At a time when much of Hollywood's award hopefuls feel familiar in their storytelling formula, it's refreshing to find films like "Waves" and the upcoming "A Hidden Life" from Terrence Malick that speak in an audaciously cinematic language that is pure visual poetry. "Waves'" filmmaker Trey Edward Shults grabbed my attention two years ago for "It Comes At Night," an unconventional horror film that was poorly served by its misleading ad campaign. I had the opportunity to speak to Shults back in 2017 when "It Comes At Night" opened. With his new film in theaters I thought it would be fun to revisit his interview.

It's the holidays and I'm feeling sentimental. My dad died on Aug. 23 this year and he's the person responsible for making me fall in love with movies. So for my holiday edition of Cinema Junkie I give thanks to my dad for passing on his passion for movies to me and I highlight some of my favorite movie memories I shared with my dad. So it's a personal edition of the show and you'll get some insights into why I became a film critic.

It's crazy gearheads to crazy rich Asians as Cinema Junkie goes from the Le Mans track to debating the best in Asian American films from the past two decades. First up, director James Mangold discusses his new film "Ford v Ferrari," about the showdown between the two car icons in 1966 at the 24-hour Le Mans race. It may be called "Ford v Ferrari" but the story is really more about American car designer Carroll Shelby and driver Ken Miles who collaborated on designing and racing the car. Then San Diego Asian Film Festival artistic director Brian Hu talks about the L.A. Times list he helped curate of the 20 best Asian American films of the past 20 years. "Better Luck Tomorrow" topped the list but you might be surprised by some of the other films in the canon.

Two films that will make my ten best list are arriving in theaters: "The Lighthouse" and "Jojo Rabbit" so I'm thrilled to be able to highlight both films with interviews. I speak with filmmaker Robert Eggers (who previously directed "The Witch") about his new film "The Lighthouse" starring Willem Dafoe and Robert Pattinson and set in an 1890s remote New England lighthouse. And then I talk with actor Stephen Merchant who enlightens us about how to tackle playing a Nazi for laughs in Takia Waititi's anti-hate satire "Jojo Rabbit."

Eddie Murphy stars in the Netflix film "Dolemite is My Name." The film introduces audiences to singer, musician, stand up comic, actor and film producer Rudy Ray Moore. Moore found success in the 1970s with a string of Blaxploitation films that began with the 1975 film "Dolemite." I speak with award-winning comic book writer David Walker, who knew the real Rudy Ray Moore, as well as with independent filmmakers Sanns Dixon and Dante Moran about the dual legacies of Moore and Murphy. This podcast includes explicit language.

With AMC's "NOS4A2" renewed for a second season Cinema Junkie digs into the archives for a 2013 interview with author Joe Hill at the KPBS studios. He talks about his best-selling novel, horror, and comics. Plus he reads a selection from his novel and we'll hear from fans about what they love about his writing.

John Waters' Odorama has inspired filmmaker JC Calciano to make his new film "Steam Room Stories: The Movie" in Cinema Scent. I talk with Calciano about scratch 'n' sniff cards, going from YouTube to feature films, and working with Traci Lords.

Horrible Imaginings Film Festival celebrates its tenth anniversary this Labor Day Weekend at the Frida Cinema so that is the perfect excuse to speak with the festival's founder and executive director Miguel Rodriguez about all things horror. We will discuss trends as well as some of the standout films from the festival.