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English Powerhouse Manchester City and Nexen will host the 2023 Nexen Man City Cup, beginning on May 25 with the Boys supergroups kicking off at the SoCal Sports Complex in Oceanside. The Boys supergroups will feature the Manchester City boys academy and other top academy teams from LigaMX and MLS teams. The main tournament starts Saturday, May 27 – at three venues across the greater San Diego area: Boys 2009-2015 games will be held at Galway Downs (Temecula) for the first time in the tournament's history. All Girls games will be held at Surf Cup Sports Park in Del Mar, California – featuring Manchester City’s girls academy team for the first time. Finally, all l boys supergroups will continue to play at SoCal sports complex in Oceanside, California. The finals will be played on Monday, May 29 – featuring the supergroup finals at Surf Cup Sports Park in Del Mar, California. All other finals will be played at Galway Downs (Temecula). This year’s tournament will feature activations from Manchester City, Nexen, and PUMA–as well as a special visit from Manchester City’s mascot, Moonchester. PUMA will have a photo experience booth for fans to take an instant printed picture, as well as a visual experience station for visitors to demo merchandise. Visit: /mancitycup.com

Join the San Diego team at Viewpoint Brewing for an evening of cocktails and conversation. This event is an opportunity to network with fellow freelancers in San Diego, get advice from your inspiring community leaders, and celebrate self-employment. Come meet some Top Rated Sellers, and learn how to do even more with Fiverr. May is Small Business Month at Fiverr, so we'll be discussing how to support a successful business with Fiverr freelance talent. Visit: https://events.fiverr.com/sandiegomaygathering05252023/

4th of July Fireworks Viewing Party aboard the USS Midway! Celebrate our Nation’s Birthday and watch the Big Bay Fireworks show from the Flight Deck of the Midway! It’s a celebration for all ages, including live entertainment, New delicious BBQ meals, photo ops and the best view in town to watch California’s largest fireworks show, the Big Bay Boom Independence Day Spectacular! LIMITED TICKETS GO ON SALE JUNE 7, 2023 AT 11AM, AND WILL SELL OUT FAST! #MIDWAY4TH Join the Celebration of the Year! FAMILY, FUN, FOOD AND FIREWORKS! Be sure to bring your dancing shoes because San Diego’s Best Live Band, The Sully Band, will be playing all your favorites from 7 – 9 p.m! For more information and alternate viewing locations, please visit the Port of San Diego Big Bay Boom Website: https://bigbayboom.com/ USS Midway Museum on Facebook / Instagram

Once Upon a Book Fair 2023 Welcome to our annual author event where you’ll find a book for everyone! Go on a treasure hunt and raid the dragon’s lair! Our first 75 guests who solve the riddle will get a free book! (Many of these books are meant for adults, so parents please use your own discretion.) Saturday, June 3, 2023 California Center for the Arts, Escondido (Directions/Map/Free Parking) Art & Education Studios 340 N. Escondido Blvd, Escondido, CA 92025 10 a.m. to 4 p.m Author Readings and Spotlight Interviews all Day Long: 11am: T. Jefferson Parker, San Diego Thrillers 1:15pm: Linda Thomas-Sundstrom, Paranormal Romance 2:20pm: Matt Coyle, San Diego Thrillers Find the list of all participating authors here. No tickets necessary! FREE fun for the whole family!

You are invited to the Intersections Concert Series featuring Slavic Soul Party: Balkan Brass Beats & Beyond, an exploration of Balkan Folk Music (12.07.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. Fiery Balkan brass, throbbing funk grooves, Roma (Gypsy) accordion wizardry, and virtuoso jazz chops make Slavic Soul Party! NYC’s official #1 brass band for BalkanSoul GypsyFunk. SSP! pumps a strong Balkan brass sound through the filter of life in New York’s outer boroughs, making new music out of the unplanned results of immigration, proximity, and globalization. Over the past 15 years the band has released 7 full-length albums, and toured in the US, Canada, Mexico, Europe, Turkey, and Zimbabwe, from pasha’s palaces to dive bars, Carnegie Hall to Serbian schoolyards, festival stages to prison courtyards. The band’s music has fans on both sides of the Atlantic, and their tunes have been covered by Serbian brass stars, New Orleans funk stalwarts, and legendary street bands. SSP!’s Tuesday night residency in Brooklyn has become a destination for music fans from around the world, and is famous for “delivering a great time.” (New York Times) In September 2016 Ropeadope Records released "Slavic Soul Party! Plays Duke Ellington’s Far East Suite." SSP! re-imagines Duke Ellington’s iconic Far East Suite as an Eastern European brass band discovering an exotic American sound, reversing the “exotic tinge” and reveling in this subtle, funky, and brilliant music. Ellington’s suite (created with Billy Strayhorn) was inspired by a 1963 State Department tour that was cut short – they didn’t make it to the “Far East” – and serves as a perfect foil for SSP!’s blend of East European, Romani, and American sounds. Critics call it “a pretty heavenly match” (TimeOut NY) and say “parts of SSP’s reinterpretation sounds like a Bulgarian wedding, others like a gypsy jazz funeral in New Orleans. And yet… it all sounds like Duke Ellington.” (Wall St Journal). “Of all the NYC dance bands that draw on Eastern European music, Slavic Soul Party! is the coolest…. SSP! jumps from traditional songs to contemporary covers and originals, connecting the dots of a number of folk schools with surprising finesse… Its members seem acutely aware of the common principle that unites the traditions they borrow from: Music ought to move you.”—Cristina Black, TimeOut NY “Anytime musicians study traditions deeply, and then free themselves to follow their own whims, it’s a beautiful thing. But when it comes to the brass band fusion of Slavic Soul Party! that’s just the beginning. With razor-sharp precision, juggernaut force, and a healthy dose of playfulness, these guys start out in overdrive and never let up… Slavic Soul Party! offers a gutpunch to preconceptions about traditional music, world music, pop music, dance music, but I’ll tell you, this is one gutpunch you’ll enjoy.”—Banning Eyre, NPR’s All Things Considered More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.

You are invited to the Intersections Concert featuring Mariachi Garibaldi and Jeff Nevin (11.07.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. Jeff Nevin Jeff Nevin studied conducting at the Pierre Monteux School with Charles Bruck and was conductor of the Southwestern College Symphony Orchestra from 2013-2021. While his professional work has leaned more towards performing as a mariachi musician, soloist and band leader, his experience in these areas combined with his training and expertise as a symphonic conductor gives him a unique perspective on the interpretation of Mexican symphonic music, including the works of Revueltas, Chavez, Moncayo, Galindo, Marquez and others. Mariachi Garibaldi From Southwestern College Performing ensemble from Southwestern College, the first school in the world to offer a college degree in mariachi music. Many former students have moved on to receive Bachelor’s and Master’s degrees in Music, perform mariachi professionally including with some of the top mariachis in the country, and they are beginning to fill the great need for mariachi instructors that exists across the US today. Mariachi Garibaldi has been featured in both American and Mexican national news broadcasts and several documentaries, they have performed across the US and Mexico, and recently performed in Brazil (2019 & 2014), Egypt (2018), Belgium (2017), Germany (2016), India (2015), Canada (2015), Russia (2012 & 2009), France (2012 & 2010) and China (2010). More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.

You are invited to the Intersections Concert featuring Yale Strom and Hot Pstromi (10.24.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. Yale Strom and Hot Pstromi is a U.S.-based klezmer ensemble that was started in 1982. The original line up was Strom (violin), Andy Statman (clarinet and mandolin), Mark Dresser (bass), Ismail Butera (accordion) and Seido Salifoski (percussion). Concurrently, Strom led a klezmer ensemble based in California, originally called Zmiros, later Klazzj. Members included Jeff Pekarek, Fred Benedetti, Tripp Sprague, Gene Perry. Since 2006, both ensembles have been called Yale Strom & Hot Pstromi, but the website's lineup reflects the current New York based lineup: Peter Stan (accordion), Norbert Stachel (Eb, Bb, and bass clarinets, C and bass flutes, soprano & tenor saxophones, oboe, English Horn, ethnic winds), Elizabeth Schwartz (vocals), Sprocket (bass), Klezmatics co-founder David Licht (percussion) and Strom (violin and bandleader). Other artists appear as featured guests on the ensemble's 21st Century recordings, including panflutist Damian Draghici, Andy Statman, accordionist Lou Fanucchi, accordionist Ismail Butera, bassist Marty Confurius, bassist Mark Dresser, bassist Jim Whitney, trumpeter Bud Burridge, percussionists Benny Koonyevsky and Jim Mussen, pianist Diane Moser, Klezmatics co-founder Lorin Sklamberg, tsimbl player Alexander Fedoriouk and others. In October 2012, the ensemble released the book "Shpil: The Art of Playing Klezmer" (Scarecrow Press), a book that includes not only instruction for the individual - professional and amateur enthusiast - but a detailed history, suggested recordings and bibliography, and personalized instruction for violin (Yale Strom), accordion (Peter Stan), bass (Jeff Pekarek, from Strom's West Coast ensemble), reeds (Norbert Stachel), percussion (David Licht) and a rare chapter on how to sing klezmer vocals (Elizabeth Schwartz). What sets Hot Pstromi apart from other klezmer bands is much of the repertoire comes from Strom's many years of ethnographic research he has conducted in Eastern Europe. Many of the klezmer melodies and Yiddish songs come from Jews and Roma who played before and after the Holocaust that Strom interviewed and performed with. Strom's academic research can be found in his books: "The Book of Klezmer: The History, The Music, The Folklore from the 14th Century to the 21st, "Shpil: The Art of Playing Klezmer," "Dave Tarras: The King of Klezmer," and "The Absolutely Complete Klezmer Songbook." More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.

You are invited to the Intersections Concert featuring Bach, Blakely and Beyond with the Don Byron Quartet (09.21.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. Ft. Don Byron (clarinet, sax), David Gilmore (guitar), Dezron Douglas (bass) & Jeff "Tain" Watts (drums) Don Byron has been a singular voice in an astounding range of musical contexts, exploring widely divergent traditions while continually striving for what he calls "a sound above genre." As clarinetist, saxophonist, composer, arranger, and social critic, he redefines every genre of music he plays, be it classical, salsa, hip-hop, funk, rhythm & blues, klezmer, or any jazz style from swing and bop to cutting-edge downtown improvisation. An inspired eclectic, Byron has performed an array of musical styles with great success. Byron first attained a measure of notoriety for playing Klezmer, specifically the music of the late Mickey Katz. While the novelty of a black man playing Jewish music was enough to grab the attention of critics, it was Byron’s jazz-related work that ultimately made him a major figure. Byron is an exceptional clarinetist from a technical perspective; he also possesses a profound imagination that best manifests itself in his multifarious compositions. At heart, Byron is a conceptualist. Each succeeding album seems based on a different stylistic approach, from the free jazz/classical leanings of his first album, "Tuskegee Experiments" (Nonesuch, 1992), to the hip-hop/funk of "Nu Blaxpoitation" (Blue Note, 1998). Byron’s composition “There Goes the Neighborhood” was commissioned by the Kronos Quartet and premiered in London in 1994. He’s also composed for silent film, served as the director of jazz for the Brooklyn Academy of Music, and scored for television. Byron was born and raised in New York City, the son of a mailman who also occasionally played bass in calypso bands, and a mother who dabbled on piano. As a child, Byron developed asthma; his doctor suggested he take up a wind instrument as therapy. Byron chose clarinet. His South Bronx neighborhood had a sizeable Jewish population, which partly explains his fascination with Klezmer. Byron was encouraged by his parents to learn about all different kinds of music, from Leonard Bernstein to Dizzy Gillespie. Byron’s models on clarinet included Tony Scott, Artie Shaw, and especially Jimmy Hamilton. As an improviser, Joe Henderson was a prominent influence. As a teenager, Byron studied clarinet with Joe Allard. Byron attended the New England Conservatory of Music, where he studied with George Russell. While at NEC, Byron was recruited to play in Hankus Netsky’s Klezmer Conservatory Band. Byron moved from Boston back to New York in the mid-’80s, where he began playing with several of the city’s more prominent jazz avant-gardists, including David Murray, Craig Harris, and Hamiet Bluiett. A year after recording "Tuskegee Experiments," Byron made "Plays the Music of Mickey Katz" (Nonesuch), which put something of an end to his Klezmer career (at least in terms of recording). Byron’s career built steadily over the course of the ’90s. By the end of the decade he had signed with Blue Note records. While hardly a radical, Byron is an original voice within the bounds of whatever style he happens to embrace. ~ Chris Kelsey More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.

You are invited to the Intersections Concert Series featuring Beyond the Blues with Mamie Minch and Mara Kaye (08.10.23). Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. MAMIE MINCH Mamie Minch is a longtime staple of New York City’s blues scene. Listening to her sing and play is like unpacking a time capsule of American music that’s been stored in her 1930s National steel guitar for decades and filtered through a modern femme sensitivity. Mamie’s honest, deep singing voice and old school guitar walloping become a vessel for her toughness and pathos as she delivers timeless performances that can rile, groove, sooth, and understand. If you’ve been lucky enough to see Mamie perform in New York City or somewhere else in the wide world, then you know: there are some things a person is simply meant to do. After graduating from art school in non-traditional printmaking techniques, Mamie came to New York City where she fell in with a crowd of 78 record collectors, some of whom had contributed rare recordings to the same reissue labels she loved. It was a mind-expanding time for her and she connected with a crowd who were interested in early American music. Soon, she was playing around the city in small clubs with her first band, Delta Dreambox. She met Meg Reichardt (Les Chauds Lapins, Low Down Payment), another guitarist and singer who could sound like she’d jumped off of an Edison wax cylinder, and they founded the four-piece, all-woman harmony group the Roulette Sisters, who played together for a decade and recorded two full-length albums. In 2008, Mamie released her first solo album, "Razorburn Blues," in collaboration with bassist/engineer Andy Cotton. Through the community of musicians centered around Barbes, Mamie connected with beloved singer/guitarist Dayna Kurtz. They toured together as a duo—two altos performing show-stopping, full-bodied harmony over layers of guitar—and made a 10” record, “For the Love of Hazel.” MARA KAYE The blues flows through San Diego. It has for a long time. Sometimes it has been obvious, flowing on the surface, and other times it has tunneled underground from far, far away just to bubble up underneath our feet. But, improbable as it may sound, a continuous stream of one of the greatest branches of American music flows through our city. Sam Chatmon, member of the legendary Mississippi Sheiks and possible author of the blues standard “Sittin’ on Top of the World” spent his summers here in the 1970s playing coffeeshops and folk festivals. Players like Robin Henkel and Tomcat Courtney have gigged constantly here for decades and made themselves into blues institutions. And still younger generations of musicians like Nathan James, Ben Powell, Whitney Shay, and Sarah Rogo have taken up the mantle. So, when a new blues voice appears in San Diego, it had better stand out. Over the last year, Mara Kaye’s voice has been doing just that. I’ve been watching it happen in real time as I back her up on mandolin and fiddle. When Mara starts singing in bars and dining rooms across the city, folks with their backs turned to the stage turn around. They smile, they applaud, like nice audiences do, but a lot of them become transfixed—like they’re seeing something they can’t believe, or something they didn’t know existed but hoped it did. When she sings, there is a kind of freedom that you can hear and see. And, at some subconscious level, that’s what every audience member wants to see—someone being free. The blues is a vast tradition, with important and distinctive branches spreading out over more than a century of evolution. Some of us love the old acoustic stuff from the Mississippi Delta; some of us love the later electrified stuff from Chicago. Some of us study it and stay close to the old styles; some of us draw from the old ways to create something new. Mara’s blues are deeply rooted in the old ways but remixed in a way that still feels novel—like some last pocket of the blues that never got explored in the old days, all wrapped up in a ball of 21st-century Brooklyn-bred attitude. (Written by San Diego Troubadour, 2020) More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.

You are invited to the Intersections Concert Series featuring Souls on Fire and Hot Pstromi: Exploration of flamenco and Sephardic dance and music Join UC San Diego for our Intersections Concert Series at Park & Market in the Guggenheim Theatre hosted by UC San Diego and New York-based violinist Yale Strom, one of the world’s leading ethnographer-artists of klezmer and Romani music and history. Lakshmi Basile began performing at the age of six with her parents’ band “The Electrocarpathians.” She studied dance at the San Diego School of Creative and Performing Arts during elementary and high school. She grew up in the flamenco community of San Diego, where her passionate artistic character began to form. After performing as a flamenco dancer in California and studying classical dance at the University of California Santa Barbara, Lakshmi travelled to Spain at the age of 20 to complete her flamenco studies. She was fortunate to be quickly embraced by artists and find work in tablaos and flamenco private events alongside great artists such as La Toná, La Familia Amaya, Pepe Torres, Joselito Méndez, Antonio Moya, La Tana, Carmen Ledesma, Antonio Rey and Manuel Molina. She was nicknamed La Chimi, which is simply her own name repronounced. In recent years, Lakshmi Basile “La Chimi” became one of the first and only foreign artists in Spain to win a highly regarded national prize in, Concurso de las Minas de La Unión, 2011. She also won an award in another primary contest, Concurso Nacional de Arte Flamenco de Córdoba. There she surprised flamenco critics and received great praise: “un desgarrador homenaje a los románticos de lo jondo” (a heart wrenching homage to the romantics of pure flamenco), Alberto García Reyes, ABC. In fifteen years, Lakshmi consolidates her career in Seville, the cradle of flamenco. She performs daily as a soloist at the tablao “El Palacio Andaluz” in Seville, Spain. She works alongside significant artists in private events and festivals internationally, such as, Great Britain, Denmark and Uruguay. She has produced her own show in Spain, named, “Zarabanda, Lo Que Duerme en el Cuerpo de los Gitanos”, (Zarabanda, What Sleeps in the Gypsies’ Body). She is also sought after as a teacher by flamenco students in Spain. Lakshmi Basile has found her substantial artistic career as a flamenco dancer, because that is what she is in her soul and heart. “Su baile es de una alegría conquistada” (Her dance is one of conquered joy) – Félix Grande, poet and flamencologist. “La única cosa americana que tiene es su pasaporte”, (The only American thing she has is her passport) – Ángel Ojeda, former Minister of Culture of the Junta de Andalucía. More info: The Intersections Concert is a new interdisciplinary event series, presented by UC San Diego Division of Extended Studies, taking place at the multi-tenant, mixed-use business, arts, and educational office building in downtown San Diego’s East Village. Intersections offers new, diverse takes on traditional ideas and forms in a variety of disciplines, from artistic performances to educational lectures will take place at Park & Market’s state-of-the-art Guggenheim Theatre. Hosted by UC San Diego and New York-based violinist Yale Strom, one of the world's leading ethnographer-artists of klezmer and Romani music and history.