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  • We're in the midst of an environmental crisis, and our current urban lifestyles clash with the natural systems that support our existence, especially when it comes to building our homes. An earth-building collective in Baja called Tequio is taking an age-old approach to construction that may help ease these environmental pressures. In today's episode, we sit with Alex Santander, a Tijuana-based architect to talk about building a future that's in harmony with the planet. Plus, we joined Tequio members Diego Larios and Miguel Angel Perez for a hands-on lesson in earth building. Join us as we explore what it means to build with the planet in mind, using traditional methods to tackle today's challenges. Cover art by Diego Larios About Season 6 Port of entry has a fresh new season for you with more rich stories of our border region. This time around, we are spotlighting Shapers and Visionaries of borderlands. Stories of People who are impacting the region and in some cases the world with their work and research. From urbanism to architecture to education and politics and to art and robotics! Listen in and join us! Social media and contact From KPBS, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Facebook: www.facebook.com/portofentrypodcast Instagram: www.instagram.com/portofentrypod Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show or email us at podcasts@kpbs.org. Credits Hosts: Alan Lilienthal and Natalie González Writer/Producer: Julio C. Ortiz Franco Technical Producer/Sound Designer: Adrian Villalobos Editor: Elma González Lima Brandão and Melissa Sandoval Episodes translated by: Natalie González and Julio C. Ortíz Franco Director of Audio Programming and Operations: Lisa Morrisette-Zapp This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people
  • Join us on Friday, December 6th, from 6 p.m. - 8 p.m. to create the cutest, yummiest-looking miniature charcuterie boards. We will use polymer clay to make any foods you like but in miniature. If you would like to add them to a "wooden" board, we will have some available for you to add your creations to. We will send you home with instructions on how to bake them, and you can turn them into a magnet or a pendant. We hope you will join us for some delicious fun! Visit: Mini Charcuterie Boards ArtReach San Diego on Instagram and Facebook
  • The Miniature Engineering Craftsmanship Museum features a dizzying array of engines, dollhouses and much more — all in miniature.
  • Hundreds of people were arrested in the celebrations, which were largely peaceful but degenerated into violence in some areas.
  • Russia's Investigative Committee, the country's top criminal investigation agency, said in a statement that explosions had caused the two bridges to collapse, but did not give further details.
  • October 4 – 13, 2024, Thursday, Friday, and Saturday at 7 p.m. Sunday at 2 p.m. (Howard Brubeck Theatre) It is an irreverent, breakneck tour de force where a group of madcap actors attempt the death-defying act of performing all 37 of Shakespeare’s plays in 97 minutes. Will our thrilling company of players be able to pull it off? Maybe not, but one thing is for sure…it’ll be fun to watch them try! If you like Shakespeare, you’ll like this show. If you hate Shakespeare, you’ll LOVE this show! The Complete Works of William Shakespeare (abridged) was London’s longest-running comedy. Visit: https://www.onthestage.tickets/show/palomar-performing-arts/66db7a8bb0183b1b7398078e/tickets#/productions-view Palomar Performing Arts on Instagram and Facebook
  • Premieres Monday, Jan. 6, 2025 at 11 pm. on KPBS TV / PBS app. A pioneering group of artists gain global recognition after embracing NFTs, but they must reckon with the controversies that threaten to undermine this new technology.
  • Tanya Aguiñiga was born in 1978 in San Diego, California, and raised in Tijuana, Mexico. An artist and craftsperson, Aguiñiga works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. Drawing on her upbringing as a binational citizen, who crossed the border daily from Tijuana to San Diego for school, Aguiñiga’s work speaks of the artist’s experience of her divided identity and aspires to tell the larger and often invisible stories of the transnational community. She founded AMBOS (Art Made Between Opposite Sides), an ongoing series of projects that provides a platform for binational artists. She was recently awarded the Latinx Art Forum: Latinx Artist Fellowship (2022), Heinz Award (2021), and an Americans for the Arts Johnson Fellowship for Artists Transforming Communities (2018). Her work is in the collection of the Hammer Museum, LACMA, Smithsonian’s Cooper Hewitt and Renwick Museums, and the Museum of Art and Design among others. Tanya Aguiñiga on Facebook / Instagram
  • In a volatile music industry, some musicians are gravitating towards OnlyFans, a social media platform that has garnered a reputation for hosting sexual content.
  • Thursday–Friday, 10 a.m. – 1 p.m. December 5–6 [Students can leave materials overnight Dec. 5 and work in the studio from 1–4 PM (without instruction)] (2 Days, 6 total hours of instruction) La Jolla Studio $100/120 + $20 materials fee paid to instructor This fun and focused class emphasizes the basics of creating a painting. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will emphasize composition, color, form, and lighting. There will be a still life setup. I do a painting demonstration in each class. Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it!  Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items:  Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Please email me at sharoncaroldemery@gmail.com if you have any questions. I am always available to help. Max students: 13 Sharon Carol Demery moved from the Bay Area to Los Angeles, where she studied and began her career. There she developed her modern art with an affinity for vibrant color, purity, and simplicity depicting images of abstraction that retain their cohesiveness. She was associated with the 1970s Abstract Illusionism movement. Primarily considered to be an abstract painter, her artistic facility and mixed-genre style depict an artist capable of eluding classification working in both abstraction and representational painting. Sharon has shown in galleries and museums around the country, and her work is in many private and public collections. An award-winning artist, her work has been reviewed and written about in numerous publications like Art Magazine, the New York Times, Los Angeles Times, and Images and Issues. Sharon taught painting at Arizona Western College in Yuma, as artist in residence, from 1979 to 1981, after which she moved to San Diego, where she attended UCSD and received the Professional Certificate in Art and the Creative Process. She attended Platt College and received a diploma in graphic design. She also studied human development at San Diego City College. Sharon has been teaching at the Athenaeum’s School of the Arts for 10 years. She has been influenced by her many travels on three continents and the great works of masters like Van Gogh, Cezanne, Matisse, Bonnard, Kandinsky, Grace Hartigan, Lee Krasner, Joan Mitchell, Thiebaud, and Diebenkorn. She says, “Painting for me is about discovery, growth, and human emotion. My goal is to continue studying the masters old and new to continue my journey in painting.” Athenaeum Music & Arts Library on Facebook / Instagram
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