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  • The prosecution is arguing that Donald Trump wanted to keep information out of the public fearing that it would turn off voters in 2016. The defense argues Trump did nothing illegal.
  • Gillis didn't spend much time joking about the controversy that got him fired from the show. Instead, his opening monologue felt like an attempt to insulate himself from criticism and avoid backlash.
  • This weekend in the arts in San Diego: A new interactive children's exhibit celebrating Octavia Butler; theater about basketball; Mussorgsky; Barrio Art Crawl; poetry about grief; binational art; live music picks and more.
  • Local labor unions have proposed an ordinance that would cover hotel, janitorial and event center staff.
  • An official inquiry is under way to determine what caused the stampede at a religious gathering in northern India.
  • U.S. government-funded Radio Free Asia is closing its Hong Kong operation after the city enacted a tough new national security law known locally as Article 23.
  • Southwestern College Theatre Arts Department announces the first production of its 2023-2024 season, “The Cradle Will Rock”, by Marc Blitzstein. Written in 1936 and first produced in 1937, the groundbreaking musical comedy has been noted as a thoroughly American work, not only for its themes and its tunes, but in the ways is author captures the voice of the Depression-era working class in his musical phrasing. “The Cradle Will Rock” is set in 1937 in Steeltown, USA, when the workers at the steel mill owned by Mr. Mister are on a drive to unionize their factory. Mister, a wealthy industrialist, holds Steeltown’s political, financial, social, and religious activities in his iron grip. He forms the Liberty Committee, (comprised of the local minister, newspaper editor, physician, university president, and others) to apply pressure on the working class to keep them from unionizing. Larry Foreman, leader of the union drive proves more than a match for Mister. The conflict rages when the union drive intensifies and threatens Mr. Mister’s hold on power. As a composer, Blitzstein wrote in an advanced musical style, using a variety of rhythms, structures, and forms. His passion for the important issues he cared about are evident in the musical’s many songs, most notably “The Nickel Under Your Foot”, “The Cradle Will Rock”, and “Joe Worker” which all became anthems for the burgeoning union movement of the 1930s. The musical’s satirical, comedic style encompasses Bach’s fugue inventions, early 1900’s ragtime, 1920’s Charleston dance tunes, and heart-pounding modern ballads. Directed by Ruff Yeager and musically directed by Imahni King, the creative team includes Mike Buckley – Scenic, Lighting, and Properties Designer; Jeanne Reith - Costume Designer; Brandon Watterson - Sound Designers. The cast is comprised of talented Southwestern College Theatre Arts majors. The musical will feature on-stage cabaret seating as well as regular orchestra-level seating. Ticket prices are $20 (onstage seating), $15 for general admission. For ticket and show information, visit www.swctheatre.com
  • Independence Day has extra meaning this year for some people in San Diego who just became U.S. citizens. Their naturalization ceremony took place on board the USS Midway Museum Monday.
  • Only 10 states have not joined the federal program that expands Medicaid to people who are still in the "coverage gap" for health care
  • Recommended for ages 2-5, this storytime program includes books, songs, games, and early literacy fun! Audience: Children Location: Community Room For more information visit: sandiego.librarymarket.com
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