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Discover an evening of culinary excellence as Chef Itze, owner of Black Radish, hosts a lavish dinner on March 13th, 2024, beginning at 6:30 p.m. With limited seating available, reservations are highly sought-after, adding to the allure and exclusivity of this remarkable event. Chef Itze showcases her culinary mastery with a thoughtfully crafted five-course menu, artfully paired with exquisite wines from El Molino Winery. In collaboration with Memento Mori, this event promises an unforgettable gastronomic journey, where each dish is a symphony of flavors, showcasing the finest seasonal ingredients and Chef Itze's creative genius. This exclusive dinner experience offers discerning palates the opportunity to indulge in an extraordinary culinary collaboration, where every detail is meticulously curated for an unforgettable dining affair. Secure your reservation now at exploretock.com and join us for a night of gastronomic delight at Black Radish, where culinary excellence meets the art of approachable dining. For more information visit: blckrdsh.com Sat Connected on Instagram

Drawing on her background in neuroscience and architecture, artist and UC San Diego Professor Dr. Pinar Yoldas (b. Denizli, Turkey) has built a practice of speculative design that imagines new products, appendages, and creatures in the service of a more compassionate culture. While Yoldas has shown extensively in Europe for nearly two decades, this show will be Yoldas’s first solo museum exhibition in the United States. At ICA Central, Yoldas is producing several new projects, including photo bioreactor systems that transform algae into a biodegradable plastic alternative. In addition, she will debut CATGPT–a companion video to her 2016 work, The Kitty AI– that considers the relationship between AI and human creativity. Yoldas will create an immersive experience that illuminates the connections between technology, creativity, and human desire in contemporary life. “If we ask ourselves what drives technological progress,” Yoldas explains, “we can see that it is as much our collective desires –wealth, longevity, beauty– as it is our collective needs, such as access to clean water, food, and shelter.” This exhibition invites us to consider how desire and emotion can combine with technology to create a more just and compassionate future. ICA CentralSaturday, Feb. 24 - Sunday, June 23, 2024 Hours: Thursday–Sunday Noon to 5 p.m. Monday–Wednesday Closed Visit: icasandiego.org/art/pinar-yoldas-synaptic-sculpture/ ICA San Diego on Facebook / Instagam

They're out on the streets directing traffic and are taking part in Bangladesh's new interim government. Hopes are high — but there also are doubts about what they can realistically achieve.

Experts predict funding cuts and policy changes. But Trump and Newsom appear to agree on encampment sweeps.

The Athenaeum Music & Arts Library welcomes Anne Labovitz for a special presentation of her career, process, recent projects, and exhibition "The Blue Hour." The reception begins at 6 p.m. and is followed by a 6:30 p.m. lecture. Inspired by the blue cast of twilight, Anne Labovitz uses light and its profound meanings in various contexts as the central construct of "The Blue Hour." She aims to respond to today’s world by challenging isolation, loneliness, and disconnection through activating color and light in large-scale works. Labovitz has an extensive international exhibition history and has work in many private and public collections, including the Walker Art Center; Minneapolis/St. Paul International Airport; Mayo Clinic; Minnesota Marine Art Museum; International Portrait Gallery, Bosnia-Herzegovina; Växjö Konsthall, Sweden; Isumi City Offices, Japan; the University of Raparin, Rania Iraqi Kurdistan; the City of Petrozavodsk, Russia; and the Athenaeum Music & Arts Library. She is an adjunct professor and mentor in the MFA program at the Minneapolis College of Art and Design.

From the organizers: COLLABORATIVE POETRY: CONNECTION AND RECONNECTION Join us for a wholesome and fun evening of poetry, live music, arts & crafts, and free dinner! Explore the wonders of Mad Libs-style communal storytelling, where the audience and artist can connect with each other and create a new poem in realtime, together. Guest artists: Poetry by Gill Sotu Word Up! Creator and Host Laura Zee Music & Sound by Miki Vale Visual Art by Isabel García Also featuring: Ric Scales Valeria Vega This event is FREE and great for families, first dates, and making new friends. Make sure to RSVP here. Related links: The Old Globe Arts Engagement website | Instagram |Facebook

From the KPBS/Arts newsletter: Playwright Lauren Gunderson's "dark revenge comedy" is inspired by one line of stage direction in Shakespeare's "The WInter's Tale" and follows a woman, Nan, and an unlikely set of best friends as they plan an over-the-top and, uh, grotesque "exit" from an abusive marriage. Directed by Kira Blaskovich, it's on stage at Coronado Playhouse Aug. 16 through Sept. 8. $24+. —Julia Dixon Evans, KPBS From the organizers: After years of abuse, Nan is finally ready to teach her abusive husband Kyle a lesson. With some assistance by her longtime best friend Simon (acting as her emotional, and actual, cheerleader) and an optimistic stripper named Sweetheart, Nan wants to make Kyle understand what he’s done is wrong before taking her final revenge. They hatch a plan inspired by Shakespeare’s immortal stage direction in The Winter’s Tale: “Exit, pursued by a bear.” With a flair for theatrics, the group tapes a drunk Kyle to a chair and reenact scenes from the couple’s painful past. In the piece de resistance, they plan to cover the room in meat and honey so Kyle will be mauled by a bear. Through this night of emotional trials and ridiculous theatrics, Nan and Kyle are both freed from their past in this dark and smart revenge comedy. Subtitled as “A Revenge Comedy,” Gunderson delivers nothing less, as the fast paced action screams towards Kyle’s fate. As the laughs roll, Gunderson cleverly confronts the issue of domestic abuse but at the same time walks the fine line between painful tragedy and unseemly comedy by examining multiple perspectives of those involved, each flawed, contradictory, and human. Exit, Pursued by a Bear is the first of three plays in the author’s “Shakespeare Cycle”, a series of contemporary comedies based on Shakespeare’s plays. Other plays in the series include Toil and Trouble and The Taming. Ticket Details | Single Tickets: $27 all performances. $3 Active Military, Student & Senior Discounts. Group rates available for parties of 8 or more (pricing will automatically adjust when 8 or more adult tickets are purchased together. Group rates only apply to adult ticket pricing).

California wants to protect witnesses in workplace investigations from deportation, but the Biden administration program for undocumented employees is at risk with Donald Trump’s return to the White House.

Jamison was a dance star who led the famed Alvin Ailey American Dance Theater to new heights.

From the organizers: November 11 - December 16 BEST PRACTICE is proud to present "I Get to Have My Own Private Hope," the first West Coast presentation of the work of Yue Nakayama. About the exhibition: "I Get to Have My Own Private Hope" functions as a sequel of an earlier video work Looking for Love (and Job) in which Fish washes up on the shores of a new land in search of Love. The fish - an alien species - encounters a different species (Pigeons) who is looking for a Job. Using a variety of everyday anecdotes, the original film explores migration, job security, and the structure of power and gender in contemporary society. In "I Get to Have My Own Private Hope," Fish and Pigeon go on a quest in search of the meaning of “work” prompted by the news of the extinction of bananas, and rent that is past due. This new video piece further questions today’s work conditions and societal structures through the precarity of Fish’s life and disappearing bananas. About the artist: Yue Nakayama works with video, text, and installation. Her practice is centered on reinterpreting minor histories, memories, and personal anecdotes to stage an absurd intervention that disrupts our social expectations and perceptions. Using narrative as a foundation, her projects encompass diverse topics, with recurring themes including belief systems, power dynamics, and issues surrounding cultural, gender, and societal identities. Her work has been exhibited and screened at museums and film festivals including Onion City Film Festival, IL, White Columns, NY, Diverse Works, TX, Contemporary Art Center New Orleans, LA, Visual Art Center UT Austin, TX, Museum of Fine Arts Houston, TX, and ICA Philadelphia, PA. She is the recipient of the Carol Crow Memorial Fellowship from the Houston Center of Photography, the Programmer’s Award from the Athens International Film Festival, the Arch and Anne Giles Kimbrough Fund from the Dallas Museum of Art, and the Foundation for Contemporary Arts. The fellowships and residencies she has attended include Skowhegan, the Core Program, Vermont Studio Center, OX-Bow, and Lighthouse Works. Her work has been featured in the New York Times, the New Yorker, Peripheral Visions, and Glasstire. She currently lives and works in San Diego, CA where she teaches in the Department of Visual Art at the University of California, San Diego. Related links: Best Practice: website | Instagram