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Arts & Culture

Warning: 'Avenue Q' Contains Full Puppet Nudity

Pictured are Princeton (Edgar Diaz-Gutierrez), Kate Monster (Catie Marron), Nicky (Joel Miller), Bad Ideas Bear (Boy) (Patrick Mayuyu), and Lavinia Thistletwat (Dianne Gray) who make up part of the cast of Coronado Playhouse's "Avenue Q."
Beth Accomando
Pictured are Princeton (Edgar Diaz-Gutierrez), Kate Monster (Catie Marron), Nicky (Joel Miller), Bad Ideas Bear (Boy) (Patrick Mayuyu), and Lavinia Thistletwat (Dianne Gray) who make up part of the cast of Coronado Playhouse's "Avenue Q."

Coronado Playhouse extends popular musical through March 7

Behind the Scenes of 'Avenue Q'
Behind the Scenes With the Puppets of 'Avenue Q'
Coronado Playhouse’s Avenue Q bears a warning that states: Adult themes, language, and full puppet nudity. That’s right, these aren’t exactly the kid friendly Muppets of Sesame Street. KPBS arts reporter Beth Accomando goes behind the scenes to talk with the puppets of “Avenue Q” about challenging stereotypes and working with humans.

ANCHOR INTRO: Coronado Playhouse’s Avenue Q bears a warning that states: Adult themes, language, and full puppet nudity. That’s right, these aren’t exactly the kid friendly Muppets of Sesame Street. KPBS arts reporter Beth Accomando goes behind the scenes to talk with the puppets of “Avenue Q” about challenging stereotypes and working with humans.   At first glance Avenue Q might remind you of the PBS children’s show Sesame Street. CLIP The sun is shining… NICKY: No, no, no, Avenue Q is not really a child friendly production, it has a lot of great lessons but a lot of those lessons apply better to adults. That’s Nicky. He’s one of the puppet stars of the Coronado Playhouse production of Avenue Q. His furry brown co-star Kate Monster agrees that just because they look like cute Muppets don’t expect the show to be for kids.. KATE MONSTER: Even I curse a little bit. It’s not always PC but it’s really funny. CLIP (singing) Ethnic jokes might be uncouth but you laugh because they’re based on truth… KATE: Well I can get a little sassy you know I never mean t hurt people’s feelings but it’s all a part of growing up and I think that’s really what the play is all about , it’s about growing up and finding out who you are and what you really want in your life. If the Muppets of Sesame Street taught kids that they were “special" and "could do anything," the puppets of Avenue Q discover that life is a bit more complicated and they are no more special than anyone else. But what is special about Avenue Q is the close working relationship between puppets and humans. NICKY: Very, very, very close. Nicky suggests perhaps too close because humans have to run their hands up the um… backs of the puppets in order to operate them. NICKY: Well it’s not up my back, it’s up another hole but it’s okay. Kate Monster explains how her puppeteer Catie Marron operates her. KATE MONSTER: I basically have a giant hole in the bottom of my body and she just puts her hand up there and I have one rod attached to this arm. So Catie just puts her hand up there and moves my mouth around, moves my neck around, and moves my arm around. Kate Monster is a rod puppet much like Kermit the Frog. But Nicky is a two-person puppet that loks like Ernie explains actor and puppeteer Joel Miller. JOEL MILLER: At the bottom is a big heavy ring that gives him the torso shape, you would probably use your dominant hand to run his mouth and your non-dominant hand to run his arm so my arm kind of turns into his arm and then I will have my other puppeteer on the hand and she attaches to me and we kind of walk around together and make sure we are always in sync. All the actors in Avenue Q were new to puppeteering so their first task during rehearsals was to make a sock puppet and learn to bring it to life, says Edgar Diaz-Gutierrez. EDGAR DIAZ-GUTIERREZ: So during rehearsals we’d always bring our sock puppets and we’d start with like our books and our puppets trying to read and learn the lines and it was exciting and we found that doing this for a while hurts. “This” is holding your arm at a 90 degree angle and opening and closing your hand so that your puppet is talking and singing in sync with you. It’s hard work breathing life into an inanimate object says the adorable Bad Ideas Bear. BAD IDEAS BEAR: In one number, it’s kind of a work out I’m sweating [bleep] I’m sweating a lot, yes I have cotton balls. Patrick Mayuyu plays Bad Ideas Bear. PATRICK MAYUYU: It’s a lot of pat the head and rub the belly at the same time is what I discovered in rehearsals. It’s definitely a challenge. Part of the challenge is that the actor and the puppet are both onstage in full view, says Miller. JOEL MILLER: That’s one of the beauties of this show that the puppeteers are onstage with the puppets so you are welcome to watch the puppeteers if you want to. But sharing the spotlight was an expected challenge for the actors says Diaz-Gutierrez. EDGAR DIAZ_GUITERREZ: There were times when I would fight it, I would try to put him next to my face, so it was like I’m singing not Princeton but as show goes along I go into the character and it doesn’t really matter at times, we’re like one, I can’t be on stage without him and he can’t really come to life without me so it’s like a mutual thing so we share the spotlight together now. And that’s the appeal of Avenue Q, puppets and humans sharing the stage equally characters you become fully engaged with… oh and of course the cursing and full puppet nudity. Beth Accomando, KPBS News.

Companion Viewing

"Fritz the Cat" (1972)

"Meet the Feebles" (1989)

"Ted" (2012)

"Avenue Q' Program
Program for the Coronado Playhouse's production of 'Avenue Q.'
To view PDF files, download Acrobat Reader.

Coronado Playhouse just extended its run of the musical "Avenue Q" through March 7. But don't be fooled by the cute puppets, this show is not for kids.

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At first glance "Avenue Q" might remind you of the PBS children’s show "Sesame Street."

But Nicky, a blue puppet with a large grin firmly states, "No, no, no, 'Avenue Q' is not really a child-friendly production. It has some great lessons but a lot of those lesson apply better to adults."

At the theater last week, humans and puppets gathered for interviews and Bad Ideas Bear (Boy) insisted that they do something "nasty" as a sample of the play. This of course offended Miss Lavinia Thistletwat (you web readers get to see this puppet's name but the folks in radio and TV land won't!).

"So some of what people do and say here I don’t like," Miss Thistletwat said.

"It’s not always PC but it’s really funny," Kate Monster added with a bubbly smile. She's a brown furry gal who has the lead female role in the play.

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Bad Ideas Bear, who already lived up to his name, pointed out that the play "has a disclaimer. It’s not really appropriate for children." Then he giggled till his tiny, furry frame shook as if the disclaimer gave him free reign to say and do anything.

After performing the cheery opening song to the show that talks about a sunny day much the same way the "Sesame Street" opening song does, leading puppet Princeton said he understood how people could be confused.

"It could be misconstrued since we look like Muppets, therefore it could be a kid’s show. So that’s why we really have to tell people, please people don’t bring your kids here."

Coronado Playhouse does have clearly posted disclaimers on their website and at the show that warn of adult themes, language and full puppet nudity. Yes, you read that right.

If "Sesame Street" teaches kids that they are "special" and "can do anything," the puppets of "Avenue Q" discover that life's a little tougher than that and they are no more special than the next person. But the puppet residents of Avenue Q display some attitude as they tackle the challenges of growing up in a world a little more complicated than "Sesame Street."

Kate Monster explained, "Well I can get a little sassy and I never mean to hurt people’s feelings, but it’s all a part of growing up and I think that’s really what the play is all about. It’s about growing up and finding out who you are and what you really want in your life."

"It’s a lovely story in many ways, it’s about learning to accept others," Miss Thistletwat added.

That’s a lesson learned backstage at "Avenue Q," where puppets and humans must work side-by-side.

Princeton noted that there's a lot of goofing around backstage, which is the sign of good friends but acknowledges that there are differences too.

"I’m a puppet and they’re human beings, so it’s different kind of DNA sort of configurations but other than that we’re all same," Princeton said.

"Yeah we like the humans, we work pretty well together. I like my human," Nicky said as he turned to his puppeteer Joel Miller. Nickey added that they are "very, very, very close."

Perhaps too close. That’s because in order to perform onstage, the humans have to run their hands up the, um, backs of the puppets.

"Well it’s not up my back," Nicky interjected. "It’s up another hole."

Kate Monster elaborated: "I basically have a giant hole in the bottom of my body and Catie Marron [Kate Monster's puppet operator] just puts her hand up there and I have one rod attached to this arm, so Catie just puts her hand up there and moves my mouth around, moves my neck around, and moves my arm around."

Miller explained how Nicky's puppet worked:

"He’s the kind of standard two-person puppet. At the bottom is a big heavy ring that gives him the torso shape. So you would probably use your dominant hand to run his mouth and your non-dominant hand to run his arm. So my arm kind of turns into his arm, and then I will have my other puppeteer on the other hand, and she attaches to me and we kind of walk around together and make sure we are always in sync."

Edgar Diaz-Gutierrez is Princeton's puppeteer.

"One of the big challenges was stepping into his shoes and bringing him alive because there are times, if you don’t do anything, it will look like a dead puppet onstage and it will loose that magic," Diaz-Gutierrez said.

Breathing life into inanimate objects is hard work say the humans.

"We found that doing this (Diaz-Gutierrez opens and closes his hand rapidly), hurts a lot," Diaz-Gutierrez said.

Patrick Mayuyu, who operates Bad Ideas Bear (Boy), said it's "a lot of pat the head and rub the belly at the same time. That's a challenge."

Miller added, "By the end of this we’re going to look like a crawdad with one really muscular arm and one not so much because it adds up, I mean how many hours of your arm being up at a 90 degree angle. There are scenes where you don’t have time to put your puppet down and he’s trembling a little bit and it’s not because it’s cold."

Bad Ideas Bear had to chime in with his opinion: "It’s kind of a work out. After one number I’m sweating balls. Yes, I have cotton balls."

TMI Bad Ideas Bear! But the hard work does pay off and something magical happens onstage.

"It’s kind of exposed onstage and that’s one of the beauties of this show that the puppeteers are onstage with the puppets so you are welcome to watch the puppeteers if you want to," Miller said.

"It’s kind of like a blurred image of both the puppet and the puppeteer. I think people are primarily focusing on the puppet," Mayuyu added.

"If I’m doing a good job, they are actually just looking at Princeton," Diaz-Gutierrez said. "I'm just their to support."

"Avenue Q" breaks a bit of new ground with its human-puppet collaboration.

"There are a lot of funny jokes that you can relate to that totally redefine musical theater as most people visualize it so come see Ave Q you’ll love it, it’s a great show," Nicky said as he gave me the big blue thumbs up.