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  • Democrats in California’s Assembly and Senate rarely vote against bills, yet few seem willing to discuss their voting records, as well as the controversial practice of declining to vote instead of saying “no.”
  • Democrats in California’s Assembly and Senate rarely vote against bills, yet few seem willing to discuss their voting records, as well as the controversial practice of declining to vote instead of saying “no.”
  • President BIden and Japanese Prime Minister Fumio Kishida Fumio announced efforts to strengthen military ties, as well as collaborations on space exploration and artificial intelligence.
  • Customers at Freshly Faded Barber + Shop in North Park aren't just leaving with dope haircuts and fades; they're also getting their blood pressure checked.
  • From the organizers: The San Diego Museum of Art is hosting a free celebration of art, folklórico dance and music inspired by the world-famous Guelaguetza festival from the Mexican state of Oaxaca. The culturally immersive event is presented alongside the Sergio Hernández:Embers of Oaxaca exhibition, which opened last fall and will be on view through February 12 in partnership with the Mexican Consulate General of San Diego and the Baja California Secretary of Culture. The festival will feature six traditional dances from regions throughout the state of Oaxaca, and regional songs performed by Lilly Rincón, directed by Mexicali-based Compañía Esplendor Folklórico. There will also be free, family-friendly art-making activities and artworks for sale by artist vendors from Oaxaca. Sergio Hernández (b. 1957, Huajuapan de León, Oaxaca, México) is among the leading contemporary Mexican artists today focusing on the wonders of the natural world, including native species of southern Mexico, the Pacific Ocean and constellations of the night sky. Hernández’s printmaking—following in the tradition of fellow Oaxaqueños Rufino Tamayo and Francisco Toledo, and his use of local materials such as cochineal (the beetle-based red pigment developed before the Spanish conquest by Indigenous Zapotec artists and subsequently exported around the world as the “perfect” red), tie his art-making practice to important local and Indigenous traditions. Guests can enjoy free Museum admission from 2:00 p.m. until 5:00 p.m., complementary to the event. Related links: Event information at SDMART.org SDMA on Instagram SDMA on Facebook
  • In the early Twentieth Century, Anna May Wong was deemed too Chinese to play white roles and too American to play Chinese roles but that did not stop her from becoming an international icon. Cinema Junkie speaks with Yunte Huang, author of a new biography on the Asian American Actress.
  • Okinawa, which sits closer to China than to Japan's main islands, is the focus of U.S. and Japanese efforts to beef up defenses in Japan's southwest islands.
  • This concert features the glorious Sonata for Cello and Piano by Rachmaninoff along with other shorter masterpieces performed by Justin Hansen on piano and Paul Tseng on cello. Paul Tseng (cello) has performed as a soloist, a recitalist, and an orchestral and chamber musician throughout the United States, Canada, Egypt, Jordan, Israel, and South Africa. He has played in numerous concert halls such as Avery Fischer Hall, Carnegie Hall, Alice Tully Hall, the Cairo Royal Opera House in Egypt, and The Royal Cultural Center in Amman, Jordan. As a chamber musician, Tseng has performed with luminaries such as Earl Carlyss and Ruth Inglefield, and as a member of the Delphian Trio, which won First Prize in the Baltimore Chamber Music Awards Competition. The second cellist ever awarded the Doctor of Musical Arts degree at the Peabody Conservatory (Johns Hopkins University), Paul specialized in the cello music of Prokofiev. He also holds Bachelor and Master’s Degrees from the Juilliard School. He has held various faculty positions in New York, Maryland, West Virginia, New York, and Washington, DC. Paul is a founding member of the Logos Trio and the artistic director of the San Diego Music Society. Justin Hansen is a pianist, composer, and teacher based in San Diego. He earned his Bachelor’s Degree in Piano Performance from Utah Tech University, located in his hometown of St. George. During his time at Utah Tech, he had the honor of touring internationally as a guest soloist in Japan, England, and Norway, performing works such as Tchaikovsky’s 1st Piano Concerto and Rachmaninoff’s 2nd Piano Concerto. Hansen was later accepted into the Master’s program at the Seattle Film Institute and earned his degree in Composition for Film, TV, and Video Games under the direction of Emmy Award-winning composer Hummie Mann.
  • From the gallery: Quint Gallery is pleased to present an exhibition of paintings by San Diego-based artist Perry Vásquez from January 25-February 18, 2023. Some Palms centers the palm tree as a symbol for the idealism of California, simultaneously mythologizing and interrupting its appeal. Date palms, synonymous with the California landscape, were imported by Franciscan monks in the late 1600s as ornamental nods to the plant’s appearances in the bible, transforming Southern California from an arid desert into an oasis. These palms, with only one species native to California, provide neither shade nor fruit, and require vast resources of water from near and far watersheds in order to thrive. Vásquez has considered this ecological quandary to create paintings of palms engulfed in flames, an image which has become synonymous with accelerated rates of wildfires across the region. In other paintings, he further dissects the myth of the palm tree with paintings of Monopalms, the concealed utility structures that use synthetic materials to conform to the foliage that encapsulates the Southern California ideal. At times, Vásquez’s lone, burning palm confers quasi-religious comparisons to Roman-Catholic representations of purgatory and the anima sola (or lonely spirit). Prayed to in devotional art in Europe and Central America, the image of the anima sola depicts a woman breaking free from her chains in a fiery prison in between heaven and hell, marking her destiny to reach the afterlife. From this perspective, the artist explores the palm tree’s symbolic past and uncertain future as iconography of an increasingly unwelcome environment. Ultimately, Perry Vásquez reframes these icons as fixtures of cultural impermanence, moving between realist renderings to atmospheric gestural compositions emphasized by impasto flames against an otherwise flat surface. Perry Vásquez, originally from Los Angeles, has been working in the San Diego region since 1987 and earned his MFA in Visual Art from the University of California, San Diego. He is a recipient of the 2021 San Diego Art Prize. Vásquez has exhibited his artwork in group and solo exhibitions locally and internationally and is in the permanent collections of the Museum of Contemporary Art San Diego and Laguna Beach Art Museum, the City of San Diego and the County of San Diego. Vásquez is currently a Professor of Art at Southwestern College, CA. Related links: Quint Gallery on Instagram
  • Four organizations won a FTC contest for their tools that help tell real audio clips from deepfakes. The winners' approaches illuminate challenges AI audio deepfakes pose.
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