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  • Steven Spielberg says he's been hiding from his own story since he was 17. The Fabelmans is a lightly fictionalized version of his life, without raptors, sharks, or historical figures to hide behind.
  • The stylish genre-bending rapper has been pursuing his moment for years. With his debut album, How Do You Sleep At Night?, he finally gets to make a big first impression.
  • Jean-Auguste-Dominique Ingres and Pablo Picasso painted these portraits more than 75 years apart. But there's a clear connection between the two — and you can now see them on display together.
  • The Mexican American songwriter and producer earned nearly twice as many nods as his closest competitors, which include three of his collaborators: Colombian artists Camilo, Karol G and Shakira.
  • Daniel Mason's gorgeous fifth novel tells of a yellow house deep in the woods of western Massachusetts — and its motley succession of occupants who leave their mark on the property.
  • City officials assured residents on Monday that the water was safe to drink throughout the day, but added that they are continuing to test the water supply.
  • Join music, art, literary, and dance historian Victoria Martino in a five-week lecture series, celebrating the 150th anniversary of Diaghilev by rediscovering and redefining the scope of his immeasurable influence on modern culture. Who was Sergei Diaghilev? What did he do? Condemned by his own country as the ultimate exemplar of bourgeois decadence and depravity, he was excised from Soviet cultural history. Yet, in the international world of art, music, dance, and theater, he was revered, even idolized, as the greatest impresario of all time. Creator, critic, curator, Diaghilev played all these roles, defining for many the very meaning of contemporary art in the 20th century. In his role as founder and director of the legendary Ballets Russes, Diaghilev commissioned and patronized a veritable lexicon of artists, choreographers, composers, dancers, and designers: from Matisse to Picasso, Fokine to Massine, Debussy to Stravinsky, Nijinsky to Pavlova, Bakst to Chanel. Date | Tuesday, April 26, 2022 at 7:30pm Location | Athenaeum Music & Arts Library Purchase tickets here! $16-$21 The lectures will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for these events. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. For further information on this event please visit website: https://www.ljathenaeum.org/events/martino-22-0426
  • The Venezuelan group brings its infectious energy and beach-infused sound to the Tiny Desk.
  • After years of preparation, San Diego’s community choice energy program will start enrolling hundreds of thousands of customers. Then, KPBS Science and Technology reporter Thomas Fudge on how San Diego is enacting the new state law that requires food scraps to be composted, instead of being sent to landfills. Later, signatures are being collected for a proposed state ballot measure that could guarantee funding for arts in public schools. Plus, today is Chinese New Year, we take a look at the traditions that shape the holiday. Lastly, KPBS Arts reporter Beth Accomando speaks with Michael Gene Sullivan about his play “The Great Khan,” which is being staged at the San Diego Rep in March.
  • This year, our reporting took us to museums, libraries and symphonies; to Edisto Island, Hollywood, New York and beyond. Culture Desk reporters say these are the stories that will stick with them.
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