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Stephen McCauley's comic novel offers readers the gift of laughter as well as a more expansive image of what family can be. Book critic Maureen Corrigan says it was a perfect January read.

The International Atomic Energy Agency has approved a plan by Japan's government to dump nuclear waste water from the destroyed Fukushima power plant into the Pacific Ocean.

Anthropocene refers to the age of humans — the things we've done to Earth. Geologists just rejected a proposal to declare an official "Anthropocene epoch." But everyone agrees: Damage has been done.

For 30 years, the California Center for the Arts Foundation has managed the arts center in Escondido.

Kiosks and public bathrooms built over the freeway were supposed to help reconnect the community. They've never been put to use.

The duet-packed F-1 Trillion marks a new chapter, but it's no wild swerve — the one-time SoundCloud rapper has had his eye on Nashville for years.

Republican control of the White House and Congress sets the stage for potentially seismic changes including curtailing Medicaid, weakening patient protections, and increasing premium costs for millions.

Delve into the dark and thought-provoking world of serial killers with Dr. Rachel Toles, true crime’s preeminent psychologist. A Q&A session follows the ninety-minute masterclass. Doors open at 7:00 p.m. with the show beginning at 8:00 p.m. Join The Magnolia for a Plaza Pre-party thirty minutes before doors open on their stunning outdoor patio, with freshly made nachos, elote corn, specialty cocktails and more available for purchase. Tickets available via LiveNation. For more information visit: magnoliasandiego.com Stay Connected on Facebook and Instagram

Old loans that homeowners thought were long dead have been rising from the grave as debt buyers move to collect. Some are allegedly breaking the law. If this is happening to you, tell us your story.

Simon Penny is an artist, theorist and teacher with a longstanding focus on emerging technologies and on embodied and situated aspects of artistic practice, working with the question of how to build systems that attend to bodily affect and embodied experience. He has built interactive installations and robotic art since the mid 1980s. He explores - in artistic and scholarly work and in technical research - problems encountered when computational technologies interface with cultural practices, and the ways in which making things can be a form of critical interrogation, an interest that is pursued more recently through a focus on "critical craft practice." For more information visit: visarts.ucsd.edu Stay Connected on Facebook and Instagram