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  • Join the Zoom or livestream! “Body Modification: Anatomy, Alteration, and Art in Anthropogeny“ is the topic of a free, virtual public symposium hosted by the CARTA: UC San Diego/Salk Center for Academic Research & Training in Anthropogeny on Friday, Feb. 9, 2024 (Beginning 10 a.m. Pacific with Q&A and expert discussion and commencing ~ 1:30 p.m. Pacific), co-chaired by Mark Collard (Simon Fraser University) and Francesco d'Errico (University of Bordeaux). Event Summary: Permanent body modification is an intriguing phenomenon. It is regularly practiced by living humans but is not seen in other extant mammals. It is highly variable within and between cultures. It is also often both expensive and risky. All of these characteristics—its uniqueness, its variability, and its actual or potential costliness—make permanent body modification an important behavior for scientists to understand. However, the scientific study of permanent body modification is in its infancy. The goal of this symposium is to provide a snapshot of where we are at with regard to research on permanent body modification and to identify questions that should be prioritized over the next decade. The symposium will bring together academics from a number of disciplines as well as practitioners from the permanent body modification industry. We will cover a wide range of historical and contemporary permanent body modification practices, including but not limited to tattooing, piercing, finger amputation, and cranial modification. In addition to considering the ‘when’ and ‘where’ of permanent body modification, we will delve into the motivations behind this behavior, considering both the personal justifications offered by participants and the scientific hypotheses proposed to explain it. Additional Information: For updates regarding the Zoom and live webcast on Friday, Feb. 9, 2024, follow CARTA’s X/Twitter (@CARTAUCSD), Facebook (@ucsdcarta), and LinkedIn accounts. Funding for this online-only symposium was provided by many generous CARTA friends like you. Closed captioning for recordings was made possible by CARTA Patrons Ingrid M. Benirschke-Perkins and Gordon C. Perkins. For more information, please email: khunter@ucsd.edu or carta-info@anthropogeny.org or visit carta.anthropogeny.org
  • As part of President Biden's Bipartisan Infrastructure Law, the city will receive a $32 million low-interest loan and $5 million grant.
  • From the Mingei: Preston Singletary (Kagwaantan Tlingit, Killer Whale under Eagle Moiety), will elaborate on thoughts about the evolution of Native glass making as well as his art making process. The discussion will center around techniques he uses to create blown glass sculpture, monumental glass casting and show examples of public art projects. Singletary’s art has become synonymous with the relationship between Tlingit culture and fine art. His glass sculptures deal with themes of Tlingit mythology and traditional designs, while also using music to shape his contemporary perspective of Native culture. Singletary started blowing glass at the Glass Eye studios in Seattle, WA in 1982, where he grew up and continues to work and live. He developed his skills as a production glass maker and attended the Pilchuck Glass School. Singletary began working at the glass studio of Benjamin Moore, where he broadened his skills by assisting Dante Marioni, Richard Royal, Dan Dailey and Lino Tagliapietra. It was there where Singletary started to develop his own work. In 1993 he traveled for work to Sweden where he was influenced by Scandinavian design and met his future wife, Åsa Sandlund.In 2000 Singletary received an honorary name from elder, Joe David (Nuu Chah Nulth) and in 2009 Singletary received an honorary doctorate degree from University of Puget Sound (Tacoma, WA). Forty years of glass making, creating music and working together with elders has put him in a position of being a keeper of cultural knowledge, while forging new directions in new materials and concepts of Indigenous arts.Educators and students are free. RSVP required.
  • Tuesdays from 4 – 5:30 p.m. Ages 13-18 welcome! Lead instructor, Steffi Dotson, teaches this class that covers the properties of wood, machine safety and woodworking basics. Students will learn woodworking techniques, and safe practice of machine operations will be taught. Depending on the specific project, joinery techniques, proper sanding and finishing are part of the curriculum. Each attendee will make their own project. All materials are included. The projects in this class rotate, and we encourage students to repeat to continue learning and dive deeper into woodworking. • Scholarships available • Homeschoolers enrollment info • Military and sibling discounts • One-day /Drop-In Ticket available Follow on Instagram!
  • G7 leaders are meeting in Italy, where Pope Francis will join them to talk about the ethics of artificial intelligence.
  • Join us for a Japanese storytelling tradition called kamishibai (kami = paper; shibai = theater). A storyteller stands behind a little wooden theater, also known as a storybox, and reveals a series of illustrations that tell a tale. Audience: Recommended for ages 3-5
  • Opening reception: 6:30 p.m. on Friday, Jan. 19 About the exhibition: In his exhibition "The Magician Longs to See," photographer Peter Cochrane presents an alchemical tale about the natural world and humanity, using stories of life, death, and the human desire to preserve. Cochrane draws inspiration from indigenous plants in his home state of California and from the Athenaeum Music & Art Library’s own botanical archives. Darkroom prints and abstractions of roses, pine cones, and other local plantings recreate traces of life that once lived in and around the library, including the Torrey pine that stood as a sentinel for the building’s entrance, and climbing roses proposed by Kate Sessions for a 1921 garden renovation. Cochrane’s interest in horticultural and photographic histories also considers the optical manifestation of the alchemical pursuit—the transformation of lead into gold—through which, working with analog photographic processes, metals, and translations, the artist explores the materiality of elements across humanity’s attempts at preservation. Cochrane returns to his hometown of San Diego for his exhibition. The reception is open to the public. The exhibition will be on view through April 13, 2024. Gallery hours: 10 a.m. to 5:30 p.m. Tuesday through Saturday Related links: Athenaeum Music and Arts Library website | Instagram | Facebook
  • Join beloved Star Trek and X-Men actor Sir Patrick Stewart in conversation for his long-awaited memoir, "Making It So". From his acclaimed stage triumphs to legendary onscreen work in the Star Trek and X-Men franchises, Stewart has captivated audiences around the world and across multiple generations. Now, he presents "Making It So", a revealing portrait of an artist whose astonishing life – from his humble beginnings in Yorkshire, England to the heights of Hollywood and worldwide acclaim—proves a story as exuberant, definitive, and enduring as the author himself. The intimate conversation will be facilitated by Barry Edelstein, The Old Globe’s Erna Finci Viterbi Artistic Director, and is presented by ArtPower at UC San Diego in partnership with Warwick’s Bookstore and the Arthur C. Clarke Center for Human Imagination. Books will be available for purchased online or at the venue through Warwicks.
  • Join local historian Rudy Shappee for a journey following the Pilgrims from their refuge in Leiden, Holland to their final settling of Plymouth Plantation in the New World. We’ll also discuss what life was like for the Pilgrims at sea and the challenges they endured. This event is free and open to the public, and there is no need to preregister. Audience: Adults, Seniors
  • Explore the significance of sports within the context of individuals with disabilities. Engage with coaches and athletes from Romania, alongside participants from the Roll to Success Team. Register for the limited opportunity to partake in a scrimmage against the team, complete with an enjoyable session providing instruction on the fundamentals of wheelchair basketball, tailored for individuals without disabilities.
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