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  • This event has been canceled Renowned violinist Cho-Liang Lin performs with Aleck Karis (piano), Cindy Wu (violin), Brian Che-Yen Chen (viola), Clive Greensmith (cello), Zhe Lin (percussion) Miklós Rózsa : Sonata for Two Violins Lei Liang: Déjà vu Wei-Chueh Lin (arr.) : Three Taiwanese Folksongs Tan Dun : Eight Colors Witold Lutoslawski : Partita About Cho-Liang Lin | Cho-Liang Lin was born in Taiwan. A neighbor’s violin studies convinced this 5-year old boy to do the same. At the age twelve, he moved to Sydney to further his studies with Robert Pikler, a student of Jenő Hubay. After playing for Itzhak Perlman in a master class, the 13-year old boy decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At the age fifteen, Lin traveled alone to New York and auditioned for the Juilliard School and spent the next six years working with Ms. DeLay. A concert career was launched in 1980 with Lin’s debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta. He has since performed as soloist with virtually every major orchestra in the world. His busy schedule on stage around the world continues to this day. However, his wide-ranging interests have led him to diverse endeavors. At the age of 31, his alma mater, Juilliard School, invited Lin to become faculty. In 2006, he was appointed professor at Rice University. He was music director of La Jolla SummerFest and directs the Hong Kong International Chamber Music Festival. Ever so keen about education, he was music director of the Taiwan National Symphony music camp and youth orchestra for four years. In his various professional capacities, Cho-Liang Lin has championed composers of our time. His efforts to commission new works have led a diverse field of composers to write for him. The list includes John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower and many more. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony and Royal Philharmonic. Lin performs on the 1715 Stradivari named “Titian” or a 2000 Samuel Zygmuntowicz. His many concerto, recital and chamber music recordings on Sony Classical, Decca, BIS, Delos and Ondine can be heard on Spotify or Naxos.com. His albums have won Gramophone Record of The Year, Grammy nominations and Penguin Guide Rosettes. Stay Connected on Social Media | Facebook + Twitter
  • Premieres Monday, March 18 and Tuesday, March 19, 2024 at 9 p.m. on KPBS TV / PBS App + Encores Thursdays, March 21 and 28 at 8 p.m. on KPBS 2. The two-part, four-hour film explores the life, work and legacy of the great 14th century Florentine poet Dante Alighieri, and the epic masterpiece he left behind, “The Divine Comedy.”
  • In the wake of a reported 30 murders of women in January alone, advocates and demonstrators are calling for legislation that would set severe consequences for femicide.
  • Max Brooks, a samurai rabbit, Teenage Mutant Ninja Turtles, Quick Draw, Cartoon Voices and more!
  • When the April 8 solar eclipse draws eyes upward, having proper solar filters and solar eclipse glasses is essential to avoid potentially permanent eye damage, doctors say.
  • Alabama GOP Sen. Katie Britt and Texas Rep. Mónica De La Cruz delivered rebuttals to Biden's speech focusing on immigration, crime, inflation and national security.
  • A lack of barracks space — as well as poor living conditions in some barracks buildings — are contributing to complaints about sailors' quality of life.
  • This is the second time Trump has been ordered pay Carroll. Last year he was mandated by a jury to pay $5 million for a separate instance of defamation.
  • A new survey maps out support for Christian nationalist views state by state. Those views found most favor in conservative rural states such as Alabama and West Virginia.
  • Universal Music Group, the world's largest music company, has threatened to remove all of the music it owns from TikTok, unless the streaming platform agrees to more favorable terms.
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