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AMERICAN MASTERS: Marian Anderson: The Whole World In Her Hands

Marian Anderson (1897-1993) African American contralto singing at the Lincoln Memorial, Washington, Easter Sunday, 1939.
Courtesy of World History Archive / Alamy Stock Photo
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https://www.alamy.com
Marian Anderson (1897-1993) African American contralto singing at the Lincoln Memorial, Washington, Easter Sunday, 1939.

Sunday, Dec. 15, 2024 at Noon on KPBS TV / Stream now with the PBS app

Directed by Emmy- and Peabody Award-winner Rita Coburn, AMERICAN MASTERS “Marian Anderson: The Whole World in Her Hands” explores the life, career, art and legacy of the singer of classical music and spirituals. Best known for her performance at the legendary Freedom Concert on April 9, 1939, Anderson, in a bold protest against racial intolerance, sang before a diverse crowd on the steps of the Lincoln Memorial in Washington, D.C., after being denied use of Constitution Hall by the Daughters of the American Revolution. In that moment, Anderson — despite being a fiercely private person — transformed into a symbol for the nascent civil rights movement, even inspiring a 10-year-old Martin Luther King, Jr., who listened on the radio.

Marian Anderson's singing recalls America's racial unrest

With unprecedented access to the Marian Anderson Estate, the documentary draws on rare archival footage and audio recordings and Anderson’s extensive personal correspondence to family and friends, including Martin Luther King, Jr., W.E.B. DuBois, Duke Ellington, Shirley Chisholm and Langston Hughes, to reveal the woman behind the icon. Anchored by key performances in her career, The film shows how her quiet genius and breathtaking voice set the stage for Black performers in classical music, and a louder voice for civil rights.

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Marian Anderson overcame discrimination with Danbury farm

“As an African American female director, I am honored to continue Marian Anderson’s legacy at a time when our culture needs to hear the tonality of resilience, power, beauty, voice and courage,” said director Rita Coburn. “When AMERICAN MASTERS approached me with this opportunity, their support in curating a team of strength and talent from the black community was important to create a work that is empowered, inclusive and entrenched in the rigors of authentic storytelling. I look forward to working closely with director of photography Henry Adebonojo (INDEPENDENT LENS "I Am Not Your Negro"), composer Kathyrn Bostic (Clemency, American Masters "Toni Morrison: The Pieces I Am"), and executive producer Brenda Robinson ("United Skates," "A Crime on the Bayou").”

Opera singer Marian Anderson stands in front of the statue of Lincoln at the Lincoln Memorial in Washington D.C., the site of her memorable Easter Sunday concert in 1939.
Courtesy of Everett Collection Inc / Alamy Stock Photo
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https://www.alamy.com

The film features new interviews with Anderson’s friends, contemporaries and those she influenced, including fellow Black opera singers, mezzo-soprano Denyce Graves and tenor George Shirley, who also serves on the film’s team of humanities advisers. Additional advisers with deep knowledge of Anderson, Black history and music include Naomi André, Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, at the University of Michigan; Raymond Arsenault, author of “The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the Concert That Awakened America;” Christopher A. Brooks, Professor of Anthropology at Virginia Commonwealth University in Richmond, Virginia; Lucy Caplan, lecturer of History and Literature at Harvard University; and Allan Keiler, author “Marian Anderson: A Singer’s Journey.”

How racism affected Marian Anderson's vocal classification

Affectionately known to audiences as “The Lady from Philadelphia” and “The People’s Princess,” Anderson’s career was propelled by her talent, but also steered by the limits imposed by racism and segregation. This gifted pioneer, whose strength was rooted in family and community, overcame humiliation, prejudice and financial hardship to become a voice for justice, an internationally renowned master of her craft and the first African American to sing a leading role at the Metropolitan Opera in 1955. Balancing her public triumph with her personal struggles and resilience, AMERICAN MASTERS "Marian Anderson: The Whole World in Her Hands" charts the impact of one of the world’s greatest singers, whose career provides a window into a time of seismic cultural change.

Marian Anderson's love of fashion and shoes

Watch On Your Schedule: This film is available to stream through Dec. 31, 2024 with the PBS app.

Extend your viewing window with KPBS Passport, a benefit for members supporting KPBS at $60 or more yearly, using your computer, smartphone, tablet, Roku, AppleTV, Amazon Fire or Chromecast. Learn how to activate your benefit now.

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Credits: A co-production of American Masters Pictures and Philip Gittelman Productions. Produced in association with Artemis Rising Foundation. Directed by Rita Coburn. Produced by Philip Gittelman. Executive Producers: Regina K. Scully, Michael Kantor and Brenda Robinson. The series is a production of THIRTEEN PRODUCTIONS LLC for WNET.