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  • From PRX and KPBS, “Port of Entry” is back with a new season on Oct. 13. We’re bringing you stories of border artists and musicians who’ve turned pain into superpowers.
  • Federal transportation investigators are on the ground Tuesday, trying to piece together what led to the deadly crash in Santee on Monday afternoon. Plus, in-person school just started up again and now parents have a chance to send their children to their preferred school. And, doctors and hospitals are looking at a new way to treat drug addictions, asking patients, “What do you need from us?”
  • Best Practice gallery in the Bread and Salt complex will open two new solo exhibitions by Mexican artists Andrew Roberts and Mauricio Muñoz. The works will be on view from Jan. 8 through Feb. 12, 2022. Read the KPBS feature here: Two Mexican artists unveil new work at Best Practice Opening reception: Saturday, Jan. 8, 2022 5-8 p.m. From the gallery: "A house on fire is a ghost, a factory on fire is a specter" is a computer-generated installation by Mexico City-based artist Andrew Roberts. Through exploring his family history and its close connection with the arms industry, the artist focuses on both of his grandfathers - an American fighter pilot and a Mexican assembly line worker, or a soldier and an engineer - as two parallel figures within the military-industrial complex narrative. Through the employment of video game design and development software, Roberts recreates two long-lost sites that belonged to his family, equally lost to fire: a house in California, property of his paternal grandfather, and a maquila in Tijuana, owned by his maternal grandfather. As a way to understand generational trauma, the work featured in this exhibition dismantles and critically analyzes the industrial interdependence between Mexico and the United States reconstructed by a personal story in a web of affective relationships, mental health policies, cross-border labor, and war technologies. "A thirst for misery," is an exhibition of paintings by Mexico City-based artist Mauricio Muñoz. Through this new body of work, the artist finds in the early 2000s media portrayal of celebrity misery the roots of today's pleasure for disaster, an obsession fueling contemporary digital voyeurism and self-righteous social media patrolling. So vain it had to be on a canvas. So superficial, just like the bidimensionality of a painting. So banal, and therefore a sudden urgency to make a lot of them. Stars having a melt down, just like acrylic paint melting into a gooey plaster. A theater of cruelty molded by the tabloids and sensationalist blogs we´ve been reading since our teen days. A thirst for misery: the climax of a series of unfortunate events that we´ve been eager to consume and enjoy. About the artists: Andrew Roberts Mauricio Muñoz Related links: Best Practice on Instagram Best Practice
  • The "United We Stand" summit brought together experts on hate-based violence and honored communities that have survived attacks.
  • Blink-182 announced new tour dates and music, with Tom DeLonge rejoining Mark Hoppus and Travis Barker for the first time since 2015.
  • Russian President Vladimir Putin has ordered martial law in four Russian-occupied territories of Ukraine.
  • Terence Shepherd has been named News Director for KPBS, San Diego’s NPR and PBS public media station. He will oversee a department of 45 editors and journalists. He will join the station on August 8, 2022.
  • Two U.S. military veterans who disappeared three months ago while fighting Russia with Ukrainian forces were among 10 prisoners released by Russian-backed separatists as part of a prisoner exchange.
  • "Narco," a dance hit by Australian musician Timmy Trumpet and the Dutch DJ duo Blasterjaxx, is the walk-on music for star relief pitcher Edwin Díaz.
  • Actors Eva Longoria, America Ferrera, Rosie Perez, Rosario Dawson, Zoe Saldana and Gina Rodriguez are also directors, producers and activists.
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