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  • The verdict is in, and the ending is a dud: Rather than wriggling out of the original story’s sexism, the Apple TV+ series just makes the same mistakes in a new way.
  • The U.S. wants changes to the World Anti-Doping Agency after a Chinese drug scandal. Olympic officials threatened to block Salt Lake City's bid to host the 2034 Games if the U.S. criticism persists.
  • The Coast Guard said the two boaters were uninjured and their boat salvaged. They said the whale appeared to be uninjured.
  • The Book Catapult proudly presents the fourth edition of Small Press Nite, hosted by Kevin Kearney on Saturday, January 27 at 7pm! This edition's lineup of readers: MELISSA BRODER - Death Valley (Scribner, 2023) & Milk Fed (Scribner, 2021) JULIA DIXON EVANS - How to Set Yourself on Fire (Dzanc Books, 2018) EDDIE MATTHEWS - Border Memories (Watermark [UK], 2022) KIRA HOMSHER - recent work in Longreads and Kenyon Review Related links: The Book Catapult: website | Instagram
  • Extended through May 26. WEST COAST PREMIERE Book, Lyrics and Music by Dave Malloy. Adapted from War and Peace by Leo Tolstoy Directed by Sean Murray Music Direction by Patrick Marion Choreography by Katie Banville Apr 10 - May 26, 2024 Low-priced Previews Apr 10 - Apr 13, 2024 Romantic • Scandalous • Immersive From the celebrated and award-winning composer Dave Malloy comes Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace. Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancé from the front lines. When she falls under the spell of the roguish Anatole, it is up to Pierre, a family friend in the middle of an existential crisis, to pick up the pieces of her shattered reputation. This award-winning musical expands the possibilities for the genre with its daring score and bold storytelling. “Both the most innovative and the best new musical to open on Broadway since Hamilton!” – The New York Times Related links: Cygnet Theatre: website | Instagram | Facebook
  • February 8 – March 10, 2024 Donald and Darlene Shiley Stage Old Globe Theatre Conrad Prebys Theatre Center Globe-commissioned world premiere By Karen Zacarías Directed by Chay Yew This Globe-commissioned world premiere, based on Edith Wharton’s Pulitzer Prize–winning classic, is set in 1870s Gilded Age New York City, where high society clashes with love. When the glamorous Countess Ellen Olenska sweeps into town, she upends the lives of everyone around her, especially the dashing lawyer Newland Archer. This new adaptation for the stage from Karen Zacarías (Destiny of Desire, Native Gardens) is the kind of lush period production for which The Old Globe is renowned. Related links: The Old Globe: website | Instagram | Facebook
  • Considered to be a perfect opera, this tale of seduction and doom features stunning visuals and the orchestra onstage heightening Mozart’s glorious music. We showcase Mozart’s incredible score by placing the San Diego Symphony Orchestra front and center. Surrounded by fully staged and costumed singers and state-of-the-art theater lighting and projections, this new production provides a complete and stunning visual and auditory experience. San Diego Opera’s Principal Conductor Yves Abel returns to lead the action, which features the exciting house debut of baritone Germán Enrique Alcántara in the title role. LANGUAGE – Sung in Italian with English and Spanish text projected above the stage RUN TIME – 3 hours and 30 minutes, including one intermission Pre-Opera Talk The pre-opera talk begins at 6:40 pm before the 7:30 pm Friday evening performance. The Sunday matinee pre-opera talk begins at 1:10 pm before the 2:00 pm curtain. Mainstage Post-Opera Talk-Back Stay after the Sunday matinee performance for a Talk-Back. Once the curtain falls, there will be a 10-minute break, then join us in the front of the Dress Circle section where you can ask questions of the stars and cast (subject to availability), and find out what really happened onstage and backstage during the performance! Related links: San Diego Opera: website | Instagram | Facebook
  • From the museum: For Dear Life is the first historical survey of artistic responses to sickness, health, and medicine broadly. The show is informed in part by MCASD’s position in San Diego County, a hub for health science research as well as biotech and pharmaceutical industries. In the past decade, the art world has witnessed an explosion of artistic activity surrounding issues of illness, disability, caregiving, and the vulnerability of the human body. Set in motion by the emergence of movements for disability justice, this activity accelerated with the onset of the COVID-19 pandemic. Yet since the 1960s, artists have negotiated and deflected the medical gaze, creating works that assert agency in the face of medicalizing labels and that highlight the role of care in producing new forms of community and healing. Increasingly, artists have come to locate illness and disability not in individual bodies, but as part of a web of interconnected societal, environmental, and historical conditions. Funders For Dear Life: Art, Medicine, and Disability is organized by Senior Curator Jill Dawsey, PhD, and Associate Curator Isabel Casso. This exhibition is organized as part of Pacific Standard Time, an initiative of the Getty Foundation. Lead support and major funding for this exhibition and catalogue is provided by the Getty Foundation. All second Sundays and third Thursdays of the month offer free admission, with third Thursdays open for extended hours through 8 p.m. [Admission and hours details here.] Related links: Museum of Contemporary Art San Diego website | Instagram | Facebook
  • The championship is in Poland. To go, they need to raise $10,000.
  • Opening Reception: Saturday, March 9, 5–8 p.m., during the Barrio Art Crawl Tarrah Aroonsakool, a first-generation San Diego native with Thai and Lao heritage, embarked on a journey of self-discovery through art. Aroonsakool’s creative path led them to New Orleans, where they found a supportive community and showcased their work globally after her first show in 2013. Motivated by a desire to foster a creative community in their hometown, Aroonsakool returned to San Diego, where they continue to push boundaries and transform their art, incorporating everyday objects and found materials into the work. Related links: Athenaeum Art Center: website | Instagram
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