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Presented as part of AMONG FRIENDS – UNTER FREUNDEN, a campaign of the Goethe-Institut USA to celebrate and strengthen transatlantic friendship. Keith Jarrett’s legendary performance in January 1975 nearly didn’t happen. Based on a true story, "Köln 75" follows how the concert was conceived and orchestrated by the efforts of a teenage up and coming concert promoter, Vera Brandes, (played by German actress Mala Emde). Her enthusiasm set her to multitasking – from organizing the concert venue (the Cologne Opera House), promoting the event, and selling the tickets, to convincing Jarrett to perform when he almost dropped out when the Bösendorfer Imperial Grand piano he was promised was nowhere to be found. John Magaro plays Jarrett with his own intensity, a sublime counterpoint to Mala Emde’s joyful portrayal of the enthusiastic and unstoppable Vera. "Köln 75" captures the compelling, entertaining and, until now, unknown backstory about Jarrett’s one-hour, entirely improvised concert, which became the best-selling solo album in jazz history. Digital Gym Cinema on Facebook / Instagram

Voices del Valle is a youth-led podcast spotlighting powerful coming-of-age stories from California’s Imperial Valley. Told through the eyes of local teens, each episode dives into real experiences of growing up in a rural, tight-knit, and culturally rich border community. From navigating mental health and multigenerational households to chasing dreams in sports, music, and media, these stories reveal the resilience, creativity, and identity of young people forging their own paths. Whether facing homelessness or finding purpose through podcasting, Voices del Valle captures what it truly means to come of age in el Valle — with honesty, heart, and hometown pride.

The ban, a world-first, has been applauded by families looking to take back power from tech giants. But questions remain about its enforceability.

*This Podcast is intended for mature audiences. Listener discretion is advised* Miss Lolly goes to a private sex club for a class all about kink.

What determines which artists are remembered and which are forgotten? Alice Barnett was one of the nation's most celebrated composers in the early 20th century, yet her name nearly disappeared from history. San Diego musicologist Katina Mitchell uncovers Alice's life and music, while experts trace the unpredictable forces behind fame, memory and legacy.

Foreign visitors who are eligible to bypass the visa application process may soon have to turn over five years' worth of social media history to enter the U.S., under a new Trump administration plan.

Join Museum educators in creating a mixed media art work. Drawing inspiration from the beautiful and meaningful art work of Nick Cave, create your own mixed media piece of art using found objects. Please join us! No reservation is required. All materials are provided. Great for artists of all ages. Community Art Workshops invite artists to enjoy hands-on art making experiences inspired by the thinking and creating processes of artists on view at the Museum. Artists under the age of 18 must be accompanied by an adult for the duration of the workshop. The San Diego Museum of Art on Facebook / Instagram

Books can be life-changing for people who are incarcerated. When Cherish Burtson went to federal prison, books became her source of survival. Her story – and the volunteers fighting censorship to get books past prison walls – reveals how access to reading can mean survival, connection and hope.

Presented by Pacific Arts Movement, producers of the San Diego Asian Film Festival. CINEMATHEK is a year-round screening series presented by Pacific Arts Movement (Pac Arts) and Digital Gym Cinema (DGC), launching in June 2025. Inspired by Pac Arts’ early Film Forums, CINEMATHEK offers members and the public year-round access to curated screenings of classic, cult, and newly restored Asian and Asian American films. Hosted at Digital Gym Cinema, CINEMATHEK strengthens community ties, builds new audiences, and celebrates the best of Asian cinema in one of San Diego’s last remaining venues for independent and international films. Like the Royal Theater in "The Last Picture Show" and the title movie house in "Cinema Paradiso," the Fu-Ho is shutting down for good. The Fu-Ho’s valedictory screening is King Hu’s 1967 wuxia epic "Dragon Inn," playing to a motley smattering of spectators. The standard grievances persist: patrons snack noisily and remove their shoes, treating this temple of cinema like their living room. The sense that moviegoing as a communal experience is slipping away takes on a powerful and painful resonance. Yet Tsai Ming-liang’s "Goodbye, Dragon Inn" is too multifaceted to collapse into a simple valentine to the age of pre-VOD cinephilia. A minimalist where King Hu was a maximalist, preferring long, static shots and sparse use of dialogue, Tsai rises to the narrative challenges he sets for himself and offers the slyest, most delicate of character arcs (the manager, a woman with an iron brace on her leg, embarks on a torturous odyssey to deliver food to the projectionist, played by Lee Kang-sheng). By the time the possibility arises that the theater is haunted, we’ve already identified it as a space outside of time—indeed, two stars of Hu’s original opus, Miao Tien and Shih Chun, watch their younger selves with tears in their eyes, past and present commingling harmoniously and poignantly. Digital Gym Cinema on Facebook / Instagram

In a dystopian near-future Japan, law and order is enforced by a brutal paramilitary police unit known as the Kerberos Panzer Cops aka ‘Watchdogs of Hell’, equipped with heavy weaponry and reinforced body armor called “Protect Gear.” However, when their extreme methods spark public outcry, the government moves to dismantle the unit. Disobeying orders to disband, a trio of officers stage a rebellion—but only one, Koichi Todome (Shigeru Chiba) escapes. Three years later, Koichi returns to Tokyo after living in exile, carrying a mysterious suitcase. He seeks to reunite with his former comrades and uncover the truth behind the crackdown, but he soon finds himself in a surreal and dreamlike city—a shadow of its former self, filled with strange characters, elusive memories, and Kafkaesque absurdity. As reality begins to unravel Koichi descends deeper into paranoia, unable to tell friend from foe truth from illusion. A philosophical blend of film noir, political allegory, and existential mystery, "The Red Spectacles" is a visually striking black comedy that meditates on justice, memory, and the cost of loyalty. It also serves as Mamoru Oshii’s foray into live-action filmmaking and his first feature installment in the Kerberos Saga.