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  • Join Janice Smith, VMF’s Education Coordinator and Certified Forest Therapy Guide, on a guided Forest Bathing walk at VMF's Volcan Mountain Nature Center in Julian, CA. Forest Bathing, also called Shinrin-Yoku, is a practice that supports healing and wellness through guided sensory immersion in forests and other natural environments. It is not a hike with a destination or goal, rather a series of guided open invitations aimed at slowing down and taking time to wander and notice nature. Shinrin-Yoku originated in Japan in the 1980’s to address a spike in stress related illness during the new tech boom. Shinrin in Japanese means “forest” and yoku means “bath.” So Shinrin-Yoku means bathing in the forest atmosphere or taking in the forest through your senses with the intention of receiving therapeutic benefits. The walk ends with a tea ceremony, using foraged local plants made by the guide. Note: This experience is for adults only and is limited to 10 participants. Must Register at www.VolcanMt.org/August-2025-Shinrin-Yoku Location: VMF's Volcan Mountain Nature Center, Julian, CA Cost: $35 per person Volcan Mountain Foundation on Facebook / Instagram
  • Andrew McIntosh, Violin and Curator Vicki Ray, Piano Matt Kline, Double Bass San Diego New Music and the Athenaeum Music & Arts Library present "Ten Million Flowers," an evening of immersive contemporary works curated by violinist and composer Andrew McIntosh. Music will include works by Takemitsu, Miller, McIntosh, and Von Schweinitz, performed by McIntosh on violin, Vicki Ray on piano, and Matt Kline on double bass. Andrew McIntosh Andrew McIntosh is a Grammy-nominated violinist, violist, composer, and baroque violinist who teaches at the California Institute of the Arts (CalArts). As a solo artist he has performed at the San Francisco Symphony’s SoundBox series, Miller Theatre in New York, REDCAT, and festivals and concert series across Europe and the United States. As a chamber musician he is a member of Wild Up, the Formalist Quartet, and Wadada Leo Smith’s Red Koral Quartet. As a composer he was described by Alex Ross in The New Yorker as “a composer preternaturally attuned to the landscapes and soundscapes of the West,” and recent commissions include works for the Los Angeles Philharmonic, Calder Quartet, Yarn/Wire, and Ilya Gringolts. Vicki Ray Described as a “phenomenal and fearless” pianist, improviser, and composer, Vicki Ray is a leading champion of contemporary music. A founding member of Piano Spheres and head of keyboard studies at CalArts, she was the first recipient of the Hal Blaine Chair in Musical Performance. Ray has premiered countless works by today’s composers and has appeared at major international festivals, as well as on the Los Angeles Philharmonic’s Green Umbrella series. Her recordings span a wide range, from Schoenberg’s "Pierrot Lunaire" to Reich’s "You Are (Variations)" and Cage’s "The Ten Thousand Things," which earned a 2013 Grammy nomination. Recent releases include Andrew Norman’s "Sonnets" with Nick Photinos, "YAR" with slide guitarist Scot Ray, and Daniel Lentz’s "River of 1000 Streams," named a Top 20 recording of 2017 by Alex Ross in The New Yorker. She also performs with the LA-based Partch Ensemble. Matt Kline Newly appointed Executive Director of San Diego New Music, Matt Kline brings a long-standing connection to the organization, having performed for nearly a decade as a double bassist, conductor, and composer. In addition to his work with SDNM, Kline has built an active career in contemporary music, performing with ensembles and at events such as Ensemble Modern, MusikFabrik, Monday Evening Concerts, and the Cabrillo Festival, and collaborating with composers including Krzysztof Penderecki, Eva-Maria Houben, Jürg Frey, and Wolfgang von Schweinitz. He holds a doctorate in music from UC San Diego, where his studies focused on contemporary performance, and he remains an active contributor to San Diego’s vibrant new music community. About San Diego New Music: San Diego New Music is a nonprofit organization dedicated to the public performance of notated music of the highest integrity and artistic caliber from the 20th and 21st centuries. We seek to advance the art form by promoting music composed with conceptual rigor, passionate energy and singular artistic vision. SDNM enriches the artistic culture of San Diego through the presentation of an annual concert series and the soundON Festival of Modern Music, and through fostering its resident performing ensemble, NOISE. In 1994, the only place in San Diego where you could hear an entire concert of 20th-century music was on a college campus. San Diego New Music pitched the idea of a concert series devoted to modern music and 20th-century classics at the Athenaeum. The concerts of modern music perfectly complement the exhibitions of modern art held in the Athenaeum’s galleries. In 1996, San Diego New Music presented its first season. The series was called "Noise at the Library," and the ensemble would later adopt the name, as well. San Diego New Music and the Athenaeum have been happily co-presenting concerts of new music ever since. For more information on the organization go to www.sandiegonewmusic.com. Athenaeum Music & Arts Library on Facebook / Instagram
  • Kwigillingok, Alaska, has long grappled with erosion and flooding. Residents want to move to higher ground, further inland, especially after the remnants of Typhoon Halong damaged nearly every house.
  • Ed People hasn't had any professional dance training, but he can definitely bust a move. The social media influencer says the goal of his global dance project is to "bring joy" and "build bridges."
  • Lila Iké's full-length debut album, Treasure Self Love, has been nominated for a Grammy. Iké spoke to All Things Considered about being one of the only women ever to receive a nomination for best reggae album.
  • With Proposition 50 passing in November, California has new congressional districts for this year’s midterm elections.
  • On "Aperture," the lead single from his upcoming album, the pop artist mines a different era of pop music.
  • The specific team matchups will be revealed later, following further progress in the LA28 Olympic qualification process and the official tournament draw.
  • Bill Steiger, who served in the George W. Bush and first Trump administrations, reflects on the past year's changes in the U.S. role — and on his new job as head of Malaria No More.
  • A curated evening of live dance, AAPI dance makers present works that tell stories of “Becoming Asian American”. This year's invited choreographers work primarily in modern and contemporary dance forms. Each come from different cultural backgrounds and are inspirational and accomplished artists in their own right. Together, they will present an evening of profound sharing and deep questioning. We hope audiences will come away with a richer understanding and appreciation of our AAPI communities and identities. This event is offered at three ticket tiers: Support the Artists - $45 General Admission - $35 Artist/Student/Low-Income - $15 Learn more about AADF2025 Mainstage Showcase, and read more about the dancer makers - https://tiltshiftdance.org/aadf-mainstage-showcase Learn more about AADF2025 and all festival events - https://tiltshiftdance.org/aadf "BECOMING ASIAN AMERICAN": As Asian Americans we are continually navigating our identity, weaving together our ancestral heritage with our current day lives. Through this festival, AAPI dance artists tell our stories of heritage, family, immigration, colonization, and assimilation. We remember the struggles and hardships of the first generations who came to the United States. We celebrate their resilience and triumphs. We recognize what we as Asian and Pacific Islanders inherit, and we uncover what we as Americans take on or let go of. We recognize and embrace our journey to become not just Asians and Pacific Islanders in America, but to become Asian Americans...finding our place in this melting pot of cultures. TILTshift Dance on Facebook / Instagram
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