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  • The 2023 Blue Water Film Festival (BWFF) takes place June 8 - 11, 2023 at various locations throughout San Diego County, in celebration of United Nations World Oceans Day. The event will feature a total of 34 films; 11 feature films, 19 shorts, and 4 animated short films. Opening night will be held June 8 at MOPA in Balboa Park screening "THE WATER WALKER" with Oceanside-born Producer Stevie Salas in attendance and "WHO ARE THE MARCUSES?" with Director Matthew Mishory in attendance. ABOUT THE FILMS: "THE WATER WALKER" is a documentary-animation hybrid that illustrates the journey of an Indigenous youth climate activist, Autumn Peltier. Narrated by Indigenous Hollywood icon Graham Greene, "THE WATER WALKER" is a stunning documentary-animation hybrid tracing the roots, passion and perseverance of leading Indigenous youth climate activist, Autumn Peltier. "WHO ARE THE MARCUSES?" is Matthew Mishory’s feature documentary about a mysterious and unlikely pair of philanthropists: the unassuming Long Island couple and Holocaust refugees Lottie and Howard Marcus, whose half a billion-dollar gift to Ben-Gurion University in Israel—the single largest charitable donation to the State of Israel in its history—inspired peace and climate action through water technology. The film features Warren Buffett and Israeli President Isaac Herzog, among others. Blue Water Film Festival on Facebook
  • Tuesday's action does not immediately allocate the funds, but does send a message to Mayor Todd Gloria for next year's budget process that the council believes the discretionary funds in question should fund the arts.
  • Federal officials placed 1,300 employees at Voice of America on indefinite paid leave, while severing contracts with Radio Free Asia and other U.S.-funded networks.
  • One of the most renowned and enduring American artists of the 20th and 21st centuries, Jasper Johns (b. 1930) has had a career spanning many decades. This exhibition features 14 works on paper by Johns, ranging in date from 1960 to 2021, including six drawings on loan from the artist. Drawing has been an essential part of Jasper Johns’ artistic practice since the mid-1950s. Printmaking would assume an equally important role in his work, beginning in 1960, when he produced his first lithographs at Universal Limited Art Editions, a print studio on Long Island. His earliest etchings date to 1967. This medium would gradually become his favorite, so much so that he established his own print studio in Connecticut after moving there in 1995. Works in this display include Two Flags (1960), Figure 2 (1973), and several from The Seasons series (1985–1991). Additionally, it includes works that feature one of his most enigmatic motifs that has recently been a subject of discussion in the art world. The central figure in Green Angel, a colored etching from 1991 that the artist gifted to the Museum, along with related works, in 2006, is a mysterious juxtaposition of shapes that he used in multiple works while never revealing its source of inspiration. In 2021, art critic John Yau published evidence that the Green Angel motif very likely arose from the contours of a sculpture by Auguste Rodin (1840–1917) entitled Torso of the Woman Centaur and Minotaur. Visitors to the Museum will now have the opportunity to see the intriguing Green Angel in a new light, alongside a number of other significant drawings and prints by this iconic artist. Related links: San Diego Museum of Art: website | Instagram | Facebook
  • Their love story didn’t start with a kiss — it started with a collision. But sometimes, fate works in funny ways.
  • Kari de Burgh's journey to self-love transformed her outlook on life, helping her embrace inner peace, gratitude and the freedom of being her own best friend.
  • Congressional leaders released a stop-gap spending bill to fund the government until March 14 but Republicans, including President-elect Trump, are objecting to additional spending in the bill.
  • Eco-Artists: Exploring, Science, Technology & Art Summer Camp for 3rd-5th Grade August 5-August 9, 9 a.m. - 3:30 p.m. Location: Writer's Ink, Liberty Station Register here Delve into the world of science, technology, art and environmental activism this summer! Using iPads DSLR cameras and XR technology, we will create abstract and innovative imagery while exploring the marvels of science. Learn how to use macro photography to capture the interactions between oil, water and color, experiment with the relationship between light and shadow and learn about the first printmaking technique. You will also explore the role art and science can play in protecting our planet. Equipment and snacks will be provided. This camp is open to 3rd-5th grade.
  • Hasan Minhaj, Ronny Chieng, Mike Birbiglia, Hannah Einbinder and Michelle Buteau all delivered specials that cracked us up this year.
  • From the gallery: Quint Gallery is excited to present Los Angeles-based Glen Wilson's Constellation Dub, the artist’s second solo exhibition with the gallery following a 2023 presentation at ONE. With roots stretching back to documentary and street photography, his body of work spans sculpture, assemblage, installation, and filmmaking, often layering original imagery with found and constructed materials that encourage the viewer to engage the work's physical and conceptual qualities. In this presentation, Wilson uses dub as an organizing principle to form a sonic and visual landscape that resonates within and beyond the walls of the gallery. Dub music emerged out of reggae, wherein a song is created initially, and from these constituent parts emerges an ambient abstract. Wilson expands upon his lens-based practice with Elements, his interactive wall sculptures constructed from drum cymbals and photographs, and a continuation of his Gatekeeping series which presents images woven through grids of galvanized and interconnected steel wire of chain-link gates and salvaged fencing. In the rear gallery, the artist has constructed two new sculptural and light-based works honoring the lives of revolutionary thinkers and activists of the 1960s and 70s, Malcolm X and Gil Scott-Heron. Taken together, these works evolve into instruments from which the artist transmits temporal frequencies and invites the viewer to be an active participant by engaging the cymbal works and with the gates, negotiating the spaces in between perception and interpretation. The cymbals and lectern both invoke abstracted imagery of the ocean, which for the artist represents not only home, but also an infrasonic frequency created by the collision of opposing waves traveling on its surface. Infrasound has a frequency below the limit of human audibility, but at higher levels may be felt as vibrations in various parts of the body. Like the man made process of naming constellations, Wilson makes meditative connections on landscape, history, and humanity that forms an acoustic ghost, or dub, which echoes throughout his practice. This exhibition immediately follows and resonates with themes of Wilson’s solo exhibition Meridian Dub at Various Small Fires in Seoul, South Korea. He has been exhibited at The Getty Center, The Museum of Contemporary Art, Los Angeles, the California African-American Museum, ICA:LA, the Torrance Art Museum, Frieze Art: London and in public parks in New York and Los Angeles. His work is in the collection of the Los Angeles County Museum of Art, and other private collections. He completed an MFA at the University of California, San Diego, and received his BA from Yale University. Related links: Quint Gallery: website | Instagram
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