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  • First, Russia wiped out Ukraine's navy. Now, Moscow is blocking critical grain exports. As Ukraine tries to rebuild its navy, and fight back, NPR's Greg Myre got a ride on one of its few boats.
  • Bird notes that WNBA players represent society's most marginalized groups. "We're Black, we're women, we're gay," she says. "And those are the groups that are held back in our society."
  • Joey Terrill is a formative figure in the Los Angeles Chicano art movement and AIDS cultural activism. Painting and making art since the 1970s, Terrill has always explored the intersection of Chicano and gay male identity (where they overlap and where they clash) as a strategy for much of his art production. A native Angeleno, he attended Immaculate Heart College and lists influences as diverse as Pop Art, Corita Kent, David Hockney, Mexican retablos, and 20th-century painters ranging from Romaine Brooks to Frida Kahlo. His work conveys the energy, politics and creative synergy of Chicano and queer art circles in Los Angeles. His works from the 1970s and 80s are considered pioneering examples of a queer sensibility and Latinx identity. Click here for more information about this event!
  • The Israeli military said it has largely regained control of areas in the south that had been attacked by militants from Hamas. The announcement came on the fourth day of war with Hamas.
  • How does a scene survive when disaster strikes its venues, music schools, rare instruments and priceless archives all at once? The musicians of flood-ravaged eastern Kentucky have a few answers.
  • Premieres Saturdays, Dec. 31, 2022 - Saturday, Jan. 28 at 1 p.m. on KPBS TV / On demand now with the PBS Video app. Host and co-creator Diane Kochilas guides viewers on a robust and inviting exploration of the Greek landscape, including its people, food, history, traditions, and culture. Diane explores the rich world of Greek wines, informing viewers of the country's ancient vinicultural traditions and introducing them to the flavors and varieties that are uniquely Greek.
  • The National Museum of Women in the Arts in Washington reopens on Oct. 21 after a two-year, $70-million renovation as a "megaphone" for equity.
  • Blurring the boundaries of righteous and irreverent, "Red Lip Theology" invites us to discover freedom in a progressive Christian faith that incorporates activism, feminism, and radical authenticity. Essayist and theologian Candice Marie Benbow’s essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture. Join us for an intimate book talk by the author followed by a book signing. 12:00 - 1:00 p.m. | Author Presentation 1:00 - 2:00 p.m. | Book Signing To register, visit: mysdpl.org/redliptheology
  • Finland's center-right National Coalition Party, headed by Petteri Orpo, eked out a narrow victory over the country's populist party. Sanna Marin's party fell to third place.
  • "The Far Voice" Speaker: Hannah Zeavin, Assistant Professor, Indiana University Respondent: Alain J.-J. Cohen, Professor, Department of Literature, UC San Diego Hosted by Wentao Ma, PhD Student, Department of Literature, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract “The Far Voice” describes the rise of mass telecommunication therapies, focusing on the suicide crisis hotline (originated by Protestant clergy) in England and the United States in the 1950s and 1960s and investigates how this service first became thinkable, and then widely adopted and used. I redescribe the hotline as psycho-religious in origin and intent, rather than as the secular service it has usually been assumed to be. I argue that these services, in their use of the peer-to-peer modality, radically upset former regimes of pastoral care and counseling, as well as those of psychodynamic therapy. Hotlines generate a new, hyper-transient frame for the helping encounter, removing nearly all the traditional aspects of the therapeutic setting except for speech and listening. At the same time, these hotlines devalue the need for expertise and rescind the fee associated with that expertise. They challenge every clinical concept associated with the structure and dynamic of the analytic encounter. It is contingent, it is not in person, and requires (or permits) a distanced intimacy with no guarantee of repeating; and it makes use of the phone—an appliance paradoxically thought of as capable of bringing people together and as responsible for their greater alienation. I will conclude by examining the afterlives of these radical early hotlines in our contemporary, when algorithmic surveillance, datafication, and tracking have relinked the hotline with forced hospitalization and carceral intervention. Biography Hannah Zeavin is a scholar, writer, and editor, and works as an Assistant Professor at Indiana University and a Visiting Fellow at the Columbia University Center for The Study of Social Difference. Zeavin is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021) In 2021, Zeavin co-founded The Psychosocial Foundation and is the Founding Editor of Parapraxis, a new popular magazine for psychoanalysis on the left, which will be releasing its first issue in Fall 2022, and serves as an Associate Editor for Psychoanalysis and History and an Editorial Associate for The Journal of the American Psychoanalytic Association. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
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