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What does the clash between Harvard and the Trump administration look like from the perspective of its faculty? NPR's Michel Martin asks Harvard Law School professor Nikolas Bowie.

Many undocumented people are not eligible for federal financial disaster aid and several remain fearful even when help is offered.

For about 30 years, the Ph.D. Project has supported students from underrepresented groups who are earning doctoral degrees in business. Now, it's attracted the attention of the Trump administration.

With anti-vaccine activist Robert F. Kennedy Jr. in charge of the nation's biggest health agency, it wouldn't take much tampering to enable vaccine-preventable diseases to make a comeback.

StubHub has a "Recommended Tickets" filter that only displays some tickets but not others. It's automatically turned on — and it's upsetting users.

The proposal would cut off rental subsidies after two years for able-bodied adults. Advocates warn if enacted, the White House plan would tip many low-income renters over the edge into homelessness.

"JULIAN TAN: END TRANCES" Jan. 18–April 19, 2025 Opening Reception: Friday, January 17, 5:30–7:30 p.m. Gallery Walk-through: Saturday, January 18, 11 a.m., free Artist Talk: Thursday, February 27, 6 p.m. reception; 6:30 p.m. lecture, $15/ 20/ 5 “The gaze is ours to give, and the journey is ours to take.”—Chat GPT analyzing "End Trances" For his exhibition "End Trances," Los Angeles–based painter Julian Tan has created a body of work centered on a blinding, mysterious light in the sky and humans’ moments of wonder, panic, and solace as they witness it. In creating these paintings, Tan was thinking about recent trends including the use of AI in art making, the vastness of knowledge at our fingertips in a world dominated by instant information, public fascination with unidentified aerial phenomena, and a pervasive sense of being at the precipice of something—whether the end of the world or a cultural shift we have yet to understand as a society. The unknown light offers us all a glimpse of our own humanity, a sublime focal point in each work that remains open to interpretation. Julian’s work reflects his personal experiences and his fascination with the intersection of history, politics, and cultural change. As a second-generation Chinese American, the tension of not fully belonging has given him a unique perspective, one that informs his exploration of identity, culture, and the way people navigate a rapidly changing world. His paintings aim to capture the present while reflecting on the past and imagining the future, offering a lens through which viewers can connect with shared experiences and universal questions. In his BFA studies at the University of Tennessee, Chattanooga, Tan immersed himself in foundational principles of design, art history, and critical theory, setting the stage for a serious pursuit of painting and a life as an artist. While the program introduced him to conceptual thinking and problem-solving, it was the painters in the program and the drawing classes that left the biggest impression on him. He went on to earn an MFA at the University of California, Davis, dedicating himself to refining his techniques and developing an original visual language. Tan spent most of his time at UC Davis deeply immersed in understanding and creating abstract painting and sculpture. While he loved earnestly creating and looking at abstraction, he began questioning whether it could express the ideas he wanted to communicate. This challenge led him to rethink his approach and focus on work that carried more personal and cultural meaning. Painting became a way for him to say things he felt couldn’t be said with words. Now, working from his own studio, Tan is propelled by questions of the future, universal truths, and a desire to create works that capture a “mirror’s gaze of the near future.” Alongside his wife and dogs, Oso and Sumi, he continues his search for expression that resonates with universal truths about the human experience. Julian Tan on Instagram

Japan is now the fifth country to pull off a soft landing on the moon. A Japanese space agency manager earlier called the landing "a breathless, numbing 20 minutes of terror!"

2024 San Diego Music Award Winner for Best Jazz Artist ” From the moment Mercedes Moore takes the stage you can’t look away. She welcomes you to the show, thanks you for coming, and the band rips into its opening chords. As dancers rush to the floor, the smile on Mercedes’ face grows more radiant; you’re in her world and nothing else matters. You might think she was destined to do this, but you’d be wrong. Moore grew up doubting her skills, “I didn’t think that I could sing.” She says. “I didn’t think it was possible.” That was then, this is now. Today, fronting her own band, Mercedes works hard to be more than a voice. She wants fans to feel the music, the way she feels the music. Watching faces in the crowd on this night, as Mercedes swings through an extensive playlist of ballads, blues, and soul shakers, it’s obvious she has them right where she wants them. Yet, the most remarkable aspect of this story, the woman has only been singing professionally for a little more than eight years. Eight years. Let there be no doubt, Mercedes Moore is making the most of her time. As a three-time San Diego Music Award nominee, Moore performs regularly with some of Southern California’s premier musicians. The list is endless–Taryn Donath, John Simons, Mark Campbell, Marc Ramos, Tracy Wiebeck, Kurt Kalker, Matt Taylor, Steve Wilcox, Scot Smart, Missy Andersen, Sharifah Muhammad, and Laura Chavez–to name but a few. When asked, Moore is straightforward about the multitude of players. “It just makes you a better singer.” She smiles. “And different people have different strengths. Plus, I want to learn, so I can be better.” It appears to be working. Mercedes Moore is currently juggling four major projects and her music can range from blues, gospel, and R&B to a boatload of classic rock and blue-eyed soul. This does not take into consideration the assortment of duo and trio sets, the occasional jazz venture, and an array of impromptu performances with local and visiting artists. “ …. read the rest at https://sandiegotroubadour.com/12256/ Visit: https://www.bardicmanagement.com/books-and-records/live-music/san-diego/mercedes-moore/july-26-2024

For centuries, houses of worship have served as havens for people needing refuge — and, in recent decades, sanctuary from the U.S. government.