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  • Beyoncé, who led all artists with 11 nominations, won the Grammy for album of the year. Kendrick Lamar won record and song of the year, and Chappell Roan won best new artist.
  • Employers in the horse-racing industry rely heavily on workers with H-2B visas and are closely watching changes as they brace for staffing needs next season.
  • Immerse yourself in a collection of 25 original works by Kelsey Worth that delve into the beauty and mystery of ocean life. "Ocean Noir" features narrative and surreal pieces on paper and canvas, exploring the delicate balance between humanity and the sea while highlighting the need for conservation. This exhibition is part of the Encinitas Exhibitions in Civic Spaces Program and will be on display at Encinitas City Hall from September 6, 2024 to January 9, 2025. On Art Night, November 16, artist Kelsey Worth will offer a talk and walk-through of the exhibition. Visit: https://sandiegoartdirectory.com/directory/ocean-noir-a-solo-exhibition-by-kelsey-worth/ Kelsey Worth on Instagram
  • From the organizers: The Book Catapult proudly welcomes award-winning children's book author & illustrator Carson Ellis for her illustrated adult memoir, One Week in January: New Paintings for an Old Diary on Friday, October 11 at 7pm. Carson will be in conversation with bestselling author Maile Meloy. In January 2001, the young artist Carson Ellis moved into a warehouse in Portland, Oregon, with a group of fellow artists. For the first week she lived there, she kept a detailed diary full of dry observations, mordant wit, turn-of-the-millennium cultural touchstones, and hijinks with friends, including her future husband, Colin Meloy, who is now the frontman and lead songwriter of The Decemberists. Two decades later, Carson rediscovered this old journal of hers and richly illustrated it with extraordinary new paintings in the signature style that has made her a bestselling and award-winning picture book author today. One Week in January is a snapshot of a bygone era, a meticulous re-creation of quotidian frustrations and small, meaningful moments, and a meditation on what it means both to start your journey as an artist and to look back at that beginning many years later. It beautifully captures the intensity of feelings and friendships in young adulthood, when everything is completely uncertain, and everything is enormously important. One Week in January is mundane, specific—and somehow completely magical. It’s also very, very funny. And it contains a love story at its heart: The reader recognizes that a romance is beginning to bloom between Carson and Colin, although neither of them realizes it quite yet. Carson Ellis is the author and illustrator of bestselling picture books Home and Du Iz Tak? (a Caldecott Honor book) and the illustrator of several books for children, including The Mysterious Benedict Society series by Trenton Lee Stewart, The Composer Is Dead by Lemony Snicket, and The Wildwood Chronicles by Colin Meloy. She has won awards for illustration, and as the illustrator-in-residence for Meloy’s band, The Decemberists, she has received Grammy nominations for album art design. She contributes work to The New Yorker, The New York Times, and other publications. Ellis lives on a farm in Oregon.
  • The Hausmann Quartet and Maritime Museum of San Diego are excited to partner to present the ninth season of Haydn Voyages: Music at the Maritime, a quarterly concert series performed aboard one of the Museum’s historic world-class vessels, the 1898 steam ferryboat Berkeley that operated for 60 years on San Francisco Bay. All concerts are Sundays at 2:30 p.m., and include an intermission for a total length of under two hours. Each creative program will also include informative and entertaining commentary between selections from noted UC Santa Barbara musicologist Derek Katz. The Hausmann Quartet would like to recognize the support of pH Projects, The Conrad Prebys Foundation and the City of San Diego’s Commission for Arts and Culture. KPBS is the exclusive media sponsor of Haydn Voyages: Music at the Maritime. Sunday, November 24 Concert Details Revolution When we think of art as “revolutionary,” we are most often considering the content of the work itself. This program also asks us to consider the context of its creation, as the opening Haydn quartet (opus 55, no. 2 “Razor”) is followed by Victor Ullmann’s third string quartet, written in 1943 in the Theresienstadt concentration camp. The second half features Gabriela Smith’s raucous Carrot Revolution, and the ninth season ends in epic fashion with Beethoven’s final work, his Quartet in F Major, opus 135. Visit: 2024 Concert Series Hausmann Quartet on Instagram and Facebook
  • Cecile Richards, the longtime activist for women's rights and former head of Planned Parenthood, died Monday after battling brain cancer.
  • From the KPBS/Arts newsletter: Local artist Melissa Walter and the New Mexico-based mixed media artist Manuel Alejandro Rodríguez-Delgado will both open separate exhibitions at Institute of Contemporary Art San Diego-North campus in Encinitas. While Walter's work is always fascinating and science-informed, for this show she is also debuting some experimental animation. Rodríguez-Delgado will show installation work that combines drawing, sculpture and collage. Opens with a reception from 4-8 p.m. on Aug. 17. Free. —Julia Dixon Evans, KPBS From the museum: Institute of Contemporary Art San Diego’s Encinitas location presents its fall exhibitions: San Diego-based artist Melissa Walter will create a site-specifc installation of the 100 drawings that comprise Southern Blot Method, as well as an experimental animation that conveys the computational processes of DNA analysis as something more familiar. And in his first solo museum show in the continental United States, Puerto-Rican born, New Mexico-based Manuel Alejandro Rodríguez-Delgado, will present a new installation that combines drawing and collage, alongside new and existing sculpture. These exhibitions are part of ICA San Diego's 2024-2025 Interface season, which explores the parallels between art and science in our daily lives. Visit: icasandiego.org/current-season to confirm museum hours. Closed Monday–Wednesday https://icasandiego.org/plan-your-visit/
  • This 5-session course is designed for students with no prior knowledge of Yiddish. We will start by learning the alef-beys (Yiddish alphabet) and basic pronunciation. By the end of the course, students will be able to read the letters, introduce themselves, use common greetings, and understand basic vocabulary for everyday situations. Each session will conclude with a new Yiddish song from the rich transnational Yiddish repertoire. Whether you’re learning for personal or professional reasons, this short, engaging introduction will offer a good start for your Yiddish journey. When: Sundays 10:30 a.m. – 11:30 a.m. PT / 1:30-p.m. 2:30 p.m. ET / 7:30 p.m. -8:30 p.m. in Central Europe: Jan 5, 12, 19, 26, Feb 2 Cost: 5 classes for $180 (early bird, if paid before December 22), $200 (regular price, if paid after December 22) Teacher: Julia Koifman Julia Koifman studied Slavic and German Studies in Berlin and Moscow, as well as Yiddish and Jewish Studies in Potsdam, Haifa, and New York. She worked at the Institute for Slavic Studies at Humboldt University and served as a tutor for Yiddish language and literature at the University of Potsdam. Her MA thesis is a comparative analysis of short stories by the Yiddish authors Rokhl Brokhes and Roze Palatnik. Julia also translates Yiddish literature into German and English. Please see our Events Calendar and Other Upcoming Events! Visit: Yiddish for Absolute Beginners Yiddish Arts and Academics on Instagram and Facebook
  • A writer and documentarian shared James Hubbell's impact on the San Diego region. We also get a peek into a new KPBS podcast about local activism and some recommendations for arts events to check out over the weekend.
  • Russell has published excellent short story collections since her 2011 debut novel Swamplandia!, but this is her first novel in nearly 15 years. It follows a "Prairie Witch" in Dust Bowl-era Nebraska.
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