In celebration of its 40th anniversary, GREAT PERFORMANCES hosts an all-star homecoming on the stage of the David Koch Theater at Lincoln Center. Through performance and remembrance, a stellar roster of diverse alumni share their personal stories of what GREAT PERFORMANCES means to them as America's only ongoing primetime stage for all varieties of the performing arts.
The Full Musical Program
GP Overture
Audra McDonald: “Dear Friend” (from “She Loves Me”); “Stars and the Moon”
Josh Groban: “Changing Colors” & “Not While I’m Around” (from “Sweeney Todd”)
Itzhak Perlman: “Dem Trisker Rebn’s Nign” & “A Dudele” (with Cantor Yitzchak Meir Helfgot and the Klezmer Conservatory Band)
New York City Ballet: “It Should Have Been Me”
Don Henley: “Desperado”
Take 6: “Just in Time” (from “Bells are Ringing”)
Patti Austin and Take 6 “How High the Moon”
Elīna Garanča: “Chanson Boheme” (Gypsy Song) (from “Carmen”)
Michael Bublé: “That’s All” & “I’ve Got the World on a String”
Julie Andrews, Audra McDonald, Don Henley, David Hyde Pierce, Josh Groban, Itzhak Perlman, New York City Ballet's Peter Martins, Patti Austin with Take 6, Met Opera star Elīna Garanča and Michael Bublé are among the guest stars gathering to applaud the four decades of performing arts that have been available to "viewers like you" across America.
Musical performances and anecdotes are interspersed with highlights from some of the most memorable GREAT PERFORMANCES of the past, grouped by genre: musical theater, rock, classic and contemporary drama, classical music, dance, jazz, opera, and the pop standards from American Songbook.
Introducing the show, Julie Andrews recalls how the series came about in the early 1970s when the networks had already abandoned any consistent cultural programming. “Its simple premise was to provide a home for the world’s greatest artists. The series would be a showcase for the best in music, drama and dance. And as you will see tonight, four decades later, this vision not only succeeded, but it has grown to give viewers across the country a front row seat to the performing arts.”
In his remarks introducing the series’ drama programs, David Hyde Pierce reminisces about the personal impact of these milestone productions, remarking “It brings back a lot of memories of when I was a young person I used to watch GREAT PERFORMANCES on PBS, not just Shakespeare but all the other wonderful dramas broadcast by the series. And when I grew up I became an actor.”
Peter Martins, in his introduction to the segment on the series’ groundbreaking dance productions, observes, “One of the great things that has made these series great is that they allow great artists like Balanchine, and Jerry Robbins and Martha Graham and Paul Taylor and Alvin Ailey and so many others to collaborate and create an invaluable library of works adapted and supervised by themselves and broadcast to audiences across the country. So we are very grateful to Great Performances for having been a part of our lives.”
His remarks lead into the Ray Charles version of “It Should Have Been Me,” danced by current members of New York City Ballet.
Over the course of its four decades, GREAT PERFORMANCES has provided a national stage where popular artists not only reveal the surprising dimensions of their creative gifts but often surpass expectations. GREAT PERFORMANCES has also offered artists the opportunity to celebrate and pay homage to the influential figures in their lives and careers, as well as be the first to spotlight emerging artists with their feature-length television debut.
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