, had remained hidden from public view for more than eight decades.

Join us for a concert-lecture by pianist Daniel Beliavsky while he explores and performs well-known works by Chopin, Scriabin, Rachmaninoff, and Shostakovich. Through performance and discussion, Dr. Beliavsky will demonstrate how these artists, each inhabiting unique musical, philosophical, and political trajectories from periphery to mainstream, contributed enormously to the pillars of Western modernism. Program: Frédéric Chopin (1810–1849) - "Nocturne" in E Minor, op. 72, no. 1 (1827) - "Ballade No. 1" in G Minor, op. 23 (1835–1836) - "Nocturne" in B Major, op. 32, no. 1 (1837) - "Polonaise" in A-flat Major, op. 53, (“Heroic”) (1842) Alexander Scriabin (1872–1915) - "Étude" in C-sharp Minor, op. 2, no. 1 (1887) - "Étude" in D-sharp Minor, op. 8, no. 12 (1894) Sergei Rachmaninoff (1873–1943) - "Prélude" in C-sharp Minor, op. 3, no. 2 (1892) - "Prélude" in G Minor, op. 23, no. 5 (1901) Dmitri Shostakovich (1906–1975) - "Prélude and Fugue No. 1" in C Major, op. 87 (1950) - "Prélude and Fugue No. 24" in D Minor, op. 87 (1951) About Daniel Beliavsky Daniel Beliavsky, Ph.D., is an educator, concert pianist, music theorist, composer, and filmmaker. He has performed in Europe and throughout the United States both with orchestra and in recital. Notable engagements include concerto performances with the Milwaukee and New Jersey Symphony Orchestras and the Moscow State Symphony Orchestra. His discography includes the world-premiere recording of composer Lukas Foss’s complete piano works, early works by Donald Harris and David Del Tredici, and music by J.S. Bach, Domenico Scarlatti, Franz Schubert, Frédéric Chopin, and Modest Mussorgsky. Beliavsky’s recordings are available on all major streaming services. Beliavsky produces music documentaries through his production company, Opus1films, which in 2011 released "Sonata (1957)," a film about the distinguished American composer Donald Harris’s opus one, the Sonata for piano, and about Harris’s early career in Paris. That film was shown at Lincoln Center in New York City and was broadcast on public television. More recently, Beliavsky completed "Secret Music and Gay Body of Music," a feature film and a short film respectively, about Pulitzer Prize–winning composer David Del Tredici and the social and cultural impact of his music. These films have won multiple accolades and have been screened at film and music festivals, including QFest Houston, Berlin Shorts, and the Wisconsin Film, Mostly Modern Music, American Music, Lonely Seal International Film, Toronto LGBTQ+ Film, San Diego International Film, Rotterdam Independent Film, and San Francisco Arthouse Short Festivals. Recently, Secret Music was screened at Lehigh University and the University of Missouri–Kansas City. Additionally, Beliavsky has been producing educational videos for the San Diego Opera on the operas the company is showcasing during the 2024–2025 and 2025–2026 seasons. These videos may be found on both the SDO’s and Beliavsky’s YouTube channels. Now Chair of the Fine Art and Music Department at Yeshiva University in New York City, Beliavsky has been a visiting professor of music theory, piano performance, aesthetics, writing about music, and history at several universities, including The City College of New York, John Jay College of Criminal Justice, Stern College, Montclair State University, The New School for Jazz and Contemporary Music, Mannes College, and New York University. Tickets: $35/$45/$12 The concert-lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. Priority seating will be given to Donor level members and above. Athenaeum Music & Arts Library on Facebook / Instagram

Opening Reception | Nolan Oswald Dennis: "Demonstrations (i)": Presented with INSITE Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 October 25, 2025–January 17, 2026 Opening Reception: Friday, October 24, 5:30–8 p.m. Conversation with Nolan Oswald Dennis and critic KJ Abudu: 5:30–6:15 p.m. Joseph Clayes III & Carolyn Yorston-Wellcome Rotunda Galleries Nolan Oswald Dennis: "Demonstrations (i)" Presented with INSITE INSITE is pleased to announce Nolan Oswald Dennis: "Demonstrations (i)," opening at the Athenaeum Music & Arts Library in La Jolla, California, this October. Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is an artist based in Johannesburg, South Africa. Informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures—Dennis’s work approaches the world as it is while mapping possibilities for transforming it. "Demonstrations (i)" marks the West Coast premiere of Isivivane, an ongoing project by Dennis that replicates rock specimens from geology museums and university departments in South Africa and parts of the world where the work has been shown. Originally commissioned for INSITE Commonplaces in Johannesburg in 2021, this project has since traveled to the Kunstinstituut Melly in Rotterdam, Netherlands; the Swiss Institute in New York; and Gasworks in London. Isivivane is a Zulu word which translates to a "pile of stones,” similar to a cairn, which marks a spiritually or historically significant site. Isivivane also means to make an individual contribution to a collective future. Manufactured daily by a 3D-printer on site, the new rocks become part of what the artist calls a Black Earth Library. This is an effort that has arisen from discussions with geologists and geology museum curators concerning restitution and repatriation of culturally significant objects. In asking the host institution to create digital and physical copies of more or less significant rocks, stones, and other small geological objects, Dennis suggests a geo-social system not built by a single person, but by many over time. Isivivane will be accompanied by related sculptures and drawings, and displays of rocks and minerals selected by the artist from local collections. "Demonstrations (i)" opens to the public at the Athenaeum with a reception on Friday, October 24, from 5:30 to 7:30 p.m. The closing of the exhibition on January 17 will be celebrated with the presentation of INSITE Journal__08: Reverse Forward and All at Once. The publication comprises documentation and essays related to the INSITE "Commonplaces" project curated by Gabi Ngcobo in Johannesburg, with commissioned work by participating artists Nyakallo Maleke and Nolan Oswald Dennis. Further public program announcements to follow. About Nolan Oswald Dennis Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. They hold a bachelor's degree in architecture from the University of the Witwatersrand (Wits) and a master’s degree in art, culture, and technology from the Massachusetts Institute of Technology (MIT). Their work has been the subject of solo exhibitions at Kunstinstituut Melly in Rotterdam, Netherlands; Swiss Institute in New York; Zeitz MOCAA in Cape Town; and Gasworks in London. They have been featured in group exhibitions at FRONT Triennial (Cleveland), Lagos Biennial, Liverpool Biennial, MACBA (Barcelona), Palais de Tokyo (Paris), Seoul Mediacity Biennale, Shanghai Biennale, and Young Congo Biennale, among others. They are a member of the artist groups NTU and Index Literacy Program, research associate with the VIAD Research Centre at the University of Johannesburg, and a member of the Edouard Glissant Art Fund Scientific Committee. About INSITE Since 1992, INSITE has produced more than 250 artists’ projects conceived for specific sites and political-social contexts across San Diego and Tijuana, as well as in Mexico City. INSITE Commonplaces is a curatorial platform established in 2021 for producing work with artists and communities commissioned locally in different regions of the world. In addition to Johannesburg (Reverse Forward and All at Once), these long-term projects have taken place in Lima, Peru (Common Thread), and presently, the transnational region encompassing San Diego County and Baja California, Mexico (The Sedimentary Effect). The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Athenaeum Music & Arts Library on Facebook / Instagram

Stream now with KPBS+ / Watch Saturday, Nov. 22, 2025 at 4:30 p.m. on KPBS TV. Istanbul's rich heritage spans the centuries from Christian Byzantium to Muslim Ottoman rule to today's thriving city. We start our look back at the Roman-tinged Hippodrome, then indulge in the ancient ritual of the Turkish bath. We take in the Blue Mosque and the grand Hagia Sophia, taste Turkish delight at the venerable Spice Market, and explore Topkapı Palace and its harem room deep within. 

Air conditioning has become a hot debate in France in a summer of heatwaves.

Under President Trump, the U.S. has taken steps to roll back climate policies. Here are six significant changes.

This weekend in the arts in San Diego: Pop Art at MCASD; affordable small artworks at Secret Sister; LITVAKdance; the Verbatim Books Dollar Sale; "Because We Eat" and more.

The filmmaker has two new movies out: Nouvelle Vague is an homage to director Jean-Luc Godard, and Blue Moon centers on lyricist Lorenz Hart, the former creative partner of Richard Rodgers.