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  • From the organizers: Join us for an unforgettable evening of Rondalla and Kulintang music of the Philippines at the Mingei International Museum in Balboa Park, San Diego, CA. Experience the rich melodies and rhythms of these traditional Filipino musical ensembles, featuring a unique blend of string and percussion instruments. Immerse yourself in the vibrant sounds and cultural heritage of the Philippines. Don't miss this one-of-a-kind event! For the first time, on October 28, 2023, Saturday, at 6:00 pm, the Samahan Filipino American Performing Arts & Education Center (dba Samahan Arts) holds at the Mingei International Museum a music concert entitled “Struck & Plucked - An Evening of Rondalla and Kulintang Music of the Philippines.” The concert is offered as the “finale” to the celebrations of the Filipino American History month. The Filipinos’ traditional string and indigenous “gong” music will be presented with a few cultural dances in an intimate setting of the La Atalaya Theatre of the museum. Featured are the “home-grown” Rondalla and Kulintang musicians led by Samahan Arts’ Music Director and Ethnomusicologist, Dr. Bernard Ellorin. This music concert is funded in part by the Dr. Lolita Diñoso Carter Endowment through the San Diego Foundation, the California Arts Council and donations of generous patrons. Limited number of admission tickets at $25 each may be obtained at https://SamahanArts.org. Discounted student ticket at $15 each may be made available to student groups. For information: admin@samahanarts.org. About the music: The Philippine rondalla is of Iberian origin composed of string instruments such as the banduria, laud, octavina, guitara and bajo. The rondalla typically plays nostalgic folk and contemporary pieces by Filipino composers. On special occasions, it accompanies both European and Latin American influenced dances. The Samahan Rondalla started in 1982 under the tutelage of the late Bayani De Leon, well known Filipino Ethnomusicologist. Samahan Arts’ dynamic outreach activities and educational program have been instrumental in maintaining its “staying power.” In the ‘90s, Music Coordinator, Dr. Juanita Caccam patiently taught Ellorin how to play the banduria, getting him eventually interested in pursuing a degree in Ethnomusicology. Since 1992, Ellorin has been the principal banduria player of the Samahan Rondalla, and is currently the ensemble’s lead. As an undergraduate student at UCLA, he attended extended Rondalla studies with Tagumpay De Leon, NEA National Heritage Fellow in 2021 and the director of the UC Riverside Gluck Rondalla Ensemble. Tagumpay and Bayani are sons of Felipe De Leon, also a famous Filipino composer and a National Artist for Music of the Philippines. Dr. Caccam and Frederick Embalsado, Rondalla Director, ardently nurtured musicians, such as, Mitchell Almoite, Alex Alcantara and Taryn Chiong, who are currently active Samahan Rondalla musicians, with Rogelle Zamora and Ellorin. Kulintang is an ancient instrumental form of music played on a row of horizontally laid bossed gongs that function melodically, accompanied by large, suspended gongs and drums. It is the customary music of the indigenous Muslim societies in Mindanao Island, Philippines, for rituals, ceremonies, weddings and other social occasions. Samahan Arts’ Kulintang Ensemble plays traditional music of the Maguindanaos, Maranaos, the Sama and Tausug people. In 1996, Ellorin was designated as the ensemble director after mastering a number of Kulintang pieces taught by the late Maguindanao Kulintang Master Danongan Sibay Kalanduyan, NEA National Heritage Fellow, 1996. The ensemble, originally made up of Master Kalanduyan’s students in San Diego, adapted the name Pakaraguian Kulintang Ensemble, when it merged with the ensemble that was co-founded by Ellorin with his colleagues in UCLA in 2003. Playing with the ensemble is Master Kalanduyan’s granddaughter, Kimberly Kalanduyan Villanueva, who was Ellorin’s apprentice in 2019 with the Apprenticeship Program of the Alliance for California Traditional Arts (ACTA). The 2021 ACTA apprentice of Ellorin for Sama kulintang music, Rogelle Zamora also plays with the ensemble. Janet Asuncion, Michelle Camaya, and Mitchell Almoite are also dedicated musicians of the ensemble who study the music intensely with Pakaraguian.
  • The U.S. State Department says it's halting visas for visitors from Gaza as it reviews its process for granting visas for medical evacuees.
  • Originally recorded for the rock star's major album Private Dancer, "Hot For You Baby" was thought lost.
  • Music For the Virgin Mary and the Nativity Bach Collegium San Diego (BCSD), one of the country’s leading baroque ensembles, celebrates the holiday season with a repertoire by Charpentier, Poulenc, and Villette covering a span of over three hundred years, yet connected aesthetically by way of musical sensuousness and elegance. BCSD welcomes Guest Director, Dana Marsh (Artistic Director of the Washington Bach Consort and Director of the Historical Performance Institute at the Indiana University Jacobs School of Music). Charpentier - Litanies de la Vierge à 6 H. 83 - Magnificat pour 4 voix H. 79 - Selections from Pour un reposoir H. 208 - Selections from Missa Assumpta est Maria H. 11 Villette - Hymn à la Vierge - Jesu dulcis memoria - O magnum misterium Poulenc - Hodie Christus natus est - Videntes stellam - magnum mysterium - Quem vidistis pastores - Salve Regina Bach Collegium San Diego engages audiences with accessible, historically informed performances and educational programs featuring repertoire from the Renaissance, Baroque, and early Classical eras. The ensemble was founded in 2003 by Music Director Ruben Valenzuela to diversify the musical offerings of the San Diego community. For more information visit: bachcollegiumsd.org Stay Connected on Facebook and Instagram
  • "MIRAGE: el orden de los factores y los riesgos de la ilusión" is an exhibition by Marcos Ramírez Erre, curated by Sara Solaimani. Amongst Erre’s previous impactful work, this exhibition will feature two new works, including a monumental outdoor installation and other pieces never before exhibited in San Diego. On view July 6 through Sept. 7, 2024 Gallery hours: 11 a.m. to 6 p.m. Tuesday through Saturday Or by appointment: thefront@casafamiliar.org For more information visit: thefront.casafamiliar.org
  • The superbly alert and flexible drummer formed a swirling current in modern jazz for more than 60 years. He was 82.
  • Immigration arrests falter in July after a big push for mass deportations in June. Activists in sanctuary jurisdictions hope their resistance plays a role.
  • There will be 16 women's soccer teams in 2028 and just 12 for men.
  • Julian Tan: End Trances January 18 – April 19, 2025 Opening Reception: Friday, January 17, 5:30 p.m. –7:30 p.m. Gallery Walk-through: Saturday, January 18, 11 a.m., free Artist Talk: Thursday, February 27, 6 p.m. reception; 6:30 p.m. lecture, $15/ 20/ 5 “The gaze is ours to give, and the journey is ours to take.”—Chat GPT analyzing End Trances For his exhibition End Trances, Los Angeles–based painter Julian Tan has created a body of work centered on a blinding, mysterious light in the sky and humans’ moments of wonder, panic, and solace as they witness it. In creating these paintings, Tan was thinking about recent trends including the use of AI in art making, the vastness of knowledge at our fingertips in a world dominated by instant information, public fascination with unidentified aerial phenomena, and a pervasive sense of being at the precipice of something—whether the end of the world or a cultural shift we have yet to understand as a society. The unknown light offers us all a glimpse of our own humanity, a sublime focal point in each work that remains open to interpretation. Julian’s work reflects his personal experiences and his fascination with the intersection of history, politics, and cultural change. As a second-generation Chinese American, the tension of not fully belonging has given him a unique perspective, one that informs his exploration of identity, culture, and the way people navigate a rapidly changing world. His paintings aim to capture the present while reflecting on the past and imagining the future, offering a lens through which viewers can connect with shared experiences and universal questions. In his BFA studies at the University of Tennessee, Chattanooga, Tan immersed himself in foundational principles of design, art history, and critical theory, setting the stage for a serious pursuit of painting and a life as an artist. While the program introduced him to conceptual thinking and problem-solving, it was the painters in the program and the drawing classes that left the biggest impression on him. He went on to earn an MFA at the University of California, Davis, dedicating himself to refining his techniques and developing an original visual language. Tan spent most of his time at UC Davis deeply immersed in understanding and creating abstract painting and sculpture. While he loved earnestly creating and looking at abstraction, he began questioning whether it could express the ideas he wanted to communicate. This challenge led him to rethink his approach and focus on work that carried more personal and cultural meaning. Painting became a way for him to say things he felt couldn’t be said with words. Now, working from his own studio, Tan is propelled by questions of the future, universal truths, and a desire to create works that capture a “mirror’s gaze of the near future.” Alongside his wife and dogs, Oso and Sumi, he continues his search for expression that resonates with universal truths about the human experience. Visit: https://www.ljathenaeum.org/upcoming-exhibitions
  • La Propuesta 32 para aumentar el salario mínimo de $16 a $18 no tiene tanto alcance como cuando se propuso por primera vez. Los trabajadores de comida rápida ya están ganando más y los empleados de atención médica van por buen camino. Pero los grupos de trabajadores ya están presionando por más.
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