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From the organizers: COLLABORATIVE POETRY: CONNECTION AND RECONNECTION Join us for a wholesome and fun evening of poetry, live music, arts & crafts, and free dinner! Explore the wonders of Mad Libs-style communal storytelling, where the audience and artist can connect with each other and create a new poem in realtime, together. Guest artists: Poetry by Gill Sotu Word Up! Creator and Host Laura Zee Music & Sound by Miki Vale Visual Art by Isabel García Also featuring: Ric Scales Valeria Vega This event is FREE and great for families, first dates, and making new friends. Make sure to RSVP here. Related links: The Old Globe Arts Engagement website | Instagram |Facebook

Opening reception: 6:30 p.m. on Friday, Jan. 19 About the exhibition: In his exhibition "The Magician Longs to See," photographer Peter Cochrane presents an alchemical tale about the natural world and humanity, using stories of life, death, and the human desire to preserve. Cochrane draws inspiration from indigenous plants in his home state of California and from the Athenaeum Music & Art Library’s own botanical archives. Darkroom prints and abstractions of roses, pine cones, and other local plantings recreate traces of life that once lived in and around the library, including the Torrey pine that stood as a sentinel for the building’s entrance, and climbing roses proposed by Kate Sessions for a 1921 garden renovation. Cochrane’s interest in horticultural and photographic histories also considers the optical manifestation of the alchemical pursuit—the transformation of lead into gold—through which, working with analog photographic processes, metals, and translations, the artist explores the materiality of elements across humanity’s attempts at preservation. Cochrane returns to his hometown of San Diego for his exhibition. The reception is open to the public. The exhibition will be on view through April 13, 2024. Gallery hours: 10 a.m. to 5:30 p.m. Tuesday through Saturday Related links: Athenaeum Music and Arts Library website | Instagram | Facebook

Experts predict funding cuts and policy changes. But Trump and Newsom appear to agree on encampment sweeps.

Meet the candidates and learn what's at stake with KPBS' primary election guide for the Chula Vista City Council races.

From the organizers: November 11 - December 16 BEST PRACTICE is proud to present "I Get to Have My Own Private Hope," the first West Coast presentation of the work of Yue Nakayama. About the exhibition: "I Get to Have My Own Private Hope" functions as a sequel of an earlier video work Looking for Love (and Job) in which Fish washes up on the shores of a new land in search of Love. The fish - an alien species - encounters a different species (Pigeons) who is looking for a Job. Using a variety of everyday anecdotes, the original film explores migration, job security, and the structure of power and gender in contemporary society. In "I Get to Have My Own Private Hope," Fish and Pigeon go on a quest in search of the meaning of “work” prompted by the news of the extinction of bananas, and rent that is past due. This new video piece further questions today’s work conditions and societal structures through the precarity of Fish’s life and disappearing bananas. About the artist: Yue Nakayama works with video, text, and installation. Her practice is centered on reinterpreting minor histories, memories, and personal anecdotes to stage an absurd intervention that disrupts our social expectations and perceptions. Using narrative as a foundation, her projects encompass diverse topics, with recurring themes including belief systems, power dynamics, and issues surrounding cultural, gender, and societal identities. Her work has been exhibited and screened at museums and film festivals including Onion City Film Festival, IL, White Columns, NY, Diverse Works, TX, Contemporary Art Center New Orleans, LA, Visual Art Center UT Austin, TX, Museum of Fine Arts Houston, TX, and ICA Philadelphia, PA. She is the recipient of the Carol Crow Memorial Fellowship from the Houston Center of Photography, the Programmer’s Award from the Athens International Film Festival, the Arch and Anne Giles Kimbrough Fund from the Dallas Museum of Art, and the Foundation for Contemporary Arts. The fellowships and residencies she has attended include Skowhegan, the Core Program, Vermont Studio Center, OX-Bow, and Lighthouse Works. Her work has been featured in the New York Times, the New Yorker, Peripheral Visions, and Glasstire. She currently lives and works in San Diego, CA where she teaches in the Department of Visual Art at the University of California, San Diego. Related links: Best Practice: website | Instagram

California wants to protect witnesses in workplace investigations from deportation, but the Biden administration program for undocumented employees is at risk with Donald Trump’s return to the White House.

Social clubs used to help newcomers adapt to life in America. Many have disappeared over the years. But in New York City, Latinos are keeping that tradition going.

Jamison was a dance star who led the famed Alvin Ailey American Dance Theater to new heights.

Stephanie Bergsma worked at KPBS from 1982 to 2012. As associate general manager, Bergsma was responsible for major gifts, production underwriting, Gays and Lesbians for Public Broadcasting affinity group and the Producers Club. Her greatest achievements include raising the funds to build the KPBS Copley Telecommunications Center and funding all of the equipment including the HDTV conversion pieces.