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  • San Diego City Councilmembers Kent Lee and Sean Elo-Rivera called on the mayor to suspend Balboa Park parking fees for residents the day after they went into effect.
  • We discuss the takeaways from panels having to do with homelessness at Voice of San Diego's "Solution Showdown." Plus, an interview with the author of a book about preventing future pandemics.
  • Humans live in a world of ideas—born in the brain, shared through language, accumulated in culture across generations, and made reality. From the first flaked stone tools to the building of shelters, from figurative and symbolic art to abstract thought, our brains are engines of imagination—an “idea organ” that has transformed both our species and the planet itself. The distinct biology of the human brain, scaffolded by language and culture, allows ideas to be formed, named, shared, and accumulated across generations. This process of cumulative culture, knowledge built upon knowledge, has propelled humans far beyond the cognitive landscapes of other large-brained animals, including our closest living and extinct relatives. This symposium will explore how the human brain develops, functions, and maintains its role as the seat of ideas. We will trace its story from molecules, cells, neuronal migration and circuitry, to the maternal, parental, and social influences that shape its growth, including the countless ways that brain function can be compromised at any stage of life. We will examine how the uniquely human interplay of biology and culture gave rise to a brain capable of perceiving and remaking the world around us. By examining the evolutionary roots of our “idea organ,” we aim to illuminate how this singular capacity emerged—and how it continues to drive human innovation. Visit: https://carta.anthropogeny.org/ Center for Academic Research and Training in Anthropogeny on Instagram and Facebook
  • John Gutmann (1905–1998) and Max Yavno (1911–1985) were photographers who spent most of their careers in California’s two largest cities of the mid-twentieth century. Gutmann fled Nazi persecution in Germany and immigrated to San Francisco in 1933 while Yavno, a native New Yorker, moved to California in 1945, living in San Francisco and Los Angeles. These contemporaries photographed prominent aspects of modern American life, especially in their adopted home state of California. From a pervasive car culture to street life, signage, architecture, and sports and entertainment, they emphasized urban grit and energy while revealing distinct ways of seeing. Trained as an Expressionist painter in Germany, Gutmann approached these themes as a European in a new country, using the strong diagonals and daring, often low angles he learned from popular magazines in interwar Berlin to defamiliarize the everyday. Yavno’s more plainspoken and detached observations, by contrast, embody the prevailing direction of American photography of this era and his greater sociological impulse. Taken together, Gutmann and Yavno demonstrate how California was home to interconnecting, even conflicting strains in modern photography of the American scene. On Display: Aug. 9, 2025–Jan. 11, 2026 Visit: https://www.sdmart.org/exhibition/john-gutmann-max-yavno-california-photographers/ First Floor: Galleries 14/15: Mrs. Thomas J. Fleming Sr. Foyer San Diego Museum of Art on Facebook / Instagram
  • It's the first known instance of officials investigating suspected insider trading on a prediction market from inside the White House.
  • The U.S. International Boundary and Water Commission said a sewage pipe collapse was to blame.
  • San Diego is up against Aalborg, Denmark and Daejeon, South Korea.
  • The flight to Palma de Mallorca diverted back to Newark late on Saturday. Air traffic audio and social media posts indicate an onboard Bluetooth device raised security concerns.
  • The New York-based string quartet's new album Rhythm Nation teems with beats ranging from West Africa and Venezuela to jazz standards and Janet Jackson.
  • Note: Though this class is offered as part of the Certificate in Memoir Writing, there is no pre-requisite to join this class. All students, members, and nonmembers are encouraged to enroll. In this workshop, students will expand upon what they have learned in Memoir I and II about the basics of memoir writing and character, dialogue, and scene. The focus on this workshop will be on creating a strong character arc and creating a bullet proof structure that will fulfill the potential of the hook. Utilizing either the 6 Journey Writing Plot Spots or the 15 Plot Spots as our structural guides, we will delve deeper into creating parameters, honing your core idea (deciding how to pick and choose what parts of your life to include in your memoir) and perfecting tone and theme. Class structure: Except for the first class, the first hour will be lecture and the second hour will be read and critique where participants can workshop their material or class assignments. Tone of class: We strive to create a supportive, nurturing environment where participants feel encouraged to share, risk and connect to their most creative self. Our textbook, "7 Essential Writing Tools," is available for purchase on the first day of class for $10 or on Amazon/Kindle. ADDITIONAL NOTE: Please note that you will receive your Zoom link via email 24 hours before the start of this class. San Diego Writers, Ink on Facebook / Instagram
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