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  • Exhibition Dates: September 16–November 11, 2023 Opening Reception: Friday, September 15, 6:30–8:30 PM The Athenaeum is pleased to present a special exhibition of works by late French artist Françoise Gilot, featuring many never-before-exhibited lithographs. Born in 1921 in Neuilly-sur-Seine, France, Françoise Gilot's career spanned eight decades, with works ranging from visual art to poetry and prose, including best-selling memoirs. Gilot met legendary artist Pablo Picasso when she was 21, the same year she had her first Paris exhibition. She counted among her friends leading artists of the period, including Matisse, Braque, and Cocteau. Gilot and Picasso raised their two children together until separating in 1953. Gilot married artist Luc Simon in 1955, with whom she had a daughter before divorcing in 1962. Gilot began visiting the United States in the 1960s to exhibit her work and maintained studios in La Jolla, New York, and Paris. With a degree in philosophy from the University of Paris and another in English literature from Cambridge University, she became an accomplished writer and poet, authoring and illustrating several books. Over time, her art practice expanded to include printmaking techniques such as monographs and aquatints. Gilot's children appear as the subjects of many of her works, along with themes of birds, emblems, and Greek mythology. Gilot's childhood in France and travels to Greece and Asia are also frequent subjects. Later in life, Gilot married Jonas Salk, developer of the polio vaccine, and lived for a long time in San Diego. The Athenaeum hosted a private reception and pop-up show in 2022 in celebration of Gilot's one hundredth birthday. Gilot continued to paint until her death in June 2023. The exhibition can be viewed in the Joseph Clayes III Gallery at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Appointments are not required. Related links: The Athenaeum Music & Arts Library website | Instagram | Facebook
  • Biennial mammograms from age 40 suggested, despite advocates emphasizing the need for yearly screenings for early detection and better survival rates.
  • The fire-scarred Oceanside Pier, which has been closed since flames engulfed its western end eight days ago, is on track to reopen — for the most part — next week, city officials announced Friday.
  • From the gallery: San Diego, California- Madison Gallery announces D I S T A N C E, French artist Cédrix Crespel’s first solo US exhibition. A stunning and ethereal representation of love in landscapes, of love in our surroundings, of love outside the physical beings. The use of bold, yet soft, colors, Crespel captures the desire and vulnerability of passion from afar. The feeling of endless depth, of dynamic distance, of eternal love and longing. “To face it, to get lost in it and to surrender to it. The landscape, with its magnificence, its ‘immensity,’ and its indifference, imposes its might and its power dynamics. The one who gazes upon it experiences a form of solitude, vulnerability, and inaccessibility: a state that, in many ways, resembles love. Painting the vaporization of love, the vibration that lack can generate, the projection of feelings. Painting emotions far beyond what can be seen. When we are both separated, our landscapes clash and represent the distance between us. From her to me, and vice versa. A form of landscape in love; showing what cannot normally be represented.” Cédrix Crespel Cédrix Crespel’s paintings are a true reflection of his life, a man whose notions of love and sensuality have been constantly questioned and deconstructed. By exploring different representations of femininity, the artist creates a deep connection between his own existence and his art. In his canvases, swirls, vapors, and veils of the visible conceal a secret figuration. It is through subtle details and palpable sensuality that Cédrix Crespel stages his wife Tiphaine, an undeniable presence since the beginning. His love and desire prefer to express themselves in intimacy and modesty. Thus, the artist freezes in his paintings the materiality of flesh and the vivid emotion that accompanies it, creating a dialogue of silence and subtleties. Since 2016, Cédrix Crespel has focused his work on the notion of “correspondence” and the creation of a “new Entity” generated by the couple in art. He thus offers a contemporary and introspective vision of the relationship between art and life, inviting the viewer to get lost in the layers of meaning and emotion in his work. Opening reception: 6-8 p.m. on Saturday, Oct. 14 To attend the reception, RSVP to rebecca@madisongalleries.com Related links: Madison Gallery website | Instagram | Facebook
  • Stream now with KPBS Passport on KPBS+ / Watch Wednesday, Aug. 26, 2026 at 8 p.m. on KPBS TV + Encore Sunday, Aug. 30 at 8 p.m. on KPBS 2. Grizzly 399, the most famous bear in Grand Teton National Park, has an exceptional litter of four cubs to raise. Every day, the family must contend with threats to their survival, including a warming climate and human encroachment in bear country. Now the stakes are higher than ever as Wyoming, Idaho, and Montana seek to remove grizzlies from the endangered species list—which would make it legal to hunt them.
  • Upon completion of this workshop, you will have: • Explored the elements of free verse. • Defined the difference between the lyric and the narrative poem. • Considered the composite poem in light of our current society. • Practiced different poem endings. • Examined your poetic creative tendencies. • Read and analyzed two poetry books. WEEK 1 Introduction to Poetry Two, review tips for evaluating a book of poetry, poem critique, workshop etiquette. What is free verse? Homework: begin to pick/order your books. Take home writing prompt. WEEK 2 What is lyric poetry? How does it differ from narrative? Read and critique class workshop. WEEK 3 The narrative poem and the composite poem. Read and critique class workshop. WEEK 4 How do poems end? Read and critique class workshop. WEEK 5 Your chakra—image, diction and rhetoric. Read and critique class workshop ASSIGNMENTS Each participant will choose one book of poetry and one poetry craft book and submit, by week 5, a one to two page analysis of the book and its value, or not, to the individual’s poetry writing. Poem prompts will be given each week with the anticipation that the participants will generate new work. Participants are expected to actively participate in the read and critique portions of the workshop.
  • “Stir” is a story that takes us back to the universal experience of the pandemic.
  • Ghost Roast takes place October 1-31, 2023 Nightly - 5:30 p.m. & 7:30 p.m. Bonfires on the beach have long been a favorite tradition at The Del and now the experience has a supernatural flair. Guests snuggle up around the fire, roast s'mores, and read ghost stories at our haunted hotel. Fire pits can be reserved for a one-hour experience and include all s'mores-making items plus curated ghost stories from the hotel archives for your family to read around the fire. Reservations are required and one pit accommodates up to 10 guests. Outside food is not permitted. Visit: https://hoteldel.com/events/ghost-roast/ View this event on Facebook
  • In the wake of campus protests, Republican leaders in the Legislature say that students who committed violent or criminal acts shouldn’t receive Cal Grants.
  • In this workshop, students will learn the art of editing their memoir including identifying what and where to cut to streamline the plot. Students will also learn how the revising process works so that they will be able to create a product that will excel in the marketplace. Peer editing will be utilized to assist the student in completing a first rough draft of their memoir. Students will be given an overview of the publishing options available to them including special guests (top professionals in the field) that will offer the most current and compelling information about publishing/self-publishing in today’s memoir marketplace. Class structure: Except for the first class, the first hour will be lecture and the second hour will be read and critique where participants can workshop their material or class assignments. Tone of class: We strive to create a supportive, nurturing environment where participants feel encouraged to share, risk and connect to their most creative self. We will be using the textbook 7 Essential Writing Tools, which is available for purchase on the first day of class for $10 or on Amazon/Kindle. Note: There will be no class on November 25!
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