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"In a trial about First Amendment rights, the government seeks to restrict First Amendment rights," Trump's lawyers wrote in the court filings.

Hunter Biden claims the IRS unlawfully released his confidential tax return information. Among other things, Biden is seeking $1,000 for each unauthorized disclosure and attorneys fees.

Cinema Junkie continues its three-part series talking with the Get Shooked panelists coming for Black Comix Day. In this episode, John Jennings talks about cosmic superheroes, a crowd-funded horror anthology, and getting hooked on comics.

NPR's Greg Myre has covered more than a dozen wars dating back to the 1980s. He says the conflict in Ukraine is the most documented war ever, providing a view we've never had before.

In the hands of Colombian musician, the accordion is both a melodic and rhythmic wonder.

With clothes cheaper than a latte, built for today's microtrends, Shein courts the same young women who launched the renaissance of thrifting and resale. Legal complaints about the company are many.

Many travelers have been stranded for days in the San Diego and Tijuana airports. Then, we speak with a student researcher and instructional assistant at UCSD about the new contract for academic workers at the University of California. Plus, a San Diego restaurant has been recognized as one of the best in the world.

School vouchers and border security are the focus of a special legislative session beginning this week in the Texas Statehouse. Both are key issues for the state's Republican governor.

Loosely based on Maryam Keshavarz's own life, The Persian Version centers on an Iranian American woman who identifies as bisexual and whose mother entered into an arranged marriage as a teen.

Class Description Stories are made up of many elements—some intangible: theme, plot, POV, voice, tone; and some tangible: people, places, and things. In this three-part workshop, we’ll deal with the latter. How do we write about people—both real and fictional? How do we bring the world of our stories alive—either creating a fictional one or placing ourselves or our characters in a world that already exists? How do we animate the inanimate—using things to tell a story or writing about things that tell a story? Through examples and exercises, writers of both fiction and nonfiction will explore the world of the substantial. Our goal: to create writing that balances the tangible with the intangible for more vivid storytelling. Disclaimers This class is held in person. While masks are not required indoors, they are encouraged. Please be advised that it is best to register at least a week before the start of a class to help our instructors prepare and ensure that it does not get canceled or rescheduled. Policies regarding registration, refunds, cancellations, etc. can be found on our policies page. If you would like to provide feedback regarding this class, please feel free to complete an evaluation form. Stay Connected on Social Media! Facebook | Instagram | Twitter