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  • As a recording and touring artist, James Taylor has touched people with his warm baritone voice and distinctive style of guitar-playing for more than 50 years, while setting a precedent to which countless young musicians have aspired. Over the course of his celebrated songwriting and performing career, he has sold more than 100 million albums, earning gold, platinum and multi-platinum awards since the release of his self-titled debut album in 1968. In 2015, he released "Before This World," the first-ever #1 album of his illustrious career. James has won multiple Grammy® Awards, has been inducted into both the Rock and Roll and the prestigious Songwriters Halls of Fame and in February 2006, The National Academy of Recording Arts and Sciences selected him its MUSICARES Person of the Year. He was also awarded the distinguished Chevalier of the Order of Arts and Letters by the French government and the National Medal of Arts by President Barack Obama in 2012. In November of 2015, James was presented with the Presidential Medal of Freedom, the Nation's highest civilian honor, and in December of 2016 he received the Kennedy Center Honors, which are presented annually to individuals who have enriched American culture by distinguished achievement in the performing arts.  In early 2020 he released "Break Shot," a deeply personal and authentic audio-only memoir detailing his first 21 years. He also released his newest album, "American Standard," his 19th studio album, which earned him the 2021 Grammy® Award for Best Traditional Pop Vocal Album and gave him the honor of being the first artist to have a Billboard Top 10 album in each of the past six decades. Over the past few years James has toured extensively in Europe, Canada and the US as well as recent stops in Tokyo, Manila, Australia, New Zealand and Hawaii.  Please note: this is a rental event of The Rady Shell, presented by AEG Goldenvoice; the San Diego Symphony does not appear on this program; gates open at 5:30 p.m. Tickets to be purchased on Ticketmaster: Saturday: https://www.ticketmaster.com/james-taylor-his-allstar-band-san-diego-california-05-10-2025/event/0A006186260B0A4D Sunday: https://www.ticketmaster.com/james-taylor-his-allstar-band-san-diego-california-05-11-2025/event/0A00618626100A51 James Taylor on Facebook / Instagram
  • Tuesday–Thursday, 10 a.m. – 4 p.m. March 25 – 27 (3 Days, 18 total hours of instruction) La Jolla Studio Geoff begins all classes with lessons in watercolor handling, notably the relationship between brush mixture and paper moisture and the concept of connection. During the daily demonstrations, the class will cover color mixing, brush handling, and contour drawing skills. Painting from life gives you the opportunity to observe directly from nature different forms of light and surfaces. There will be a focus on impressionistic interpretations of fruit and flowers through the use of watercolor techniques to express form: wet on wet, wet on dry, dry brushing, splattering, lifting, and most importantly adding water. Ideally students will learn to see nature in a new way. Materials: Geoff will share a materials list after registration. Visit: https://www.ljathenaeum.org/classes/19 Athenaeum Music & Arts Library on Instagram and Facebook
  • Thursday, 9 a.m. – 1:30 p.m. March 20 (1 Day, 4.5 total hours of instruction) La Jolla Studio Paint from a beautiful still life inspired by spring flowers! This is a one-day intensive workshop focusing on painting flowers alla prima. Students will learn about composition by designing and setting up a floral still life. We will take a closer look at the structure of flowers and techniques for painting them. A fun, fast study, and an excellent opportunity to develop painting skills and study floral painting in depth. The workshop will conclude with group critique. For oil painters of all levels. Materials: 9” x 12” or 11” x 14” canvas or linen panel; half-dozen brushes, white bristle flat or filbert, size 2, 4, and 6. One medium-size steel palette knife; small, pointed round brush for detail, size 2–4. Paper towels; Gamsol solvent; small jar for turpentine; wooden palette; oil paints: Alizarin Crimson, Cadmium Red Medium, Cadmium Yellow Medium Cadmium Lemon, Phthalo Blue, Ultramarine Blue, Titanium White, Raw Umber, Cadmium orange. Visit: https://www.ljathenaeum.org/classes/18 Athenaeum Music & Arts Library on Instagram and Facebook
  • Wednesday, 9:30 a.m. –1:30 p.m. (Includes 1/2 hour lunch break) March 19 (1 day; 3.5 total hours of instruction) La Jolla Studio In this workshop you will have a wonderful and rare opportunity to draw two models together! We will have a 20-minute warmup, and then the models will take one long pose. Proportion and sighting will be emphasized, and students will have individual attention from the instructor. You may bring any material (drawing or painting) that you would like to use—excluding oil paints. Butcher paper and charcoal will be provided. The instructor will also bring a variety of drawing materials to try and to play with. We will take a break in the middle, so bring your lunch. A variety of teas, snacks, and water will be provided by the instructor. All skill levels are welcome! Materials: Two or more large sheets of charcoal or pastel paper and one kneaded eraser. Or, if you want to use water media, bring two or more large sheets of mixed-media paper or canvas. Remember to wear clothes that can get dirty! Visit: https://www.ljathenaeum.org/classes/17b Athenaeum Music & Arts Library on Instagram and Facebook
  • Join a panel of scientific and artistic thinkers for a deep look at the roles of fungi on the planet and microscopic elements within complex systems. The visiting Treseder Lab of UC Irvine examines fungi’s layered relationship to planetary life and discusses how fungi mediate and connect distant ecosystems. David Familian introduces life webs and AI as complex systems, a topic that comes to focus in the art exhibition, "Future Tense: Art, Complexity, and Uncertainty." Artists in residence with the Beall Center’s Black Box Projects working with the Treseder Lab, art collective Cesar & Lois introduce their ecosystem-based artwork that articulates fungal respiration and bioelectric signaling. Moving across perspectives in art and science, the panelists reframe how we picture the planet. Scientists from The Treseder Lab include Dr. Kathleen Treseder and researchers Eduardo Misael Choreno Parra and Melanie Taleen Hacopian. David Familian is artistic director of Beall Center for Art + Technology at UC Irvine. CSUSM Professor Lucy HG Solomon and Brazil-based Professor at UNICAMP Cesar Baio make up art collective Cesar & Lois.
  • Tuesday, 9:30 a.m. – 1:30 p.m. (Includes 1/2 hour lunch break) March 18 (1 day; 3.5 total hours of instruction) La Jolla Studio In this workshop you will have a wonderful and rare opportunity to draw two models together! We will have a 20-minute warmup, and then the models will take one long pose. Proportion and sighting will be emphasized, and students will have individual attention from the instructor. You may bring any material (drawing or painting) that you would like to use—excluding oil paints. Butcher paper and charcoal will be provided. The instructor will also bring a variety of drawing materials to try and to play with. We will take a break in the middle, so bring your lunch. A variety of teas, snacks, and water will be provided by the instructor. All skill levels are welcome! Materials: Two or more large sheets of charcoal or pastel paper and one kneaded eraser. Or, if you want to use water media, bring two or more large sheets of mixed-media paper or canvas. Remember to wear clothes that can get dirty! Visit: https://www.ljathenaeum.org/classes/17a Athenaeum Music & Arts Library on Instagram and Facebook
  • Whisper/Najva - Kurdish Tanbur Music of Iran Aliakbar Moradi: Tanbur Pejman Hadadi: Tombak and Daf Visit: http://music.ucsd.edu/tickets
  • Friday, Saturday, Sunday, 9:30 a.m. –12:30 p.m. March 14, 15, and 16 (3 days, 9 total hours of instruction) La Jolla Studio Follow your imagination and the patterns in fabric scraps as you combine them with painted paper, cutouts, and paints. This is a chance to recycle many colorful leftovers into fantasy creations. Compositional forms will be explained with a focus on movement and repetition. During the first class meeting, Susan will demonstrate techniques for preparing paper and gluing items smoothly, and she will provide some fabric scraps for your use. She will be working on a mixed-media collage while in class. The following classes will be used to complete a larger work using still life or photographs as inspiration.   Materials: Fabric scraps, paper,* acrylic paints, 11” x 14” canvas (or larger), gesso, brushes, clear acrylic medium, copies of old photos, magazines for collage, scissors. Useful additions: Rags, scraps of foam-core, corrugated cardboard, mat board, colored pencils, soft pastels, oil pastels, India ink, watercolors. *Paper for the base of the artwork needs to be at least 100 lb. Pick no smaller than 16” x 20”. Various sizes and types of art paper (Arches cover, Stonehenge, Bristol) are good. All kinds of scrap paper and wrapping paper can be used in the mixed-media art piece. Max students: 12 Visit: https://www.ljathenaeum.org/classes/16 Athenaeum Music & Arts Library on Instagram and Facebook
  • Come enjoy Tropical Night with San Diego’s professional volleyball team, the San Diego Mojo, on Thursday, February 20, as they take on the Omaha Supernovas! Dress up in your most vibrant and bold tropical wear to cheer on the Mojo at Viejas Arena at San Diego State University. Show up early to be one of the first 1,000 Mojo fans to get a tropical Mojo shirt! You can cheer on the Mojo by sporting your SPIKEtacular island wear. With tickets starting as low as $15 before taxes and fees, everyone can enjoy an exhilarating night of professional volleyball. San Diego Mojo Pro Volleyball on Instagram and Facebook
  • "The Last Black Man in San Francisco" Drama (2019, R, 2h 1m) Friday, Feb. 28 at Carlsbad Dove Library A black man who lives with his best friend and works in an elder care facility dreams of living in the grand Victorian house his grandfather built in the Fillmore District. Now a white, affluent area, he is totally priced out of the neighborhood, but it doesn't stop him from dreaming in this drama about place, identity and race.
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