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  • San Diego hospitals are preparing for more patients after the Thanksgiving holiday. Experts have warned of a “tripledemic” as COVID-19, RSV and flu cases increase. Plus, California officials have long hesitated to list the beloved Joshua trees as endangered. Why? Climate change has never been used as a reason for a species’ possible extinction. And, a place where being a “class clown” is a good thing — Diversionary Theater in San Diego is teaching the art of clowning to students of all ages.
  • OnStage Playhouse opens 2023 with the story of a teenager who flees to her reclusive uncle’s retreat in the Costa Rican jungle to escape the aftermath of a horrific accident. The week they spend together forces them both to confront who they are as well as what it is they are running from.
  • The holiday shopping season is a make or break time for San Ysidro’s retail businesses. In other news, following the end of San Diego County’s Emergency Rental Assistance program, residents staged a protest in a county building. Plus, we have some holiday events worth checking out.
  • Premieres Sundays, Sept. 3 - Oct. 8, 2023 at 10 p.m. on KPBS TV / PBS App + Stream Seasons 1 and 2 now with KPBS Passport! Murder, mystery and secrets aplenty are in store in the all-new Season 3 of VAN DER VALK ON MASTERPIECE. For Piet Van der Valk, it’s a new day and a new dawn as he welcomes two new Sergeants to the team, the hotshot but impulsive Eddie Suleman and the technical whiz Citra Li.
  • The "15-minute city" is an urban planning concept that aims to increase quality of life and reduce planet-heating pollution. But it faces obstacles, including conspiracy theories.
  • The streamer said it added 5.9 million customers during the second quarter. Its share price has almost doubled over the past year.
  • About a quarter million troops and veterans have signed on as plaintiffs in litigation claiming the "Combat Arms" earplugs — manufactured by a 3M subsidiary — damaged their hearing.
  • Tagline: When André (André Dussollier) contacts his adult daughter, Emmanuèle, (Sophie Marceau) with a devastating final wish, she is forced to reconcile her past with him, in François Ozon’s powerful family drama. Critic Quotes: “An emotional and complex portrait of a family in crisis.” – RogerEbert.com Showtimes: Friday, May 12, 2023: 12:00, 2:20, 4:40 Saturday, May 13, 2023: 12:00, 5:10, 7:30 Sunday, May 14, 2023: 5:40, 8:00 Monday, May 15, 2023: 12:00, 2:20, 7:10 Tuesday, May 16, 2023: 11:40 a.m., 4:30 Wednesday, May 17, 2023: 4:00 Thursday, May 18, 2023: 12:00, 2:20, 7:10 For more information visit: digitalgym.org
  • Opening reception: 5-8 p.m. on March 12, 2023 RSVP here. From the gallery: Continuing on the theme of “Imagination” at Sparks Gallery, Artist Cheryl Tall uses narrative figurative sculpture and paintings to create a whimsical, yet sentimental commentary on the experience of being human in the modern age. The title of the exhibition, Dramatis Personae, is the Latin term for “cast of characters” in theater, art, and literature. It refers to the colorful troupe of sculptural characters portrayed in Tall’s art. In the style of “magic realism”, her work uses color and texture to create a surrealistic wonderland that touches on our search for meaning, connection and place. Ranging in size from 7 inches to 7 feet, Tall’s works are constructed from a variety of mediums, primarily clay, tile, and paint. By using finger marks in the clay or paint, and layers upon layers of glaze, paint, paper, or found materials, she creates a richly complex surface on the pieces that echo the appearance of primeval artifacts or folk items. The artist’s inspiration from both contemporary and ancient art is evident in her works; myths and dream imagery are a recurring theme. Her subject matter often includes architectural and figurative elements. Many of her paintings depict full scenes of activity, with a cast of several characters and multiple interactions happening at once. The way that individuals – neighbors, lovers, extended families, and community members – interrelate with each other is a visual and thematic focus in her works. These crucial social bonds, which drive everyday life, are emphasized and celebrated. ABOUT THE ARTIST: Cheryl Tall studied art at the University of Central Florida, Orlando, Florida where she received her BFA and at the University of Miami, Miami, Florida she received her MFA in 1995. Her present studio in Southern California, where she creates her large-scale sculpture and paintings and teaches art classes. Tall’s primary medium is clay, coil built into large figurative sculptures and wall pieces. She also works with mixed media, oil and acrylic painting, and printmaking. Tall’s work focuses on the relationships between people and their surroundings, especially their homes or workplaces. Her subject matter often includes architectural and figurative elements. Influences include Surrealism, Expressionism, Pop Art, Lowbrow and Funk Art, Romanesque Medieval art, folk art, mythology and Primitive Art. Influential artists include Robert Arneson, Shepard Farrey, Andy Goldsworthy, Viola Frey, Adrian Arleo, Paul Klee, Giorgio De Chirico, Oskar Kokoschka and Giselbertus.Tall’s works will be on view at Sparks Gallery from March 12 – April 30, 2023 with an opening reception on Sunday, March 12, 2023 from 5-8pm. Use this link to RSVP: https://sparksgallery.com/rsvp?eid=37898 Regular gallery hours: Monday-Friday 12 p.m.-7 p.m., Saturday 11 a.m.-7 p.m., Sunday 11 a.m.-5 p.m. Follow on social media: Facebook | Instagram | Twitter
  • The Data Pharmacy Speaker: Joshua Neves, Associate Professor and Canada Research Chair, Concordia University Respondent: Daisuke Miyao, Professor and Hajime Mori Chair in Japanese Language and Literature, UC San Diego Hosted by Wentao Ma, Ph.D. Student, Literature Department, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract This talk explores three insights from my current research and collaborations examining cultures of optimization and the entanglement of big data and big pharma. One key starting point for this work is what Paul Preciado, in Testo Junkie, calls somatechnics to describe processes whereby media technologies are not merely added to or encountered by bodies/subjects – as with McLuhanist “extensions” or ideas about spectatorship, and the like - but are rather “the very means by which corporeality is crafted.” While Preciado’s main concerns are the operations of sexuality and subjection under the new biocapitalism, his recognition that pharmaceutical and digital media industries are crucial to the reproduction of the present has yet to be taken seriously by media theorists. Building on these and related debates, this brief presentation focuses on somatechnics and three aspects of our techno-pharmacological condition – or what this lecture series terms media care – namely: changes in how we understand and perform resilience; the critical role of stimulation in animating modes of media enfleshment; and emergent forms of mood conditioning. These insights do not promise a comprehensive view, but rather signal intensifying relations between data and drugs in practices of self-making, wellness, and work. Biography Joshua Neves is Associate Professor of Film Studies and Director of the Global Emergent Media (GEM) Lab at Concordia University. His research focuses on global and digital media, cultural and political theory, and questions of development and legitimacy. Dr. Neves is co-author (with Aleena Chia, Susanna Paasonen, and Ravi Sundaram) of Technopharmacology (Minnesota University Press / Meson Press, 2022) and author of Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy (Duke University Press, March 2020). He is also co-editor (with Bhaskar Sarkar) of Asian Video Cultures: In the Penumbra of the Global (Duke University Press, 2017), as well as co-editor of recent or forthcoming journal issues examining convenience, paranoia, optimization, and populism. His work is published in Media Theory, Cultural Critique, Social Text, Discourse, Culture Machine, Film Quarterly, Cinema Journal, Sarai, The Routledge Companion to Risk and Media, among others. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email Suraj Israni Center By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
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