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Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook

Celebrate Valentine's Day weekend by making art with or for someone you love! In this workshop led by artist Natalie M. Godinez, participants will learn the basics of stamp carving, how to create a DIY pattern, and how to use found materials to create your own stamps. You will leave with a hand-carved stamp, a recycled stamp, and a hand-printed bandana. We hope you join us at ArtReach for this artist-led workshop! About the Artist: Natalie M Godinez (she/her/ella) is a Los Angeles-based artist, educator, and community advocate raised in Tijuana, México. Godinez explores memories, identity, and relationships to places and language through textiles, printmaking, and collaboration. She holds a Bachelor of Art in Applied Design degree from San Diego State University and she has been teaching art since 2009 across California. Insta: https://www.instagram.com/nataliemgodinez/ Website: https://www.nataliegodinez.com/ We kindly ask that adults actively participate in this art activity alongside any child under the age of 11.

Yang Jiang (b. 1988, China) is a San Diego–based artist and therapist whose tactile and dreamlike creations embody emotional liberation and spiritual freedom. Shimmering like artifacts from a fairy tale, her pieces use light, texture, and sculptural forms to convey a sense of vulnerability and resilience. A testament to the beauty and complexity of spiritual survival, Jiang’s work offers viewers a poignant reminder of the courage and tenderness of the human heart. Her art has been exhibited at the Athenaeum Art Center, Visual Art + Supply, Revision San Diego, and the Brown Building. Jiang is a graduate of Wellesley College and the University of San Diego. I Thought I’d Be Braver, Jiang’s debut solo exhibition, is a decade-long chronicle of her journey toward emotional courage. Her early work, characterized by bold colors and harsh textures, reflects the pain of repressed emotions and a fear of vulnerability. Gradually, this aesthetic softens into one of sheer, vibrant hues and delicate layers, mirroring her internal shift toward nurturance, forgiveness, and compassion. This evolution in her style reflects the brave heart of a wounded healer who has confronted her shadow and embraced self-acceptance, demonstrating that true courage lies in acknowledging and integrating one’s emotions. The exhibition can be viewed in the Catherine and Robert Palmer Gallery at the Athenaeum Art Center (1955 Julian Avenue, San Diego, CA 92113) during open gallery hours, Tuesdays through Saturdays from 11 a.m. to 4 p.m., and every second Saturday from 5 p.m. to 8 p.m., during the Barrio Art Crawl, and by appointment. Visit: https://www.ljathenaeum.org/events/exhibition-2025-jiang Athenaeum Music & Arts Library on Instagram and Facebook

It has been over 20 years since NBC had rights to broadcast NBA games. Its last run was during the 90s, which coincided with Michael Jordan's reign over basketball.

This is a unique opportunity to study with two accomplished and warmhearted artist-educators in the same course. Ken and Stephanie are both well known for their ability to help each person find their own unique drawing abilities. For the first three weeks, Stephanie will introduce you to well-founded drawing techniques by working from carefully selected high-quality past and present master portraits and figures. Beginners are encouraged to start out with pencil or charcoal, while those with more experience may work in other mediums of their choosing. During the last three weeks, Ken will introduce color theory to portraits and figures using watercolor. But you can use any medium of your choice, as Ken also works in oils, acrylics, pastels, colored pencils, etc., and the same color concepts apply to all mediums. All levels are welcome because instruction and demonstrations are given on an individual and group basis. Materials: Since this is an online class, just use the materials you are already comfortable with. You do not need to buy anything on this list. It is just a suggestion: the simpler the better. For gestures, you need only newsprint; a drawing board (a piece of 3/16” thick foam-core drawing support cut to 19” x 25”, with four bulldog clips); very soft vine charcoal; a kneaded eraser; and one color-pastel for accents. Suggested optional materials by medium: Graphite: two mechanical pencils (a 2 mm mechanical holder with 4B leads and a 0.5 mechanical pencil with 2B leads); kneaded eraser; blending stump; small sanding block; rag; drawing pad, 18” x 24”, Strathmore 300 Series (or any brand you have); drawing support mentioned above. Charcoal: 4B charcoal pencil; softest vine charcoal; rags or Viva paper towels; kneaded eraser. Max students: 12 Visit: https://www.ljathenaeum.org/class/101 Athenaeum Music & Arts Library on Instagram and Facebook

Several Chula Vista City councilmembers Monday announced they will bring forward a resolution at tomorrow's City Council meeting to support Gov. Gavin Newsom's ongoing lawsuit challenging federal tariffs put in place by the Trump administration.

Premieres Fridays, Sept. 27 - Oct. 11, 2024 at 8 p.m. on KPBS 2 / PBS app + Encores Tuesdays, Oct. 8 - Oct. 22 at 9 p.m. on KPBS TV. Join actor John Leguizamo on a quest to uncover Latino and Latina heroes and their contributions. In this new three-part series, Leguizamo takes viewers on a captivating journey, delving into both well-known and lesser-known stories of Latino history, spanning thousands of years, from the Ancient Empires to the present, and shining a light on the rich and often overlooked history of Latinos.

The former textile factory in the town of Brněnec was stolen by the Nazis from its Jewish owners in 1938 and turned into a concentration camp. This weekend it welcomed the first visitors to the Museum of Survivors.

KPBS recently led a discussion with South Bay community members on the unique challenges they face around voting.

The immigrant church is challenging a Trump administration decision to reverse a longstanding policy that generally kept places like churches, schools and hospitals off-limits to immigration raids and arrests.