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  • Silverman's father and stepmother are buried under one tombstone that reads: "Janice and Donald, who loved to laugh." The loss was a starting point for Silverman's "cathartic" Netflix comedy special.
  • Harrison Ruffin Tyler was just three generations from the White House, since his father and grandfather both fathered children in their 70s. The chemical engineer helped preserve his family's legacy.
  • The Birch Glacier above the village of Blatten collapsed and caused a landslide that has buried most of the village. Authorities had evacuated residents earlier this month, but one person is missing.
  • More than 300 writers from the UK and Ireland have signed a letter calling for immediate aid and a ceasefire in Gaza.
  • It’s been seven years, but a judge late last week okayed a class action settlement in a suit over a San Diego law against people sheltering in cars and RVs on city streets. In other news, Project 2025 calls the department of education “a one-stop shop for the woke education cartel,” and it could gravely impact local campuses. Plus, a statewide effort called My Vote, My Health aims to increase turnout among low-income voters.
  • In 2021, Wallen was caught on video uttering a racial slur. Since then, he's become the most commercially successful musician in country and popular music. How? By remaining committed to ambivalence.
  • From top to bottom, from the federal government to the city of San Diego, programs that feed people, help them stay healthy, find jobs and enrich them are on the chopping block. The public is taking an unprecedented hit.
  • Jazz returns to the Athenaeum for our annual series of winter concerts in the Joan & Irwin Jacobs Music Room (at 1008 Wall Street in La Jolla). This series features both Athenaeum favorites and debuts by internationally acclaimed artists. Seating is limited so order soon! Visit: https://www.ljathenaeum.org/jazz Athenaeum Music & Arts Library on Instagram and Facebook
  • The winter series opens on Sunday, January 26, with the return of celebrated Venezuelan pianist-composer-arranger Edward Simon, joined by his longtime trio members bassist Reuben Rogers (also known for his work with Charles Lloyd) and drummer Adam Cruz (also known for his work with Danilo Pérez). Simon’s last Athenaeum performance as a leader was with his project Femeninas: Songs of Latin American Women, which featured vocalist Magos Herrera. He returns to the library to celebrate the release of a new trio album, Latin American Songbook, vol. 2, which has a special focus on the Afro-Caribbean musical traditions of his native Venezuela. Simon is well known to Athenaeum audiences from his high-energy performance last summer with guitarist-vocalist Camila Meza and past appearances with the SFJAZZ Collective and the Steel House trio with Scott Colley and Brian Blade. JazzTimes commented, “[Simon] may be the most complete creative artist … among many important jazz pianists from the Caribbean and South America.” DownBeat commented, “One of the strongest pianists of his generation, with intuitive empathy and drum-like ingenuity, Simon solos compositionally with passionate elegance.” Visit: https://www.ljathenaeum.org/events/jazz-25-0126 Athenaeum Music & Arts Library on Instagram and Facebook
  • The series continues Friday, March 7, with a San Diego debut by Allison, Cardenas & Nash, a collective trio of top New York City–based artists bassist Ben Allison, guitarist Steve Cardenas, and saxophonist Ted Nash. The trio weave musical conversations that are full of subtlety and surprise. They have released four albums including their latest, Tell the Birds I Said Hello: The Music of Herbie Nichols, which features previously unknown music by Nichols, an underpraised pianist-composer often compared to Thelonious Monk. The trio is modeled after reedist-composer Jimmy Giuffre’s drummer-less groups of the 1950s and 60s. As jazz was becoming more expressionistic and at times bombastic, musicians like Giuffre were going in the opposite direction. They were envisioning quieter music that maintained elements of blues and folk, while also embracing the emerging qualities of free playing. JazzTimes recognized Allison as, “a visionary composer, adventurous improviser, and strong organizational force on the New York City jazz scene.” Nash is a Grammy-winning artist known for his long tenure with the Jazz at Lincoln Center Orchestra. DownBeat called him “one of the most together saxophonists of his generation.” Visit: https://www.ljathenaeum.org/events/jazz-25-0307 Athenaeum Music & Arts Library on Instagram and Facebook
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