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  • The garden is not just a public space, but also a place where cherished family memories are made and milestones are celebrated.
  • A grainy video posted on Facebook by "Recall Tony Blain" appears to show Blain being searched by officers after last Tuesday’s City Council meeting.
  • More than 2,000 people could be displaced by the construction of the Río Indio dam. The Panama Canal Authority says the dam solves a long-term water shortage problem.
  • A USAID grant enabled them to defy the Taliban ban on higher ed for women by studying online or in another country. It was canceled. Now it's back through June. But no word on next semester.
  • Blasts of Arctic air are poised to bring below-average temperatures to much of the central and eastern U.S. throughout the first half of January. Here's what to expect and how to prepare.
  • Sundays, 1 p.m.– 4 p.m. January 12–March 2 (8 weeks, 24 total hours of instruction) La Jolla Studio “Fauvism is not everything, but it is the foundation of everything.”—Henri Matisse Henri Matisse, Andre Derain, and Maurice Vlaminck were the creators of this powerful era in art of the early 1900s. The act of painting itself was at the heart of Fauvism. It was the first movement to insist in explicit terms that a painting is the canvas and the pigments—not the subject. This class will explore the Postimpressionist movement that led to the Fauve movement strongly influencing the art of the 20th century. Leaving behind classic color, perspective, and subject matter, moving into exciting, bold, vibrant colors, spontaneous compositions, and highly gestural application of paint techniques is what we will explore painting in session. A pink sky? Why not! Come join the fun, freedom, and excitement of expressive Fauve painting. This class is for all levels of painters, both beginning and experienced artists. You are also welcome to do your own work. This is a good place to be with other talented painters and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 13 Visit: https://www.ljathenaeum.org/classes/15 Athenaeum Music & Arts Library on Instagram and Facebook
  • Thursdays, 9:30 a.m. – 12:30 p.m. January 16–March 6 (8 weeks, 24 total hours of instruction) La Jolla Studio Still-life painting is the study of everyday objects that take on a new life, tell a story and can act as a portal to another place or time. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will cover composition, color, form, and lighting. There will be a setup for each class along with photo images to create from. I do a painting demonstration in each class. One of our exercises will be a personal still-life using objects that have meaning to us. The best part is that we will have fun as we share our discoveries together. Come join us! I cannot wait to see what you will create. This class is for all levels of painters, both beginning and experienced. You are also welcome to do your own work. This is a good place to be with other talented artists and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 12 Visit: https://www.ljathenaeum.org/classes/9 Athenaeum Music & Arts Library on Instagram and Facebook
  • A French court found Marine Le Pen guilty on Monday in an embezzlement case and barred her from seeking public office for five years, with immediate effect. Le Pen's lawyer said she would appeal.
  • The number of unhoused seniors is expected to triple by 2030. As rents rise, it becomes tougher to find affordable housing that's accessible for those with medical conditions and disabilities.
  • There's a specific kind of math that could determine just how much longer the war can go — how many long-range missiles Iran has versus how many missile interceptors Israel has to shoot them down.
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