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  • “The Grand State Reopening” kicked off yesterday and much of San Diego rejoiced. But public health officials are warning that the pandemic still isn’t over. Meanwhile, a grassroots organization called “Let Oceanside Vote,” is collecting signatures to recall Kori Jensen, the Council member for District 1 in Oceanside. Plus, can the movie ‘In The Heights’ change Hollywood’s racial landscape?
  • The leader of a local microbrew steps down after a social media post alleging an abusive culture in the craft beer industry goes viral, local marijuana retail workers unionize, and graduating seniors at SDSU prepare for commencement during a pandemic.
  • This weekend in the arts: "This is Our Story"; Katherine Brannock; "Cabaret"; "Lempicka" closes; City Ballet's "Reimagined"; Libélula Books' zine swap; Encinitas Art Night; The Chicks; and lots of Comic-Con recommendations.
  • Abortion rights once again appeared to be a key motivator for Democratic voters — plus three other takeaways from primaries in New York and Florida.
  • June 19 is a commemoration of the end of slavery in the United States, marking the day enslaved people in Texas were finally freed — more than two years after the Emancipation Proclamation.
  • Twitter is stepping up its fight against misinformation with a new policy cracking down on posts that spread potentially dangerous false stories.
  • From the gallery: On view now at Quint ONE: An installation of lenticulars and glass-blown mixed media sculptures from the oeuvre of brothers and artistic collaborators Einar and Jamex De La Torre. The artists were born in Guadalajara, Mexico but now create on both sides of the border in Baja California, Mexico and San Diego, CA. This multicultural perspective functions literally through their employment of lenticular technology, which uses multiple images meant to be viewed independently from different angles but merge together when viewed head on. This perspective arises in the central work of the exhibition, Vodyanoy, which suffuses its title character (a creature of the swamps from slavic mythology that can care for people or drown them) with metaphors for a nature-deity serving an overdue bill for humanity’s excess. The results are shifting images of both utopian salvation and realistic warning, evidenced through the clean water flow brought on by meditative Sufi Whirling Dervishes. In the alternating image, a murky green swamp serves as the backdrop for Flemish renderings of the wounded and dead from futile wars. The De La Torre Brothers’ endless book of historical, cultural, religious, and artistic references are all compounded on and distilled in the moral storytelling which permeates their practice. Also included in the exhibition are mixed media blown glass sculptures created over the past decade whose motifs elaborate on the multi-layered concerns of the De La Torre Brothers, including financial excess, corruption, and consumerism, which often lead back to the natural disasters looming large on the planet. Vodyanoy will remain on view at ONE through October 30, 2021
  • In rural Wardak province, some Afghans celebrated the return of the Taliban. One year later, here's what they want from the new government.
  • Panel Vice Chair Liz Cheney said the witness has yet to appear in the hearings and didn't take the call from the former president but alerted their lawyer, who told the committee.
  • Increasing numbers of asylum seekers are being allowed to enter the United States. But with the asylum system still severely curtailed, thousands remain stuck in dangerous conditions in Tijuana. KPBS reporter Max Rivlin-Nadler has been following the story for months. His reporting is featured in a new special report for the “KPBS Investigates” and “Port of Entry” podcasts. In the episode, Rivlin-Nadler follows the painfully long wait many asylum seekers have had to endure, simply for a chance at finding refuge in the U.S. It outlines America's critically damaged asylum system at the U.S. Mexico border by introducing you to the people on the ground, both the migrants living in the dangerous refugee camps in Tijuana and the activists and lawyers trying to help them.
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