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Winter for Best Jazz Artist at the 2024 San Diego Music Awards ” From the moment Mercedes Moore takes the stage you can’t look away. She welcomes you to the show, thanks you for coming, and the band rips into its opening chords. As dancers rush to the floor, the smile on Mercedes’ face grows more radiant; you’re in her world and nothing else matters. You might think she was destined to do this, but you’d be wrong. Moore grew up doubting her skills, “I didn’t think that I could sing.” She says. “I didn’t think it was possible.” That was then, this is now. Today, fronting her own band, Mercedes works hard to be more than a voice. She wants fans to feel the music, the way she feels the music. Watching faces in the crowd on this night, as Mercedes swings through an extensive playlist of ballads, blues, and soul shakers, it’s obvious she has them right where she wants them. Yet, the most remarkable aspect of this story, the woman has only been singing professionally for a little more than eight years. Eight years. Let there be no doubt, Mercedes Moore is making the most of her time. As a three-time San Diego Music Award nominee, Moore performs regularly with some of Southern California’s premier musicians. The list is endless–Taryn Donath, John Simons, Mark Campbell, Marc Ramos, Tracy Wiebeck, Kurt Kalker, Matt Taylor, Steve Wilcox, Scot Smart, Missy Andersen, Sharifah Muhammad, and Laura Chavez–to name but a few. When asked, Moore is straightforward about the multitude of players. “It just makes you a better singer.” She smiles. “And different people have different strengths. Plus, I want to learn, so I can be better.” It appears to be working. Mercedes Moore is currently juggling four major projects and her music can range from blues, gospel, and R&B to a boatload of classic rock and blue-eyed soul. This does not take into consideration the assortment of duo and trio sets, the occasional jazz venture, and an array of impromptu performances with local and visiting artists. “ …. read the rest at sandiegotroubadour.com/12256/ See More Events: bardicmanagement.com/events For more information visit: bardicmanagement.com

Referred to by Jazz Lives as “one of New York’s great gifts to the world,” blues and jazz vocalist Mara Kaye is “like some lost pocket of the blues that had never been explored in the old days, all wrapped up in a ball of 21st-century Brooklyn-bred attitude.” For over a decade she has traveled internationally and throughout the US, sharing legendary stages with champions of the genre, singing beloved songs of the past with a deep passion and respect for its original storytellers. Imagine a new artist with deep roots, one with the emotional power and swing of Billie Holiday, the deep-blue sorrows and joys of Bessie Smith, all the while leavened with Brooklyn spice. Her heart is in her music and there is no pretense, no distance as audiences from Moscow to Lincoln Center have found out. Mara’s voice has been compared to “Louis Armstrong’s trumpet at a rent party” by blues legend Jimmy Vivino and praised by The Wall Street Journal as proof that things are getting better. Her debut EP, It Had to Be You, recorded straight-to-tape by Bigtone Records, was released in February of 2022 and features incomparable piano legend, Carl Sonny Leyland. Mara's debut single, the forever iconic love song, IT HAD TO BE YOU, off of her recent Ep release with BIGTONE RECORDS features incomparable roots and blues piano legend Carl Sonny Leyland and can be heard on steady rotation on LA’s premier jazz station, KJAZZ 88.1 FM. Her second single, DYSTOPIAN BLUES, an original tune, was featured on ‘The Kelly Clarkson Show’ and performed live on CBS News in 2020. She most recently lent her writing and voice to Brooklyn hip-hop legend AZ’s track, NEVER ENOUGH featuring rapper Rick Ross. She is a proud faculty member of Centrum Foundation’s Voice Works program and a past instructor at their Acoustic Blues Seminar in Port Townsend, WA teaching voice masterclasses alongside some of the country's top blues and voice artists. She continues to teach in San Diego and Los Angeles, leading voice workshops and coachings in both cities. After a lifetime in New York, Mara is thrilled to call California home. "For too many years, young jazz singers all but ignored the blues, but the attention now being paid to the form by outstanding young artists such as Mara Kaye is proof that things are getting better.” - The Wall Street Journal See More Events: bardicmanagement.com/events For more information visit: bardicmanagement.com

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