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  • After premiering Off-Broadway last season, "A Taste of Ireland―The Irish Music & Dance Sensation" returns to stages across the USA in 2025, performing the show that has entertained thousands around the globe. Laugh, cry and jig into the night with a production that is Celtic, for this generation. Performed by former World Irish dance champions, and featuring dancers from Lord of the Dance and Riverdance, "A Taste of Ireland" transports the audience through the story of Ireland’s tumultuous history delivered with a pint of Irish wit. Watch world-class performers blend melodic folk mash-ups, live jaw-dropping acapella tap battles and heartwarming storytelling. Featuring revamped classics of Danny Boy, Tell Me Ma, Wild Rover, and many more well-known songs, the show’s reimagined contemporary score blossoms alongside the brash Irish charm of the live dance cast. ‘A Taste of Ireland’ merges cultural traditions, modern flair, and craic galore, to deliver a performance that has been leaving audiences across the globe jigging on their feet for the last decade. With over one hundred and fifty 5-star Facebook reviews, "A Taste of Ireland" is exactly what it promises: a taste of everything you love about Ireland with a generous helping of more! "A Taste of Ireland" is a show with 100% live singing and dancing that bridges the gap between storytelling, modern Irish dance, tap and contemporary dance to tell a historic story, live on stage. **Please note: musical instruments are subject to change from performance to performance Visit: https://sandiegotheatres.org/event/2025/10/taste-ireland Balboa Theater San Diego on Instagram and Facebook
  • Stream now with KPBS Passport on KPBS+ / Premieres Monday, Jan. 26 and Tuesday, Jan. 27, 2026 at 11:30 pm on KPBS TV. The stories of Magda Brown and George Brent, two Hungarian Jews who survived Auschwitz as teenagers, illuminate the human aspects of resistance, chance and luck in the face of Nazi tyranny.
  • The Republican-controlled Senate and House have so far taken a "hands-off" approach to oversight of the second Trump administration but legal concerns around boat strikes could change things.
  • Twenty-nine sailors drowned when the Edmund Fitzgerald went down in the Great Lakes' icy waters on Nov. 10, 1975. The ship was immortalized in a surprise hit 1976 folk ballad by Gordon Lightfoot.
  • New court documents reveal even more ways DOGE improperly accessed and shared sensitive personal data last year — and how that data appears to have been used to advance dubious fraud claims.
  • In the days leading up to Renee Macklin Good's death, the political situation in Minneapolis had turned combustible. Her shooting has exposed how colliding forces set the stage for the ongoing crisis.
  • California spent hundreds of millions on prison and hospital healthcare staff, auditors found, but vacancy rates rose since 2019, exceeding 30% at three facilities despite bonuses and pay raises, with inadequate oversight and planning.
  • Five World War II veterans served as grand marshals of the San Diego Veterans Day Parade Tuesday.
  • At a time when cross border relations have become increasingly complex, the San Diego Tijuana International Jazz Festival (SDTJ Jazz) offers a welcoming vision of cultural unity. Returning for its second year after the unprecedented venture’s successful 2024 launch, SDTJ Jazz continues to showcase the deep cultural ties embodied by jazz and kindred musical idioms that connect the US and Mexico. Produced by San Diego Jazz Ventures, the three-day festival unfolds October 2, 4, and 5 with a series of concerts and celebrations highlighting the musical art forms of jazz and son jarocho, both inspired by African cultural traditions. SDTJ Jazz is also celebrating local jazz history in the life, legacy and 100th birthday of legendary multi-instrumentalist and NEA Jazz Master James Moody (1925-2010), who spent the last two decades of his extraordinary career as a San Diego resident. This year’s program builds on 2024’s triumph, which the San Diego Union-Tribune described as “audacious…sublime,” and “a tour de force… The San Diego Tijuana International Jazz Festival impressed enough to suggest its return next year won’t come a moment too soon.” With its roster of heavyweight American, Mexican, Mexican American and Latin American artists, the sophomore season represents a major step in establishing the festival as a region-defining cultural force. SDTJ Jazz kicks into high gear on Saturday, October 4, with a combination of free outdoor performances and a ticketed mainstage lineup indoors at the California Center for the Arts, Escondido. The concerts in the main theater include rapidly rising star Lucía, an incandescent singer from Veracruz who was the first Mexican artist to win the Sarah Vaughan International Jazz Vocal Competition in 2022. Hailing from an illustrious family of son jarocho artists, she seamlessly weaves jazz classics, boleros, and son jarocho standards into performances punctuated by percussive zapateado, a son jarocho dance idiom from Veracruz. Eight-time Grammy-winning pianist/composer Arturo O’Farrill, described as the leader of the “first family of Afro-Cuban jazz” (The New York Times), is renowned for his weekly residency at Birdland, one of NYC’s top jazz venues. He makes a rare San Diego appearance with his eight member Afro Latin Ensemble. Son jarocho figures prominently in O’Farrill’s Fandango at the Wall project, originally recorded at Tijuana’s Fandango Fronterizo Festival organized by Jorge Castillo. Castillo’s son jarocho ensemble, Fandango Fronterizo Colectivo, reunites with O’Farrill for a portion of his set in the main theater. Much like last year’s festival highlighted Tijuana’s deep jazz roots beginning with New Orleans pianist and composer Jelly Roll Morton, this edition highlights another seminal jazz artist’s Tijuana ties. O’Farrill plans to feature the composition “Tijuana Traffic,” a piece by the late composer Carla Bley, an NEA Jazz Master and mentor of O’Farrill’s. Bley recorded “Tijuana Traffic” on her acclaimed 2003 album “Looking For America,” and would likely be pleased at its inclusion on both sides of the US/Mexico border. A revered figure in jazz, James Moody is celebrated for his musical mastery and ebullience, and for his decades-long association with trumpeter Dizzy Gillespie. The main theater tribute to Moody features an all-star quartet of Puerto Rican saxophone master David Sánchez, brilliant pianist Gerald Clayton, bass giant John Clayton, and drum maestro Lewis Nash (who is also contributing vocals on tunes indelibly linked to Moody). Top San Diego artists flutist Holly Hofmann and trumpeter Gilbert Castellanos also join as special guests. Outdoors, an Escondido native, the New Orleans-based jazz vocalist Gabrielle Cavassa, who has spent the past two years touring with tenor sax star Joshua Redman, steps to the fore with her own band. She will release her first Blue Note Records album in September. Like Lucía, her career ignited after winning the 2021 Sarah Vaughan International Jazz Vocal Competition. Standard Tickets for the Escondido performances on October 4 are $42 – $118.80 including fees (face value $35-$99). No fees if purchased at the CCAE Box Office in person. VIP ADD-ON AVAILABLE to Orchestra section ticket buyers- $85 Add-On includes admission to the 2 other dates of the festival and a hosted dinner with the menu provided by Romesco at 6 p.m. on October 4 during the event in Escondido. Includes reserved seating to the other two event days. – Paella Tradicional & Paella Vegetariana – House Caesar’s Salad & French Baguette. Event Schedule: 3 p.m. Grounds open 3-3:45 p.m. (free outdoor stage) Iván Trujillo Ensamble 4-5 p.m. (main theater) Lucía 5:30-6:30 p.m. (main theater) James Moody @ 100 David Sánchez, John Clayton, Gerald Clayton, Lewis Nash, Holly Hofmann, Gilbert Castellanos 6:30-8 p.m. Dinner break – food trucks or VIP option 7-7:50 p.m. (free outdoor stage) Gabrielle Cavassa 8:15-9:30 p.m. (main theater) Arturo O’Farrill and the Afro Latin Ensemble with the Fandango Fronterizo Colectivo 9:30 p.m. Close
  • No end in sight to spat between Japan and China over Taiwan, as neither Tokyo nor Beijing shows signs of backing down.
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