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  • KPBS has compiled a list of resources to help San Diegans navigate the high cost of living in our region, related to housing, food, financial aid, child care, digital access and more.
  • Otto remained involved with the Raiders even after they moved from Oakland, Calif., to Las Vegas in 2020.
  • Sasha Koozel Reibstein’s ceramic sculpture gives form to the mysterious and often chaotic processes of creation. Reibstein recognizes the parallels between the intense collisions of heat, energy, and pressure that ultimately form galaxies, living organisms, as well as ceramic objects, and illuminates the transformative potential of such extraordinary occurrences. For her exhibition at ICA San Diego, Reibstien will present her largest works to date, the results of residences at San Diego State University and Cal State University Long Beach completed earlier this year. “The End is Near the Beginning,” which takes its title from the largest work in the show, will be Reibstein’s first solo museum exhibition in San Diego. Reibstein’s ceramic sculptures are fundamentally rooted in transformation—of the body, mind, universe, and clay itself. They are the products of expertly negotiated dichotomies: earth and space; light and darkness; life and loss; body and mind; control and chaos. “The End is Near the Beginning,” offers a meditation on the ICA’s ongoing exploration of consumption, inviting us to consider the multiple definitions of the word. “To consume” can mean both to nourish and destroy; we can consume–or be consumed–emotionally or physically. The ceramic process itself is one of transformation via consumption by fire, a process that resonates with a central theme of this exhibition: the intimate connection between life and death, and the generative potential that accompanies destruction. Though grounded in mortality, in Reibstein’s work, the cyclical nature of life offers opportunities for growth, renewal, and deep connection across time. Learn more here. Related links: Sasha Koozel Reibstein website | Instagram ICA San Diego website | Instagram | Facebook
  • Trump's ex-lawyer Michael Cohen finished testifying in the New York case on Monday. The duration of Trump's own defense is not known, though they have already begun calling witnesses.
  • The prosecution is arguing that Donald Trump wanted to keep information out of the public fearing that it would turn off voters in 2016. The defense argues Trump did nothing illegal.
  • After extreme fires last year that claimed 102 lives, Maui is trying to tackle the invasive grasses that pose a big wildfire risk. That could mean restoring the land to what it once was.
  • The United Nations says 7,500 metric tons of unexploded ordnance litter the Gaza Strip. The U.N. says it could take 14 years to dispose of these dangers.
  • For the first time, the media titan was accused in court of knowing about a massive British tabloid-hacking scandal and helping to cover it up. The new leader of The Washington Post was named too.
  • Waiting rooms act as physical objects of containment, an agent of transition, a boundary, or a threshold. Often these liminal spaces invite introspections into our mental, emotional, and physical worlds. What does it mean to care for something? Someone? Ourselves? Expressions of care—or the lack thereof—shape the world in which we live, a world that is often fraught with competing tensions and complexities. Waiting Room seeks to unpack matters of illness, suffering, and healing. Explored through a range of artistic interpretations and processes including metalwork, fiber art, ceramics, glass and woodworking, the works on view investigate how we express emotional resilience. How we bring our whole selves into the consulting room. Articulated through contemporary craft, the conversation advances the important role of art in communicating our inner states. When something is internal and then externalized into a form, it frees us and allows both our physical and intangible selves to ponder, act, and address. It facilitates deep engagement with sensitive subjects and provides a stimulus that influences understanding, liberation, and relief. Curated by Bonnie Domingos and featuring works by Warren Bakley, Charlotte Bird, Richard Burkett, Judith Christensen, Victoria Fu, Polly Jacobs Giacchina, Linda Litteral. Viviana Lombrozo, Adam John Manley, Kathleen Mitchell, Michelle Montjoy, Kathy Nida, Christian Garcia-Olivo, Matt Rich, Gail Schneider, Ross Stockwell, and Cheryl Tall. Gallery Hours: Monday and Tuesday, 1 – 7 p.m. Wednesday – Saturday, Noon – 5 p.m. Sunday, 1 - 5 p.m. The visual arts program demonstrates the library’s role as a cultural institution embracing a broad range of disciplines while assisting San Diego's emerging, mid-career and professional artists achieve visible opportunities and receive wider local, regional, and national attention.
  • Experts say adults over 55 are the fastest growing group of people experiencing homelessness in San Diego.
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