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Democratic Gov. Gavin Newsom announced that number as he laid out how he wants to spend the state's roughly $300 billion state budget.

Lake Mead's falling water levels could lead to the discovery of more human remains in the reservoir, a police officer warns.

In the fight to control Congress, one of the biggest battlegrounds is heavily Democratic California. Despite the state’s reputation as a liberal monolith, there are scattered pockets of conservative strength.

Cleanup efforts and damage assessments are underway east of Los Angeles after heavy rains unleashed mudslides in a mountain area scorched by a wildfire two years ago.

Since the U.S. withdrew from Afghanistan last year, some American veterans have been scrambling to help their Afghan allies escape the collapsing country. Though some have succeeded, most have not.

In Denver, no snow has yet fallen this season — smashing the city's previous record of Nov. 21 for the latest ever recorded first snowfall.

As international charities pulled out or faced funding issues after the Taliban takeover, Aseel, an online business that sells local crafts, wondered: Could it help ease the rising wave of hunger?

California's mountain snow holds 160% of the water it normally does at the end of December. That's according to officials from the state Department of Water Resources, who measured the snowpack on Thursday in the Sierra Nevada.

Millions of people rely on city parks to recharge, cool off and connect. But climate change is threatening the very spaces that help us cope with the stresses of living on a hotter planet.

Quint Gallery is pleased to present an installation of new paintings by San Diego-based artist Gail Roberts. Created over the past four years, "Color Field" includes 128 equally scaled paintings of flowers, weeds, and native plants in Roberts’ garden surrounding her studio. Color Field refers to gradients found in nature which Roberts has ordered and classified by hue for the installation. The exhibition will open to the public on September 8 and will continue through Nov. 6, 2021. There will be a reception on September 11 from 6-8 p.m. and an artist talk on October 9 at 11 a.m. By engaging with nature’s tension between order and chaos, Roberts’ paintings illustrate the significance of protecting nature’s intricacy and biodiversity as accelerated erosion and the climate crisis threaten the future health and survival of our planet. In these paintings, each blossom, whether large or small, widely popular or undervalued, drought-tolerant or water guzzlers, indigenous or alien, invasive or fragile, edible or toxic, is given an equal role in a so-called ‘documentary on democracy’, granting grandeur to the subtlety of the underrepresented and less noticeable flowers. This is Roberts’ largest body of work to date. Gail Roberts’ work has been exhibited nationally and internationally including the Centro Estatal de las Artes in Tijuana and Ensenada; Galeria Nacional, San Jose, Costa Rica; Musee Rochefort-en-terre, Brittany, France; Ballinglen Museum of Contemporary Art, Ballycastle, Ireland; Carnegie Museum, Oxnard, CA; Oceanside Museum of Art, CA; Riverside Museum, CA; Fresno Metropolitan Museum, CA; California Center for the Arts Museum, and Madison Art Center, WI. Her work is included in permanent collections at the Oakland Museum, Museum of Contemporary Art, San Diego, as well as numerous corporate and private collections. Roberts has received various awards including the San Diego Art Prize, California Arts Council Fellowship and residency fellowships in France, Costa Rica and Ireland. She has completed public art commissions at the Chicago Public Library, Lux Art Institute, San Diego International Airport, Gibbs Cancer and Research Center and the Bearden-Josey Center, South Carolina. Gail Roberts received her BFA and MA at the University of New Mexico in Albuquerque and is a Professor of Art Emerita at San Diego State University.