Sound Praxis: Lauren Sarah Hayes, Michelle Lou, T Putnam Hill

On March 1, Sound Praxis presents an evening of adventurous electronic music! Featuring Scottish/Arizona-based Lauren Sarah Hayes, Michelle Lou, and T Putnam Hill, this event brings together live electronics, field recordings and sound collage, embodied performance, and more.

This presentation is generously hosted by Folk Arts Rare Records in City Heights!

Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognized for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as ‘voracious’ and ‘exhilarating’. As a live sound sculptor, she manipulates, remixes, and bends voice, drum machines, analogue synths and self-built software. She has toured extensively across Europe and North America, including as part of her tenure with the New BBC Radiophonic Workshop. Her work has been released on Superpang, Hard Return, Pan Y Rosas Discos, LOL Editions, Werra Foxma, Sunwarped, and Harmonic Ooze Records.

Michelle Lou composes mainly in the realm of electro-acoustic music, both in hardware and in computer based forms. She has also created large scale sound installations which are often performative and collaborative. She performs and improvises on acoustic and electric bass, electric guitar, and on laptop and various electronics. Her work has been presented at Wien Modern, Donaueschinger Musiktage, Darmstadt Ferienkurse, Bludenzer Tage zeitgemäßer Musik, The Festival of New American Music (Sacramento), the MATA Festival (New York City), The 66th American Music Festival at the National Gallery in Washington D.C., The Rainy Days Festival (Luxembourg), Ultima Festival (Oslo), Chance and Circumstance (Brooklyn), Klub Katarakt (Hamburg), Klangwerkstatt and MaerzMusik (both in Berlin), amongst others.

T Putnam Hill is a writer, editor, guitarist, and electroacoustic musician currently based in Austin, Texas. In recordings and performance, Hill produces impromptu audio collages of various sound materials—from live guitar to field recordings to feedback loops—to create auditory environments that drift between stasis and disorder, from harmonic to discordant, and from the organic to synthetic. Hill is an active member of Phonography Austin, a sound arts organization dedicated to the exploration of phonography and acoustic ecology, and founder of Loma Editions, a nascent multimedia label focused on electroacoustic music and experimental literature.

March 1, 2026

Folk Arts Rare Records @ 3610 University Ave

Music at 6 p.m.

$15 suggested (NOTAFLOF)

Refreshments available

All proceeds to the artists