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What would you do if your favorite artist stared you down and asked for the truth? On this 8 Tracks: Michael Knott, Rapsody and Tierra Whack offer mirrors to themselves and to anyone listening.

A middle-aged protagonist struggles with his own sense of impermanence — and the return of his long-absent father. The Shadowless Tower is a subtle film that draws you in at every step.

The Coronado Historical Association is inviting the Coronado community to help tell and preserve a largely neglected part of the community's heritage — the history of Coronado’s African-American community. This rich history, which spans over 135 years, is largely absent from the historical record of Coronado. This history includes not just African American residents of Coronado, it also includes those who attended school or worked in Coronado, as well as those who served at Naval Base Coronado. CHA is preparing for an upcoming exhibit that will delve into this valuable history. CHA and local historians have already uncovered many important resources, including photographs, school yearbooks, and newspaper articles, however, CHA is seeking the help of community members to help us learn more about this previously under-researched part of our community history. If you have photographs, documents, or stories to share (from any period,1885-2023) please stop by CHA on Friday, October 13 for Coronado’s African American History Community Collecting Day. CHA staff and volunteers will be on hand to explain more about the exhibit and to help scan photos and capture stories. Please visit here for more information about the event! Connect with Coronado Historical Association on Social Media! Facebook & Instagram

Festival de octubre en Baja California: Screening of the documentary "Fandango at the Wall" Festival de octubre concludes its October festivities with the screening of "Fandango at the Wall" (2020), a documentary that takes you along Afro Latin Jazz Orchestra founder/conductor Arturo O'Farrill’s journey through the remotest regions of Veracruz, México in search of musicians. This is where he is met with the masters of 300 year-old folkloric music: san jarocho. The film documents how he and his orchestra join these masters for a son jarocho music and dance festival called ‘Fandango Fronterizo,’ founded by Jorge Francisco Castillo. The two groups combine their musical talent, using elements of division at the U.S./ México border to create unity during Fandango at the Wall, a festival that takes place annually and happens simultaneously on both sides of the border. The event resulted in two recorded albums, one of which received a Grammy-award, a book was also written, and they filmed this HBO max documentary. Fandango is a party where everyone joins the show. This is the spirit that brought this project together and the reason for which we extend our invitation for you to join us as we screen this documentary and have the opportunity to hear from its creators and seal the presentation with a “palomazo,” commonly used to reference a spontaneous musical performance, by some of the film’s musicians. ¡No te pierdas este increíble evento en persona! Únete a nosotros en UC San Diego Park & Market para disfrutar de una proyección especial del documental "Fandango at the Wall." Sumérgete en la rica cultura de Baja California y descubre la belleza del fandango, una tradición musical mexicana. October 16 @ 7 - 9 p.m. UC San Diego Park & Market Guggenheim Theatre

Prolific novelist and punk rock journalist and historian Jim Ruland has a new novel coming out, "Make It Stop," a speculative look at a dysfunctional capitalist healthcare system and the underdogs, vigilantes and avengers who are (messily) trying to upturn the status quo. Ruland's writing is a compelling mix of page turner thriller, humor and cerebral, wry insight into the darker corners of the human condition. Ruland will be in conversation with author Patrick Coleman at the Book Catapult to celebrate "Make It Stop." —Julia Dixon Evans, KPBS About the book: Scores of detox and rehab centers across Southern California have adopted a controversial new conditional release policy that forces patients to stay until they pay their bills. And if they can't pay? They don't leave. Enter: Make It Stop, a group of highly skilled recovering addicts dedicated to rescuing those trapped in these prison hospitals by posing as patients and getting them out by any means necessary. But when Scary Gary, one of their top ops, gets killed on assignment, Melanie Marsh and her crew set out to avenge his death and unravel an unthinkable medical conspiracy that threatens to destroy the organization and cripple the city with a dangerous new drug. Melanie may be LA's best hope but if, and only if, she can stay sober. From decrepit rehab wards to beachside punk clubs, Make It Stop takes readers into LA's darkest corners, exploring sobriety, sanity, and a society hell-bent on profiting off those who need its help the most. About the author: Jim Ruland is the author of the award-winning novel Forest of Fortune and the short story collection Big Lonesome. He is the co-author of Do What You Want with Bad Religion, My Damage with Keith Morris, founding member of Black Flag, Circle Jerks and OFF!, and Giving the Finger with Scott Campbell, Jr. of Discovery Channel’s Deadliest Catch. He is currently working on a collaboration with Evan Dando of the Lemonheads. Jim writes about punk and pop culture for Razorcake — America’s only non-profit independent music zine. He also writes book reviews and author profiles for the Los Angeles Times and the Los Angeles Review of Books. Jim’s work has appeared in numerous publications, including The Believer, Electric Literature, Esquire, Granta, Hobart and Oxford American, and has received awards from Reader’s Digest and the National Endowment for the Arts. Jim is a veteran of the U.S. Navy and has worked for advertising agencies, entertainment enterprises, and the gaming industry. He is available for copywriting, ghostwriting, editing, and consultation. He lives in Southern California and is an avid enthusiast of punk rock music, tattoo culture, and strong coffee. For more information, or to preorder books, visit The Book Catapult here. Related links: The Book Catapult on Instagram

From the gallery: This exhibition is first and foremost about color derived from nature and how they interact with each other. This series of works started with my desire to weave a “black” square in response to the black squares that infamously flooded Instagram accounts on June 2, 2020. The day became known as Blackout Tuesday and was a public response to the murders of multiple black Americans committed by police amidst the global coronavirus outbreak. These weavings are a meditation, a reaction to, and commentary on performative activism. Seeing millions of people post black squares left me internally asking: Why were people posting this black square? Did people really believe this black square would bring about foundational change, stop police brutality, and end systemic racism? Does the activism stop there? What’s next? These pieces were very therapeutic to create, they became a way for me to process and work through melancholy thoughts. This exhibition also draws inspiration from the rapidly changing digital world we exist in today where artists and creatives are losing their jobs and slowly being replaced by artificial intelligence. I playfully think of these as physical NFTs and really enjoy the juxtaposition of taking an ancient craft and attempting to make it look digital and erred. About the artist: Evan Tyler is an interdisciplinary artist born in Los Angeles, California, currently based in San Diego. His work is inspired by ancient things, mythology, architectures of the old world, and enduring traditional crafts, all of which allow him to harken back to another time and discover the practices of his ancestors. Visiting information: On view Oct. 9 to Nov. 18, 2023. Opening Reception: 5-7 p.m. on Saturday, Oct. 14. Gallery hours: 2-5 p.m. Thursday and Friday or by appointment HERE.

From the San Diego Opera: "Tosca" is Giacomo Puccini’s gripping drama filled with torture, treachery, lust, execution and suicide. Scarpia, the chief of police, wants only two things: to recapture the escaped prisoner Angelotti and to seduce Tosca, an opera singer of incredible voice and beauty. Tosca is in love with Cavaradossi, an artist and sympathizer of Angelotti. After arresting Cavaradossi for harboring Angelotti, Scarpia plays with Tosca’s emotions, promising to free Cavaradossi if Tosca will succumb to Scarpia’s desires. But Tosca has a plan of her own, all of which unfolds with tragic consequences from which no one can escape. Soaring and sensuous, filled with such beautiful arias as Tosca’s “Vissi d’arte”, Cavaradossi’s “Recondita armonia” and the powerful choral piece “Te Deum”, Tosca has some of opera’s most beloved music, and one of opera’s most gripping plots. Tosca welcomes the return of soprano Michelle Bradley in the title role, and Greer Grimsley in his signature role of Scarpia. Argentinian tenor Marcelo Puente makes his San Diego Opera debut as Cavaradossi. Directed by Alan Hicks and with the San Diego Symphony conducted by Valerio Galli. LANGUAGE – Sung in Italian with English and Spanish text projected above the stage RUN TIME – 2 hours and 45 minutes, including two 20-minute intermissions Pre-Opera Lecture: The pre-opera lecture begins at 6:40 p.m. before the 7:30 p.m. evening performances. The Sunday matinee pre-opera lecture begins at 1:10 p.m. before the 2:00 p.m. curtain. Mainstage Post-Opera Talk-Back: Stay after the performance for a Talk-Back. Once the curtain falls, there will be a 10-minute break, then join us in the front of the Dress Circle section where you can ask questions of the stars and cast (subject to availability), and find out what really happened onstage and backstage during the performance! SD Opera Safety Protocols Ticket information: Special discounts are available here for students, military or last-minute rush tickets. Details here.

Premieres Wednesday, Nov. 1, 2023 at 10 p.m. on KPBS TV / PBS App + Encore Thursday, Nov. 16 at 8 p.m. on KPBS 2. Uncover what happens when archaeologists study a skeleton found with an iron nail through its heel bone, suggesting the person was the victim of crucifixion in Roman-occupied Britain. Only one other skeleton with evidence of crucifixion has ever been found in the world. Who was he? What was life in Roman Britain like? And why did he receive such a gruesome punishment?

Tuesday, Aug.8, 2023 at 11 p.m. on KPBS TV / Stream now with the PBS App. Mapiko is a traditional masked dance performed by the Makonde men of Northern Mozambique. Filmmaker Sara de Gouveia’s film follows Atanásio Nyusi, a compelling storyteller and legendary Mapiko dancer, taking us on a visually dramatic journey through Mozambique's past (including Mapiko’s role as a tool to challenge colonization during the Mozambican War of Independence) and its vibrant present.

Americans consume more than half their daily calories from ultra-processed food. A new study finds consuming lots of this food is linked to a higher risk of many diseases.