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  • His parallel careers, as an author, a teacher, and a Broadway and film and television actor, mark Guy Davis as a Renaissance man, yet the blues remain his first and greatest love. Growing up in a family of artists (his parents were Ruby Dee and Ossie Davis), he fell under the spell of Blind Willie McTell and Fats Waller at an early age. Guy’s one-man play, "The Adventures of Fishy Waters: In Bed with the Blues," premiered off-Broadway in the ‘90s and has since been released as a double CD. He went on to star off-Broadway as the legendary Robert Johnson in "Robert Johnson: Trick the Devil," winning the Blues Foundation’s Keeping the Blues Alive award. More recently he joined the Broadway production of "Finian’s Rainbow," playing the part originally done in 1947 by Sonny Terry, an experience that helped inspire the acclaimed Terry/McGhee album, "Sonny Brownie’s Last Train." In his new album, "Be Ready When I Call You," it’s his songwriting that really comes forward. For the first time in over a dozen-album career he wrote nearly everything on the disc, Howlin’ Wolf’s classic Spoonful being the sole exception. “I call it Americana, but I slip a little world music in there too,” he says. “When you’re trying to create beautiful music, you don’t think too much about categories. You know, I came up in the Pete Seeger tradition – folk songs, topical songs, the Woody Guthrie kind of tunes. And then the delightful entertaining kind of tunes, songs like Kisses Sweeter Than Wine. I have all that in me and I tried to let it flow a little bit in this opus.” Tying all his work together is his love of a good story, and a willingness to speak out when there’s a point to be made. “That’s what I consider myself, a musical storyteller. I tend to create music but even if I didn’t, I would use somebody else’s music — and if I didn’t have that, I would speak poems or prose. I think that all these things increase me as a performer…. the songs, the plays, the descriptions, everything I do with words. They’re all part of each other.” Happy Traum was smitten by American folk music and began playing guitar and 5-string banjo as a teenager. He was an active participant of the legendary Washington Square/Greenwich Village folk scene of the 1950s and ‘60s, and studied guitar with the famed blues master, Brownie McGhee. A first-rate fingerstyle guitarist and singer, he has performed throughout the United States, Canada, Europe, Australia, and Japan, both as a soloist and as a member of various groups. His avid interest in traditional and contemporary folk music has brought him recognition as a performer, writer, editor, session musician, teacher, and recording artist. He has been recording music since 1963, both with his brother, the late Artie Traum, and as a solo performer. In July, 2022, Happy released "There’s a Bright Side Somewhere," a collection of songs and instrumentals backed by nearly twenty of his very talented musical comrades from the Woodstock area and beyond. “As he shows yet again on a new album titled There’s a Bright Side Somewhere, his exceptional fingerpicking guitar is unrivaled, and he brings dazzling life to traditional and contemporary folk songs.” – Henry Carrigan, Folk Alley Now in his 84th year, Happy continues to perform, record, conduct guitar workshops and classes, and produce new lessons for Homespun Tapes. One of Woodstock’s most revered local musicians, he can often be heard playing for large fundraisers or other community causes, trying to pay back the half-century of friendships and good will that came to him and his family in that creative, progressive community. guydavis.com www.happytraum.com Presented by the nonprofit San Diego Folk Heritage, www.sdfolkheritage.org
  • The Greater San Diego Music Coterie presents its first spring concert at All Saints Episcopal Church on Sunday, January 29. Please note the new spring concert time at 2:30 p.m. Soprano Irene Marie Patton and baritone Andrew Garrett join the Greater San Diego Chamber Orchestra in a program of Scandinavian music. Conducted by Dr. Angela Yeung. Program includes the Karelia Suite by Finnish composer Jean Sibelius, Efterklange af Ossian Overture by Danish composer Niels Gade, selections from Peer Gynt by Norwegian composer Edvard Grieg, and the Cantata in einer Taffel-Music by Swedish composer Johan Helmich Roman. Admission is free with free-will donation at the performance. Donation via Venmo, Zelle, or by check can be tax deductible. Visit https://gsdmusicoterie.org/events/scandinavian-winter/ for updates. Free parking information upon reservation.
  • Gold leafing is fast, fun and an easy way to bring life to and shimmer to your art. And this is the perfect workshop to make a gift for moms or to take with your mom! In this workshop, artist Shirin Nikoukari shares different ways to apply gold leaf and shows you how to apply it quickly and properly to your artwork. Students will learn about materials, difference between imitation and real gold leaf, material compatibility, and the most effective way to apply gold and other metal leaf so that it will last for years to come. This workshop includes gold leafing materials and wood panels and students will go home with their own gilded creations. Feel free to bring your own brushes and paint colors or an existing painting that you want to gold leaf. Date | Saturday, May 7 from 10:30 a.m. to 2 p.m. Location| Art on 30th Get tickets here! Admission is $95 per person. Cost includes all supplies. All skill levels welcome. Students are encouraged to bring snacks or a bagged lunch For more information, please visit eventbrite.com/e/gold-leaf-birds-botanicals-a-mothers-day-workshop or call the venue at (619) 894-9009.
  • YouTube Stream: https://youtu.be/iDKcTHsu5WY Amy Franceschini is an artist and designer whose work facilitates encounter, exchange and tactile forms of inquiry by calling into question the "certainties" of a given time or place where a work is situated. An overarching theme in her work is a perceived conflict between "humans" and "nature". Her projects reveal the history and currents of contradictions related to this divide by challenging systems of exchange and the tools we use to "hunt" and "gather". Using this as a starting point, she creates relational objects that invoke action and inquiry; not only to imagine, but also to participate in and initiate change in the places we live. In 1995, Amy founded Futurefarmers, an international group of artists, anthropologists, farmers and architects who work together to propose alternatives to the social, political and environmental organization of space. Their design studio serves as a platform to support art projects, an artist in residence program and their research interests. Futurefarmers use various media to deconstruct systems to visualize and understand their intrinsic logics; food systems, public transportation, education. Through this disassembly they find new narratives and reconfigurations that form alternatives to the principles that once dominated these systems. They have created temporary schools, books, bus tours, and large-scale exhibitions internationally. Amy received her BFA from San Francisco State University in Photography and her MFA from Stanford University. She has taught in the visual arts graduate programs at California College of the Arts in San Francisco and Stanford University and is currently faculty in the Eco-Social masters program at the Free University in Bolzano, Italy. Amy is a 2009 Guggenheim fellow, a 2019 Rome Prize Fellow and has received grants from the Cultural Innovation Fund, Creative Work Fund and the Graham Foundation. https://www.futurefarmers.com/
  • The women's stories underscore the findings of a recent poll showing significantly more female officeholders in San Diego County face threats than their male counterparts.
  • The documentary returns to theaters this month alongside the release of a new box set. It's a chance to consider what it captures (and doesn't) about music, race and justice in the 1970s and today.
  • Free concerts at noon every other Monday from fall through spring . . . no wonder the Mini-Concerts are the longest-running and one of the most popular classical music series at the library! This series was founded by Glenna Hazleton in 1970 at the Athenaeum, and has been going strong ever since. The concerts feature both local and touring musicians, prize-winning students, university music faculty members, local chamber ensembles. . . and the repertoire also includes jazz, folk and world music. Performers: Ines Irawati-Piano Sophie Webber-Cello Date | Monday, April 25, 2022 at 12pm Location | Athenaeum Music & Arts Library Free Event! There are no reservations, no tickets . . . just line up at the side door of the Athenaeum before noon. (Donations are always welcome!) Mini-Concerts take place every other Monday at noon and last about an hour. The concerts will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for these events. Doors open at 11:50 a.m. Seating is first-come; first-served. For further information on this event please visit website: https://www.ljathenaeum.org/events/mini-concert-2022-0425
  • Join us for an evening of learning the art of modern calligraphy! Whether you're a stationery nerd, DIY Bride-to-be, or just a crafty individual, in this workshop you'll be learning an introduction to modern calligraphy with a pointed dip pen and ink. We will cover all the basics and get you ready to add those special lettered details to your snail mail, wedding paper goods, home decor, and more! The perfect crafty night out! Date | Monday, June 13, 2022 at 5:30pm Location | The Lafayette Hotel Purchase tickets here! $65 Class includes 1.5 hours of instruction and demonstration, our beginner's calligraphy kit (two nibs, black ink pot, 2 letter guides, tracing paper, and straight pen holder), and all materials to write on. Everything is yours to keep at the end of the night! For further information on this event please visit: https://sipandscript.com/event/learn-modern-calligraphy-at-the-lafayette-hotel-4/
  • This was the year we lost actors Sidney Poitier, Angela Lansbury and Bob Saget, fashion titan André Leon Talley, artists Sam Gilliam and Claes Oldenburg and authors David McCullough and Hilary Mantel.
  • Researchers have compared the DNA of 27 Black people who lived at the Catoctin furnace between 1774 and 1850, finding a link between these enslaved Americans and nearly 42,000 living relatives.
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