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For years, scarce copies of Laura London's 1984 romance The Windflower were treasured by readers. Reviewer Sarah Wendell hails its reissue and explains the concept of "Good Book Noise."

Plus a Little History on the 3-D Format

There's a joke in LA that everyone — from your dog walker to your dry cleaner — is writing a screenplay. C.W. Neill pokes fun at that romantic Hollywood craft in This Movie Will Require Dinosaurs.

The week's top stories from Fronteras: The Changing America Desk.

A group of men in New York are challenging the stereotype that eating meat signifies manliness. Instead, they say that manhood can be proven by caring for the planet, not dominating it.

Issue 46 of McSweeney's Quarterly Concern showcases crime fiction from all over Latin America, with new stories from writers like Alejandro Zambra. Reviewer Juan Vidal calls it rousing and essential.

Plus Interview With Doc Director Alison Klayman

For a country that prides itself on being a nation of immigrants, there are surprisingly few movies about the experience. But filmmaker James Gray says immigrant stories are inherently cinematic.

When the head of the agency responsible for the troubled Healthcare.gov went before Congress for the first time since its foibles became apparent Oct. 1, she probably didn't expect that many questions would be on something else altogether.

Architects Alejandro D'Acosta and Claudia Turrent have carved a niche designing stunning, upscale wineries and other buildings in Baja. They specialize in finding uses for offbeat, reclaimed material.