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Considered to be a perfect opera, this tale of seduction and doom features stunning visuals and the orchestra onstage heightening Mozart’s glorious music. We showcase Mozart’s incredible score by placing the San Diego Symphony Orchestra front and center. Surrounded by fully staged and costumed singers and state-of-the-art theater lighting and projections, this new production provides a complete and stunning visual and auditory experience. San Diego Opera’s Principal Conductor Yves Abel returns to lead the action, which features the exciting house debut of baritone Germán Enrique Alcántara in the title role. LANGUAGE – Sung in Italian with English and Spanish text projected above the stage RUN TIME – 3 hours and 30 minutes, including one intermission Pre-Opera Talk The pre-opera talk begins at 6:40 pm before the 7:30 pm Friday evening performance. The Sunday matinee pre-opera talk begins at 1:10 pm before the 2:00 pm curtain. Mainstage Post-Opera Talk-Back Stay after the Sunday matinee performance for a Talk-Back. Once the curtain falls, there will be a 10-minute break, then join us in the front of the Dress Circle section where you can ask questions of the stars and cast (subject to availability), and find out what really happened onstage and backstage during the performance! Related links: San Diego Opera: website | Instagram | Facebook

From the museum: For Dear Life is the first historical survey of artistic responses to sickness, health, and medicine broadly. The show is informed in part by MCASD’s position in San Diego County, a hub for health science research as well as biotech and pharmaceutical industries. In the past decade, the art world has witnessed an explosion of artistic activity surrounding issues of illness, disability, caregiving, and the vulnerability of the human body. Set in motion by the emergence of movements for disability justice, this activity accelerated with the onset of the COVID-19 pandemic. Yet since the 1960s, artists have negotiated and deflected the medical gaze, creating works that assert agency in the face of medicalizing labels and that highlight the role of care in producing new forms of community and healing. Increasingly, artists have come to locate illness and disability not in individual bodies, but as part of a web of interconnected societal, environmental, and historical conditions. Funders For Dear Life: Art, Medicine, and Disability is organized by Senior Curator Jill Dawsey, PhD, and Associate Curator Isabel Casso. This exhibition is organized as part of Pacific Standard Time, an initiative of the Getty Foundation. Lead support and major funding for this exhibition and catalogue is provided by the Getty Foundation. All second Sundays and third Thursdays of the month offer free admission, with third Thursdays open for extended hours through 8 p.m. [Admission and hours details here.] Related links: Museum of Contemporary Art San Diego website | Instagram | Facebook

Opening Reception: Saturday, March 9, 5–8 p.m., during the Barrio Art Crawl Tarrah Aroonsakool, a first-generation San Diego native with Thai and Lao heritage, embarked on a journey of self-discovery through art. Aroonsakool’s creative path led them to New Orleans, where they found a supportive community and showcased their work globally after her first show in 2013. Motivated by a desire to foster a creative community in their hometown, Aroonsakool returned to San Diego, where they continue to push boundaries and transform their art, incorporating everyday objects and found materials into the work. Related links: Athenaeum Art Center: website | Instagram

San Diego New Music Concerts Jan. 5, 6 and 7, 2024 San Diego New Music and the Athenaeum Music & Arts Library present the 2024 soundON Festival, exploring cutting-edge contemporary music from around the world. This year we celebrate the music of San Diego composer and longtime friend of SDNM and NOISE Adam Greene, and we feature a new work by Mark Menzies commissioned by the Athenaeum Music & Arts Library and generously underwritten by Garna Muller. Adam Greene trained as a guitarist and then studied composition at the New England Conservatory and UCSD. His music investigates multiplicity, fragility, and instability through sophisticated and idiosyncratic approaches to instrumental technique. Greek myths, especially Homer's Odyssey and the story of Orpheus, inspire many of his works, including all of his five pieces presented at soundON this year, two of which will be world premieres. This year we return to an old soundON tradition of highlighting the solo virtuosity of the members of NOISE, with challenging and adventurous works from many eras played by each of the seven musicians. And the ensemble once again introduces young and innovative composers, Jean-Patrick Besingrand, Patricia Martinez, Jérôme Combier, and Judith Ring—to San Diego. NOISE (Ensemble-in-Residence): Christopher Adler, piano Lisa Cella, flute Franklin Cox, cello Colin McAllister, classical guitar, electric guitar, and conductor Mark Menzies, violin Morris Palter, percussion Robert Zelickman, clarinet SPECIAL GUEST ARTISTS Matt Kline, conductor Eric Starr, trombone Ariana Warren, clarinet Concert and ticket links: Series tickets Day 1 (Friday, Jan. 5) - Athenaeum Art Center (Logan Heights) Day 2 (Saturday, Jan. 6) - Athenaeum Music & Arts Library (La Jolla) Day 3 (Sunday, Jan. 7) - Athenaeum Music & Arts Library (La Jolla) Related links: Athenaeum Music and Arts Library: website | Instagram | Facebook

Note: This concert has been relocated to the San Diego Civic Theatre. About the performance: The transcendent cellist Yo-Yo Ma performs Elgar’s achingly beautiful concerto, one of the most well-known and revered of cello concertos, in this one-night-only performance. Written near the end of WWI, Elgar’s valedictory work is a searing response at once both tender and pained. Rafael Payare leads the Orchestra in Tchaikovsky’s passionate 5th Symphony, an emotion-filled journey rife with brilliant melody. Artists and Repertoire Rafael Payare, conductor Yo-Yo Ma, cello WAGNER: Prelude to Act III of Die Meistersinger von Nürnberg ELGAR: Cello Concerto in E minor, Op. 85 TCHAIKOVSKY: Symphony No. 5 in E minor, Op. 64 Related links: San Diego Symphony: website | Instagram | Facebook

Artists and Repertoire Rafael Payare, conductor Gil Shaham, violin RAVEL: La valse MASON BATES: Violin Concerto (SDS co-commission; West Coast Premiere) RESPIGHI: Pines of Rome RAVEL: Boléro GRAMMY®-winning violinist Gil Shaham returns to San Diego for the West Coast premiere of Mason Bates’ Violin Concerto, an explosive work showcasing Bates’ masterful modern style. Music Director Rafael Payare leads this sonic expedition, which includes Respighi’s monumental tone poem Pines of Rome and Ravel’s beloved Boléro. Related links: San Diego Symphony: website | Instagram | Facebook

In a landmark ruling, the court said same-sex couples are eligible to receive the same health insurance benefits as heterosexual couples. South Korea doesn't legally recognize same-sex marriages.

Scientists have created a new tool that can give 5 minutes advance warning of a dangerous rogue wave in the ocean.

Mateo Askaripour's sophomore novel is a sprawling speculative-fiction narrative that delivers a heartwarming story about a young woman learning to navigate the world.

On July 18, 1984, a gunman killed 21 people and wounded 19 others at a McDonald’s in San Ysidro.