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Presented as part of AMONG FRIENDS – UNTER FREUNDEN, a campaign of the Goethe-Institut USA to celebrate and strengthen transatlantic friendship. Keith Jarrett’s legendary performance in January 1975 nearly didn’t happen. Based on a true story, "Köln 75" follows how the concert was conceived and orchestrated by the efforts of a teenage up and coming concert promoter, Vera Brandes, (played by German actress Mala Emde). Her enthusiasm set her to multitasking – from organizing the concert venue (the Cologne Opera House), promoting the event, and selling the tickets, to convincing Jarrett to perform when he almost dropped out when the Bösendorfer Imperial Grand piano he was promised was nowhere to be found. John Magaro plays Jarrett with his own intensity, a sublime counterpoint to Mala Emde’s joyful portrayal of the enthusiastic and unstoppable Vera. "Köln 75" captures the compelling, entertaining and, until now, unknown backstory about Jarrett’s one-hour, entirely improvised concert, which became the best-selling solo album in jazz history. Digital Gym Cinema on Facebook / Instagram

The ban, a world-first, has been applauded by families looking to take back power from tech giants. But questions remain about its enforceability.

Join Museum educators in creating a mixed media art work. Drawing inspiration from the beautiful and meaningful art work of Nick Cave, create your own mixed media piece of art using found objects. Please join us! No reservation is required. All materials are provided. Great for artists of all ages. Community Art Workshops invite artists to enjoy hands-on art making experiences inspired by the thinking and creating processes of artists on view at the Museum. Artists under the age of 18 must be accompanied by an adult for the duration of the workshop. The San Diego Museum of Art on Facebook / Instagram

Foreign visitors who are eligible to bypass the visa application process may soon have to turn over five years' worth of social media history to enter the U.S., under a new Trump administration plan.

Lecture speaker event with Dr. Alina Polyakova on the Russian-Ukrainian War moderated by SDSU Professor Mikhail Alexseev. Dr. Alina Polyakova is President and CEO of the Center for European Policy Analysis (CEPA) as well as the Donald Marron Senior Fellow at the Henry A. Kissinger Center for Global Affairs at the Johns Hopkins University’s School of Advanced International Studies (SAIS). Dr. Polyakova is a recognized expert on transatlantic relations, European security including Russia and Ukraine, tech policy, and populism. She is the author of the book, "The Dark Side of European Integration," which examines the rise of far-right political movements in Europe, as well as dozens of major policy reports and articles in outlets such as The Washington Post, The New York Times, The Wall Street Journal, Foreign Affairs, and The Atlantic, and others. She is a frequent commentator in major media outlets, such as Fox News, CNN, and BBC. Dr. Polyakova is an experienced leader with previous roles as the Founding Director for Global Democracy and Emerging Technology at the Brookings Institution, Director of Research for Europe and Eurasia at the Atlantic Council, among others. She has also held numerous prestigious fellowships, including at the National Science Foundation, the Woodrow Wilson International Center for Scholars, and the Fulbright Foundation, among others. She serves on the board of the Free Russia Foundation and is a member of the Leadership Council for Women in National Security (LCWINS) and the Scientific Council of the Elcano Royal Institute. Dr. Polyakova holds a Ph.D. and MA in Sociology from the University of California, Berkeley, and a BA in Economics and Sociology from Emory University. Alexander Hamiliton Society at The University of San Diego on Instagram

Natalie takes our friend and colleague, Leslie Gonzalez, on her first-ever trip to Tijuana to explore Mercado Hidalgo, celebrate Día de Muertos, and dive into the sights, smells, and flavors of this tradition.

Books can be life-changing for people who are incarcerated. When Cherish Burtson went to federal prison, books became her source of survival. Her story – and the volunteers fighting censorship to get books past prison walls – reveals how access to reading can mean survival, connection and hope.

Millions of dollars worth of contraceptives have been stored in Belgium since the U.S. froze foreign aid. A local official says some products were stored improperly and are largely unusable.

Presented by Pacific Arts Movement, producers of the San Diego Asian Film Festival. CINEMATHEK is a year-round screening series presented by Pacific Arts Movement (Pac Arts) and Digital Gym Cinema (DGC), launching in June 2025. Inspired by Pac Arts’ early Film Forums, CINEMATHEK offers members and the public year-round access to curated screenings of classic, cult, and newly restored Asian and Asian American films. Hosted at Digital Gym Cinema, CINEMATHEK strengthens community ties, builds new audiences, and celebrates the best of Asian cinema in one of San Diego’s last remaining venues for independent and international films. Like the Royal Theater in "The Last Picture Show" and the title movie house in "Cinema Paradiso," the Fu-Ho is shutting down for good. The Fu-Ho’s valedictory screening is King Hu’s 1967 wuxia epic "Dragon Inn," playing to a motley smattering of spectators. The standard grievances persist: patrons snack noisily and remove their shoes, treating this temple of cinema like their living room. The sense that moviegoing as a communal experience is slipping away takes on a powerful and painful resonance. Yet Tsai Ming-liang’s "Goodbye, Dragon Inn" is too multifaceted to collapse into a simple valentine to the age of pre-VOD cinephilia. A minimalist where King Hu was a maximalist, preferring long, static shots and sparse use of dialogue, Tsai rises to the narrative challenges he sets for himself and offers the slyest, most delicate of character arcs (the manager, a woman with an iron brace on her leg, embarks on a torturous odyssey to deliver food to the projectionist, played by Lee Kang-sheng). By the time the possibility arises that the theater is haunted, we’ve already identified it as a space outside of time—indeed, two stars of Hu’s original opus, Miao Tien and Shih Chun, watch their younger selves with tears in their eyes, past and present commingling harmoniously and poignantly. Digital Gym Cinema on Facebook / Instagram

In a dystopian near-future Japan, law and order is enforced by a brutal paramilitary police unit known as the Kerberos Panzer Cops aka ‘Watchdogs of Hell’, equipped with heavy weaponry and reinforced body armor called “Protect Gear.” However, when their extreme methods spark public outcry, the government moves to dismantle the unit. Disobeying orders to disband, a trio of officers stage a rebellion—but only one, Koichi Todome (Shigeru Chiba) escapes. Three years later, Koichi returns to Tokyo after living in exile, carrying a mysterious suitcase. He seeks to reunite with his former comrades and uncover the truth behind the crackdown, but he soon finds himself in a surreal and dreamlike city—a shadow of its former self, filled with strange characters, elusive memories, and Kafkaesque absurdity. As reality begins to unravel Koichi descends deeper into paranoia, unable to tell friend from foe truth from illusion. A philosophical blend of film noir, political allegory, and existential mystery, "The Red Spectacles" is a visually striking black comedy that meditates on justice, memory, and the cost of loyalty. It also serves as Mamoru Oshii’s foray into live-action filmmaking and his first feature installment in the Kerberos Saga.