Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • DHS's social media campaign promises to defend American identity and culture from an invasion. For many Latinos, it's a message that does not sit well.
  • Farrell Family Athenaeum Jazz | Summer 2025 Series The Athenaeum’s jazz program returns with a four-concert mini-festival in June including performances in the library’s Joan & Irwin Jacobs Music Room (at 1008 Wall Street in La Jolla) and at the Scripps Research Auditorium (10620 John Jay Hopkins Drive). The series features internationally acclaimed artists and Athenaeum favorites. Seating is limited so order soon! The series begins on June 5 with the Sasha Berliner Quartet, featuring Berliner on vibraphone, Javier Santiago on piano, Max Gerl on bass, and Myles Martin on drums. Berliner, who made her Athenaeum debut last fall with bassist Ben Williams, returns as the leader of her own band with music from her March 2025 release, Fantôme. Named winner of the 2020 DownBeat Critics Poll Rising Star—Vibraphone category, she was both the first woman, and at 21, the youngest individual in the poll’s history to receive the award. She has been voted one of the top 10 vibraphonists in DownBeat Readers Poll every year since 2021. Sasha has headlined venues like the Newport Jazz Festival, The Blue Note, Montreal Jazz Festival, and Monterey Jazz Festival and has recorded and performed with such renowned musicians as Tyshawn Sorey, Nicholas Payton, Christian McBride, and Cecile McLorin Salvant. The series continues on June 11 with former San Diego residents vocalist Gillian Margot and Geoffrey Keezer (piano), featuring music from their eponymous new duo album. For this Athenaeum date, they are joined by Ben Williams on bass and San Diego jazz hero Peter Sprague on guitar. With an exquisite voice, a disarmingly wide vocal range, and a style that is deeply rooted in the tradition of the great jazz vocalists, Margot possesses a gift of storytelling and stunning lyrical delivery. A native of Toronto, Canada, Margot studied under a generation of jazz legends including Oscar Peterson, Freddy Cole, Carol Welsman, and Norman Simmons. Keezer is a GRAMMY-winning pianist, composer, arranger, and producer based in New York City, where he first moved in 1989 to become the final pianist with the legendary Art Blakey and the Jazz Messengers. Keezer has toured and recorded with a galaxy of stars including Ray Brown, Roy Hargrove, Joshua Redman, Diana Krall, Wayne Shorter, Dianne Reeves, Sting, and Christian McBride. June 16 (at Scripps Research) features the all-star duo of bassist Dave Holland and Lionel Loueke on guitar and voice, playing music from their forthcoming release, United. Holland makes a long-awaited return to the Athenaeum series, having last performed at the Scripps Research Hall in 2007. Holland’s passion for musical expression of all styles has propelled a career of more than 50 years and earned him top honors, including multiple GRAMMY awards and the title of NEA Jazz Master in 2017. His virtuosic technique and rhythmic feel are widely revered and in much demand. To date, his playing can be heard on hundreds of recordings, with more than 30 as a leader under his own name. Loueke last appeared at the library in summer 2023. A native of Benin, he came to the United States on a scholarship to Berklee College of Music and from there gained acceptance to the Thelonious Monk [now Herbie Hancock] Institute of Jazz in Los Angeles. Praised by his mentor Hancock as “a musical painter,” Loueke combines harmonic sophistication, soaring melody, and conventional and extended guitar techniques to create a warm and evocative sound of his own. The series concludes on June 21 with the return of the Melissa Aldana Quartet, with Aldana on tenor sax, Fabian Almazan on piano, Pablo Menares on bass, and Kush Abadey on drums. Aldana’s last Athenaeum performance was in March 2020, when she played music from her album Visions for Frida Kahlo, which earned her a first-ever GRAMMY nomination for Best Improvised Jazz Solo. Her program this June will feature music from her 2024 release on Blue Note Records, Echoes of the Inner Prophet. A native of Chile, Aldana moved to the United States to attend Berklee College of Music. In 2013, at age 24, she became the first female instrumentalist and the first South American musician to win the Thelonious Monk International Jazz Saxophone Competition. Visit: https://www.ljathenaeum.org/jazz/#jazz-at-athenaeum Athenaeum Music & Arts Library on Instagram and Facebook
  • San Diegans will have multiple opportunities to honor those who lost their lives in service to the nation this Memorial Day weekend.
  • The Toronto Blue Jays shook off their epic 18-inning loss to even the World Series in Game 4. Ohtani redefined the concept of short rest by taking the mound just more than 17 hours after Game 3.
  • The San Diego County Fair will begin its "Summer Pet-tacular" Wednesday, bringing wild rides, hot musical acts and crazy culinary concoctions to the Del Mar Fairgrounds through July 6.
  • Ticket Price: $28 adv / $31 DOS / $49 reserved loft seating (available over the phone or in person at out box office) Visit: https://www.ticketweb.com/event/super-diamond-dj-chris-cote-belly-up-tickets/14004943?pl=bellyup&REFID=bupwebsite&edpPlParam=%3Fpl%3Dbellyup&waitlistUnregister=false Super Diamond on Instagram and Facebook
  • The artistic collaboration between Duke Ellington and composer/ arranger Billy Strayhorn is one of the most important in the history of American music. Duke Ellington trusted Billy Strayhorn’s artistic gifts from the moment he joined the band in 1939, until Strayhorn’s death in 1967. Strayhorn wrote many of the songs we associate with the Duke Ellington Band today, including their theme song “Take the A Train”, “Satin Doll”, “Something to Live For” and many more. Visit: https://www.sandiegosymphony.org/performances/duke-ellington-and-billy-strayhorn/ San Diego Symphony on Instagram and Facebook
  • Public radio stations were on the ground in Austin for this year's SXSW Music festival.
  • The members of HUNTR/X — the fictional K-pop group made up of nonfictional singers EJAE, Audrey Nuna and REI AMI — have just become the first women K-pop artists ever to hit No. 1.
  • In 2025, fandom is complicated. Music is at nearly everyone's fingertips. Concert ticket prices are through the roof. Some fans take devotion to new extremes. What do we owe to the artists we love?
99 of 1,144