Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • A advertiser backlash has begun to snowball on X since Elon Musk endorsed an antisemitic post on the site and a watchdog group say the company was placing ads next to pro-Nazi content.
  • The Kansas City Chiefs win the Super Bowl 58. Here's are the highlights from the big game
  • ABOUT Michael Franti is a globally recognized musician, activist, hotel owner (Soulshine Bali) and award-winning filmmaker revered for his high-energy live shows, inspiring music, devotion to health and wellness, worldwide philanthropic efforts and the power of optimism. Throughout his multi-decade career, Franti has earned three Billboard No. 1’s with triumphantly hopeful hits “Sound of Sunshine,” “Say Hey (I Love You)” and “I Got You,” as well as six Top 30 Hot AC singles, 10 Top 25 AAA Singles and three Billboard Top 5 Rock Albums. His current independent project Michael Franti & Spearhead’s 12th studio album Follow Your Heart was released in June 2022 and debuted at No. 2 on the iTunes Pop Chart behind Harry Styles. “One thing I learned these last couple of years is that people need people,” shares Franti. “I wrote many songs about connection, resilience and finding the light, even in the midst of all the crazy. Somewhere in there we find resilience, and I hope Follow Your Heart gives fans the courage to continue looking for and holding onto that perseverance. ”Deemed a “groundbreaking musician” by Entrepreneur, Franti kicked off the Follow Your Heart World Tour in the Spring of 2022, with over 75 shows through the summer, performing at venues across North America, including a sold-out show at the iconic Red Rocks Amphitheatre in Morrison, Colo., and festival plays at some of the US’s top festivals including BottleRock, Summerfest, Wonderstruck, Borderland and Sea.Hear.Now. Franti’s 2023 calendar kicks off with 13 shows in Europe and then the band returns to Australia in April, including stops at Bluesfest Perth and Byron Bay. Please note: This is a Rental event of The Rady Shell; the San Diego Symphony Orchestra does not appear on this rental event. PRE-PAID PARKING Ace Parking has provided a DEDICATED PARKING PURCHASE PAGE for this event. Connect with Michael Franti and Spearhead on Social Media! Facebook | Instagram | Twitter
  • Media Arts Center San Diego (MACSD) In partnership with University of California San Diego (UCSD) will offer Free workshops for Beat Making, composing, and podcast classes at the City Heights Idea Lab starting in July. Sessions Session 1: July 11 to August 3 Session 2: August 8 to August 31 Session 3: September 5 to September 28 The Beat Making class will have a stipend of $300 per session and film composing will have a stipend of $150. That means that students are paid to participate as long as they meet minimum attendance requirements. Please see the fliers for other workshops: Film Composing: https://forms.gle/dghTQw4HHXK8XDZm9 Podcasting: https://forms.gle/K97MDAifJSxwnhx7A For more information visit: mediaartscenter.org
  • We created a mini travel guide to Gaza City's historical and cultural landmarks five years ago. Every site we visited is now destroyed, badly damaged, or inaccessible.
  • This weekend in the arts: Barrio Art Crawl, La Jolla Symphony and Chorus, Panca, Blacktronika music and dance, Wharton's "Age of Innocence" on stage, kelp forest art, Margaret Noble and more.
  • If you're not familiar with him, KC Lights is a phenomenon in action who's caught the attention of the biggest stars in music. He was recently tapped by Kesha to remix her smash, “Only Love Can Save Us”! He's also responsible for one of the most popular streamed songs of the moment, “Better Times ft. Laplsey,” which has been hailed as the "hottest record in the world" on BBC Radio One. It's already notched 2M+ streams in just a month! It’s been playlisted just about everywhere, including Spotify’s Mint & Dance Rising playlists and has blown up on radio, earning playlist rotation in every major US dance station. Additionally, he recently performed to a 30,000+ sold out crowd at Belsonic with David Guetta, and has been lighting up the Ibiza circuit this summer at David Guetta’s FMIF parties along with Robin Schulz’s Pure Pacha parties. For more information visit: seetickets.us Stay Connected with KC Lights on Social Media Instagram | Facebook | Soundcloud | YouTube
  • Researchers from across colleges and within the Center for Comics Studies at San Diego State University will share their knowledge — and the stage — at the annual San Diego Comic-Con. Scientists, artists, librarians, and historians will come together to showcase research on topics of social and racial justice, activism, science, and academics, all tied to comics. Here are some highlights of panels with SDSU participants (unless otherwise noted, locations are at the San Diego Convention Center): In “Fear and Fungi” (11 a.m.-noon Thursday, Grand Ballroom DE, 4th floor, Omni Hotel), Kari Sant, an associate professor and toxicologist in SDSU’s Division of Environmental Health, will join other scientists to examine the science of the HBO series “The Last of Us” (adapted from a video game), in which a zombie-like epidemic arises from a fungal outbreak. Sant will serve as a public health resource, presenting on how environmental stimuli such as fungicide use and climate change can change the interaction between humans and fungi. “My background in toxicology and environmental health, on top of my love of the games and show, will be on display,” Sant said. In “Comics Pedagogy: Teaching Outside the Panel” (5-6 p.m. Thursday, Shiley Special Events Suite, San Diego Central Library), students Fawaz Qashat (biology), Bradley Medina (studio art), alumnae Breanna Rohde (multimedia art) and Grace DeVega (history and political science), along with faculty Elizabeth Pollard, Pamela Jackson, and Neil Kendricks discuss comics in the classroom. MORE SDSUxCOMIC-CON: Engineering His Spidey Senses Students from Kendricks' Visual Odyssey art course will showcase their artwork. “Hearing from the students who thrived in this experiential art course and were able to publish their final comic-book projects outside of class will be inspiring for anyone who loves comics and graphic novels,” he said. Ethan Banegas, Luiseño Kumeyaay and lecturer in American Indian Studies will discuss how tribal historians are taking the lead in developing community-engaged comics in “Honoring the Kumeyaay Nation Past, Present, and Future Through Visual Storytelling,” (5-6 p.m. Friday, Room 29AB). Lecturer Desmond Hassing, from the Department of American Indian Studies will participate in “Star Wars Andor: Making a Rebel, Making a Rebellion” (7-8 p.m. Friday, Room 7AB). “My contributions to the panel will likely focus on Andor's construction of the Rebellion's creation as the formation of Narrative Warfare against the Empire, a counter narrative that seeks to build counter-hegemonic power,” he said. Hassing will be joined by Robert Dagnall, a rhetoric and writing studies master’s candidate Jake Rowlett, a doctoral candidate who is a critical film and media geographer researching the influences of on-screen representations and real-world impacts. “Comics Change the World: Comics Activism Then and Now” (4-5 p.m. Saturday, Shiley Special Events Suite, San Diego Central Library) features the co-directors of the Center for Comics Studies, Jackson and Pollard. MORE SDSUxCOMIC-CON: Cooking Up An Invisibility Cloak Panelists will consider how comics have been used in the past to address issues of social justice, civil rights, racism, censorship, and now more contemporary issues like LGBTQ+ rights and BLM movements, among others. “Comics can serve as a support system (and feeling less alone) for people who see themselves and their lived experiences reflected on the page,” Jackson said. “At a time when so many of our rights and identities are under attack, comics may be more important than ever.” Jackson will be present on five panels this year (her 14th year attending Comic-Con) and Pollard will join four panels in her 17th year at the conference. Alumna Grace deVega (‘23) will share her research “Sound of Comics” (compiled while an SDSU history and political science student) at “The Poster Session: Sound of Comics” (2-3:30 p.m. Saturday, Room 26AB). She created a digital exhibit “to explore both the variance in depictions and the variance in purposes for sound in comics.” Her research covers music, sound effects, and disability in sound. Cell biologist Catherine Schrankel will join “The Science of Superpowers: Radiation and Mutation and Aliens, Oh My!” (2-3 p.m. Sunday, Grand 10 & 11, Marriott Marquis, San Diego Marina) to showcase the supernatural, yet very real abilities of marine invertebrates. “Examples include the ability to regenerate (sea star arms), to ‘see and hear’ with sensors all over their bodies (sea urchins and sea stars), to camouflage instantly (squid/octopuses), and the presence of a highly expanded set of molecular tools against infection (sea urchins),” Schrankel said. ”I will also have fun anecdotes that describe how studying these animals in the lab has led to some superhuman health benefits.” Additional panels and their SDSU participants: THURSDAY The Comics Memoir: From the Beginning, Pamela Jackson, 8-9 p.m., Room 9 FRIDAY Centers and Certificates: Comics Go to College, Elizabeth Pollard and Pamela Jackson, 5-6 p.m., Shiley Special Events Suite, San Diego Central Library SATURDAY Comics, Social Justice, and Libraries, Pamela Jackson and Elizabeth Pollard, 10:30-11:30 a.m., Room 26AB Creators Assemble: Comics Camaraderie, A Networking Event, Moni Barrette, 4-6 p.m., Marriott Marquis Marina D SUNDAY Comic Justice, Jess Whatcott and Diana Leong, 10:30 a.m.-noon, Room 26AB Afrofuturism: Black to the Future, Ajani Brown, 4-5 p.m., Room 25ABC Stay Connected on Social Media! Facebook & Twitter
  • Since 2017 nearly a million Rohingya people have languished in camps in Bangladesh. Four young Rohingya are being honored by the U.N. refugee agency for documenting their life in vivid photos.
  • Researchers found roughly 240,000 detectable plastic fragments in a typical liter of bottled water. Most of them were nanoplastics — particles less than 1 micrometer in size.
668 of 3,972