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  • Red flag warnings are in effect for parts of Los Angeles and Ventura counties, as the National Weather Service warns that powerful winds and low humidity will increase the risk of fire.
  • The heavyweight who lost the "Rumble in the Jungle" to Muhammad Ali before authoring an inspiring second act as a 45-year-old champion and a successful businessman was 76.
  • Six Voice of America journalists and a director at its parent agency have sued the Trump administration, alleging its moves to shut down the U.S.-funded network are unconstitutional.
  • From the election results to the the charges against President-elect Donald Trump, here are the numbers that defined 2024 in politics.
  • The Trump administration continues to target foreign nationals looking to attend U.S. universities. Here's a closer look at who these students are, where they come from and what they study.
  • Thursday–Friday, 10 a.m. – 1 p.m. December 5–6 [Students can leave materials overnight Dec. 5 and work in the studio from 1–4 PM (without instruction)] (2 Days, 6 total hours of instruction) La Jolla Studio $100/120 + $20 materials fee paid to instructor This fun and focused class emphasizes the basics of creating a painting. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will emphasize composition, color, form, and lighting. There will be a still life setup. I do a painting demonstration in each class. Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it!  Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items:  Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Please email me at sharoncaroldemery@gmail.com if you have any questions. I am always available to help. Max students: 13 Sharon Carol Demery moved from the Bay Area to Los Angeles, where she studied and began her career. There she developed her modern art with an affinity for vibrant color, purity, and simplicity depicting images of abstraction that retain their cohesiveness. She was associated with the 1970s Abstract Illusionism movement. Primarily considered to be an abstract painter, her artistic facility and mixed-genre style depict an artist capable of eluding classification working in both abstraction and representational painting. Sharon has shown in galleries and museums around the country, and her work is in many private and public collections. An award-winning artist, her work has been reviewed and written about in numerous publications like Art Magazine, the New York Times, Los Angeles Times, and Images and Issues. Sharon taught painting at Arizona Western College in Yuma, as artist in residence, from 1979 to 1981, after which she moved to San Diego, where she attended UCSD and received the Professional Certificate in Art and the Creative Process. She attended Platt College and received a diploma in graphic design. She also studied human development at San Diego City College. Sharon has been teaching at the Athenaeum’s School of the Arts for 10 years. She has been influenced by her many travels on three continents and the great works of masters like Van Gogh, Cezanne, Matisse, Bonnard, Kandinsky, Grace Hartigan, Lee Krasner, Joan Mitchell, Thiebaud, and Diebenkorn. She says, “Painting for me is about discovery, growth, and human emotion. My goal is to continue studying the masters old and new to continue my journey in painting.” Athenaeum Music & Arts Library on Facebook / Instagram
  • Puerto Rico's Dominican immigrant community is on edge following a series of immigration raids, which started in January. People have stopped going to work, sending kids to school, or attending medical appointments. What was once a lively barrio is now mostly quiet in the wake of the crackdown.
  • The global LGBTQ+ festival was held for the first time in the nation's capital. Organizers say the current political environment has dampened the excitement surrounding the celebration.
  • Congress created several organizations in 1980s to strengthen democratic institutions worldwide. Human rights activists say the freeze is a gift to authoritarians like Xi Jinping and Vladimir Putin.
  • Learn to throw ceramics on a wheel! Saturdays, April 12, 19, 26, May 3 & 17, 10 a.m. - 12:30 p.m. In this 5-week wheel-throwing course, ceramicist Briena Chavez guides students looking to build a solid foundation in ceramics while progressively developing their skills. This class is perfect for beginners and those who want to refine their techniques through a guided approach. Throughout the course, students will learn fundamental throwing techniques, trimming, altering forms, and glazing, gaining confidence on the wheel while creating functional pottery. Each week introduces a new skill that builds on the previous one. Course Breakdown: Week 1: Throwing cylinders and bowls – mastering form and structure. Week 2: Trimming and attachments – refining shapes, “Why do we trim?” and adding handles (coil method). Week 3: Throwing bud vases and altering forms into garden planters or wall planters. Week 4: Trimming vases using chucks – learning support techniques for delicate forms. Week 5: Break Week Week 6: Glazing fundamentals for brush on – differences in glaze (celadons, mattes, etc.), layering techniques, wax resistant, and firing considerations. Students gain hands-on experience with throwing and understanding of clay behavior from start to finish, as well as confidence in being on the wheel and a deeper knowledge of glaze choices and surface treatments. Beginners welcome. Ages 16+yrs Military, first responder discounts Scholarships available
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